The beauty of blogging

Other people’s words about … blogging

I never intended to be a blogger. The name alone is enough to put anyone off — ‘blog’ is an ugly word — and besides, I’ve always been about as tech-savvy as an aardvark. Then one of my oldest and closest friends started a blog and the scales fell from my eyes. I realised that, in the right hands, a blog, which I’d lazily assumed to be an outlet for opinionated egos or a medium for look-at-me wittering, could actually be a thing of beauty, a repository of interesting and original thought, of humour and pleasure, of amiable interchange among friends …

from ‘In Praise of Blogging
by Nigel Andrew
featured in the Literary Review magazine, August 2016

Do you remember when blogging first began? It wasn’t so long ago, was it? — somewhere in the late nineties, perhaps. I remember being deeply suspicious of bloggers and their blogs, at least at the start. They were so … trendy. Instant. Shallow.

Right?

Here is where my blog might take you ...
Here is where my blog might take you …

For me, blogging was the beginning of social media, of which I was originally — and indeed still remain — very wary. What could be good about instant publishing? About uncensored, unfettered writing? About unedited writing? (A disclaimer here: in my non-blogging life, I work as an editor. Perhaps my horror at the thought of unedited writing has an aspect of self-interest to it … )

Nigel Andrews continues:

Blogging at its best is essentially an extension of the essay form: brief and provisional, feeling its way through a subject, written with care but relaxed and not over-polished. One difference is that a blog post is published instantly and by the author; it takes its place in a conversation (with luck) and the blogger establishes his place in a community of taste and thought (ditto). This has its risks, but there is something deeply satisfying about it. Another difference is that technology enables a blog post to open out in ways not possible in the printed essay: for instance, through hyperlinks embedded in the text, or through pictures, video and audio …

I’m glad my original opinion about blogging turned out to be wrong. Blogs can be warehouses of mediocrity, egocentrism and vitriol. But, as Andrews — known on his own blog as Nige — says, they can also be places where people write with wit and tenderness, with beauty and sagacity, with passion and honesty and verve. Bloggers can take you to worlds you might not otherwise visit. I love that about them.

Here is where my blog might take you ...
… or here …

The blog world is vastly wider and richer than I ever imagined, Andrews says. I’m with him here, too. I have cooked new recipes from some of the blogs I read (here, for example, and here); I’ve learned about art and craft (here); I’ve marvelled over the joys and wonders of nature (here); I’ve found fellow booklovers (here); I’ve envied women of my age who run long distance (here); I’ve sympathised with the health woes of women younger than I am (here).

One aspect of blogging that I struggle with, though, is its conversational side: the participatory nature of it, the community. Don’t get me wrong: I love being part of the blogging community, and I love feeling as though I am getting to know the bloggers whose posts I regularly read. I love that there are readers and fellow bloggers who take the time to comment on my blog; I love that, in replying to them, I have in a sense ‘met’ them. They and their blogs have enriched my world.

... or here ...
… or here …

But I am still, at heart, an old-fashioned reader. For me, reading is an activity that I engage in privately. The silent communion I find with the writer of whatever it is I’m reading: that, right there, is for me the joy of reading. I read with my mind and my heart and my soul. And those things — my mind, my heart, my soul — are mine, and mine alone. So I rarely comment on other bloggers’ posts, or give feedback to them, or praise them, or, heaven forbid, criticise them.

This means, I am glad to say, that you could never call me a troll. But you could, apparently, call me a lurker.

... or here.
… or here …

Seriously? When did the act of reading become some kind of dialogue? When did reading obligate a reader to correspond? Isn’t reading an escape from all of that?

I take comfort in Andrews’s thoughts towards the end of his essay on blogging:

Much else that used to be in blog form has also made the transition into other social media. Could it be that the ‘death of the blog’, which seems to have been predicted ever since blogging began, is now happening? I doubt it; I think it’s more that those who were using the blog form to pick fights, project their egos or drone on about their everyday lives are migrating to media better equipped for such purposes: Twitter, Facebook, Instagram, Snapchat and the rest (neophilia is a strong driving force here). This might, one hopes, leave the blogscape open to those who blog because the form is a perfect fit for what they want to do and who are impervious to the whims of technology. If blogging is unfashionable, so much the better, I say. So many of the best things, like so many of the best books and writers, are.

I’m a reader, a writer, an editor: all of those things. And I’m also — yes, still/always/despite everything — a blogger. I see my blog as an extension of the best parts of me. However contradictory it may seem after what I’ve just said, my blog is an effort to express myself. To educate myself. To introduce my readers to things they might not otherwise have encountered on my side of the world (like some of the things pictured in today’s post). And I see it as an effort to try, in my writing and my posting and my life, to reach towards some kind of beauty.

... or here.
… or here.

In case you wondered, you are, as always, very welcome to comment … 🙂

Recovery

Other people’s words about … therapy

And perhaps not coincidentally, he also found himself doubting therapy — its promises, its premises — for the first time. He had never before questioned that therapy was, at worst, a benign treatment: when he was younger, he had even considered it a form of luxury, this right to speak about his life, essentially uninterrupted, for fifty minutes proof that he had somehow become someone whose life deserved such lengthy consideration, such an indulgent listener. But now, he was conscious of his own impatience with what he had begun to see as the sinister pedantry of therapy, its suggestion that life was somehow reparable, that there existed a societal norm and that the patient was being guided toward conforming to it.

‘You seem to be holding back, Willem,’ said Idriss — his shrink now for years — and he was quiet. Therapy, therapists, promised a rigorous lack of judgment (but wasn’t that an impossibility, to talk to a person and not be judged?), and yet behind every question was a nudge, one that pushed you gently but inexorably toward a recognition of some flaw, toward solving a problem you hadn’t known existed.

From ‘A Little Life
by Hanya Yanaghihara (p. 568)

When I was sixteen, I received in-patient treatment for an eating disorder. Though my weight loss wasn’t life-threatening, I had become stuck in a pattern of abstinence that my doctor considered a risk to both my physical and my mental health in the long term. And so, into hospital I went.

I am grateful for the treatment I received during the six weeks I spent on that ward. I am grateful to the dietitian who laughed when I told her I didn’t like Mars Bars, and said, ‘That’s your anorexia speaking.’ (Actually, I genuinely don’t like Mars Bars, but I am extremely fond of Cherry Ripes, so I think I pass the test.) I am grateful to the plump, curly-haired nurse whose pudgy feet squelched in her white shoes as she plodded down the corridor carrying a bedpan, who said, ‘If you can’t help yourself to a biscuit from that tin on the table just because you feel like eating one, you’re not better.’ I am grateful to the patient in her mid-fifties who sat opposite the dinner table from me one evening, asking me to pour her a glass of water, ‘because, you see,’ she told me — and her face was a maze of articulated wrinkles and creases as she leaned across the table to speak, her shoulders prematurely humped, her voice husky from years of smoking instead of eating — ‘my wrist bones are so fragile from osteoporosis that I can’t lift the water jug in case I get a fracture.’

I am grateful to these people, because they helped to strip starvation of its glamour for me. Because they helped me to escape.

Regular weigh-ins were a part of the hospital treatment ...
Regular weigh-ins were a part of the hospital treatment …

During my time in hospital and afterwards, my therapists talked to me about getting well, moving on, recovering, leading a normal life, finding happiness. Because we talked about these things, I assumed they were not only achievable but also desirable — essential, even. Many people make the same assumption.

But now I am not so sure. I don’t think therapy’s orientation towards focusing on health and happiness and normality is sinister (Yanaghihara’s word). But I do think, like Yanaghihara, that some people’s lives are not reparable, or that some aspects of their lives are not reparable. Some people suffer terribly, some people less so; in either case, there are times when a person’s suffering cannot be eased, either through therapy or through other means. In that context, perhaps there are qualities other than health and happiness which a person might explore. Resilience, for example. Dignity. Grace. Surrender.

I think of Viktor Frankl, who wrote so eloquently and poignantly about people’s need to find meaning in their suffering, if that suffering was unavoidable. I think we shy away from that word, these days — unavoidable. We form goals, we foster dreams, we try to shape our lives, based on that act of shying away. I think this is a mistake.

... but the number on the scale is only one factor in the equation
… but the number on the scale is only one factor in the equation

There is only so much you can can say in one post, and so I will leave the rest for another day. Instead, I will finish with some more words by Yanaghihara — words that, I think, complement these thoughts, though the millennial New York society she writes about is so far away from the terrible world of Frankl’s concentration camp:

But these were days of self-fulfillment, where settling for something that was not quite your first choice of a life seemed weak-willed and ignoble. Somewhere, surrendering to what seemed to be your fate had changed from being dignified to being a sign of your own cowardice. There were times when the pressure to achieve happiness felt almost oppressive, as if happiness were something that everyone should and could attain, and that any sort of compromise in its pursuit was somehow your fault.

(p. 41)

This is a tricky subject to write about, not least because it involves personal disclosure, if only on my side. But I would love to know what you, my readers, think about this. Please leave a comment and let me know. Your thoughts matter to me.

Snatched phrases (on books)

‘A book is a heart that only beats in the chest of another.’

from ‘The Faraway Nearby
by Rebecca Solnit

Sometimes, when I’m reading, a small phrase or a sentence will catch my eye, hidden away in the middle of the paragraph, or at the bottom of a page. Perhaps the words in that phrase snag my attention because they are beautiful; or perhaps the thought behind the phrase is beautiful — complex and lingering — despite the simplicity of the actual words.

I write these phrases down in a notebook and treasure them, as you might a necklace your mother gave you when you were a young woman, or a china teacup that once belonged to your grandmother. Sometimes, when I’m writing them down, the word ‘stolen’ creeps into my mind: there is something about the act of recording them which makes me feel I have snatched them from their creator and reappropriated them as mine, storing them inside my heart.

Snatched phrases: today’s post, quoting Rebecca Solnit’s beautiful words about books, is the first in an occasional series here with this theme. However you think of these words, whatever your definition of the word ‘stolen’, they are yours now, too. Writers write for others, after all; writing is about the transmission of words and ideas from a writer to his or her readers — readers like you and me.

And they are not really stolen at all, these words. It feels that way at first, because they are so precious and so beautiful. But in fact, it is the other way around: the words have stolen our hearts. To read is to be captured, over and over again. I can think of no better form of thievery.

At ease on this earth

Other people’s words about … beauty

I am haunted by waters. It may be that I’m too dry in myself, too English, or it may be simply that I’m susceptible to beauty, but I do not feel truly at ease on this earth unless there’s a river nearby.

from To the River
by Olivia Laing

Haunted by waters. Isn’t that a beautiful phrase?

Though the words I’ve quoted above are about a river rather than the sea, still, they ring true for me. For most of my adult life — except for the two or three years I spent in my early twenties, travelling and working abroad — I have chosen to live within walking distance of the sea. In my late twenties and thirties, as I’ve mentioned before, I lived in a series of share households: different houses every eighteen months or so, different housemates. But each of those houses was close to the sea.

These days, I live in a house just a few minutes’ walk to the beach. Open a window, and you can hear waves rolling onto shore. Step onto the front porch, and you’ll smell seaweed drying out beyond the water’s reach — a damp, bleached, faintly rotten smell. Look around indoors, and you’ll see drifts of sand piling up in the corners.

The sea surrounds me. It’s how I make sense of things. It’s how I feel at ease.

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There’s another phrase I love in the words above: susceptible to beauty.

Like anyone else, I have good days and bad days. There are days when I feel at home, here on this earth: when my skin feels comfortable beneath the layers of my clothes, and the warmth of the sun feels kind and good. And there are days when the world seems vast, alien, spinning, remote. What gets me through those latter kinds of day are tiny moments of beauty, out there by the water: pinpricks of sunlight sparkling on the tips of waves, like sequins on a piece of cloth; clouds chasing across the horizon, billowing and grey; a cluster of yellow flowers growing in the dip of a dune, petals cupped to reflect the light.

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I took the photographs you see here late one August afternoon, just a few weeks ago. Sitting at my desk, working at my computer, I felt hemmed in suddenly: by streets and footpaths, by fences and cement driveways, by the sound of my neighbour hawking up sputum in his bathroom. The longing to get away from all of that was so strong it felt akin to starving. I felt hollow through and through.

I shut down my computer, stepped outside, and walked down the road to the sea.

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Five minutes later there I was, standing on the sand, looking out at the water and the sky. It was close to sunset and I wandered a while along the shore, released at last: from work and worry and words. And I saw something, then, that I don’t know how to describe, though I’ll try: I saw spring coming. The air had a certain quality to it — a softness, perhaps, after the steely bleakness of winter. I thought that if I reached out with my hand I might touch that beautiful softness. It seemed possible, just for a moment.

Looking at the photographs now, I don’t see what I did then. Perhaps you don’t, either. But I know that I saw it, all the same. It was one of those moments — those tiny moments of beauty — to which I, like Olivia Laing, am susceptible.

I am grateful for those moments, is what I’m trying to say. They give me a kind of gladness. They bring me home.

The reader

Other people’s words about … books

She has always been the reader — no-one else in the family is that interested. She had carted her books from house to house as a student, the boxes growing in number each time, keeping them because she could not imagine doing otherwise, and because she thought that there was something permanent in a book, that it lasted forever. But now, when she takes an older paperback out to reread or loan, she is surprised at how fragile it has become, the paper threatening to tear in her hands if she turns the page, tiny black specks embedded in its tissue pages; bugs, probably. She should have cleared them out, she thinks. Packed them up in boxes for recycling. No-one would want them when she was gone.

From ‘Between a Wolf and a Dog
by Georgia Blain

I grew up in a house in which every room contained a bookcase or a wall lined with bookshelves. I remember kneeling in front of those shelves as a child, scanning them, trying to make sense of the order in which they had been shelved, trying — with a child’s sense of incomprehension — to understand the titles. There were lots of orange paperback spines (oh, those old Penguin classics!). There were fat, hardback dictionaries — volume after volume of them. There were thick novels with white covers and raised lettering. There were books with titles like Fear of Flying, which didn’t seem to be about flying at all. There were books with titles containing words like ‘teach’ and ‘literature’ and ‘linguistics’ and ‘semantics’.

And none of these books had pictures in them.

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I made a vow when I was about seven or eight years old that I would never, ever read an adult book. The books on my parents’ shelves seemed to be about — or to come from — a disturbing adult world: a world of which I knew I wanted no part. And so the first time I read a book without any illustrations, I felt half-proud, and half-afraid. Was I crossing over to adulthood now, after all? Could I stop myself? It seemed not. Reading, in the end, was more than just enjoyable: it was essential.

As a young woman, I lived for many years in a series of rented houses and share households. My housemates and I each had our own bedroom, but we shared saucepans and bowls and TVs and washing machines. We talked about the films we wanted to see, the music we liked to listen to, the books we had just read. We cooked for each other and shared bottles of cheap red wine and chardonnay. We borrowed novels from the local library, and bought tattered secondhand paperbacks from the local op shop.

During those years, I stored any books I owned on a makeshift shelf that I’d constructed by putting bricks on my bedroom floor and laying a plank of wood over the top of the bricks. Later, I went through a phase where I decided that lettuce crates were a cool way to store my books. I couldn’t bring myself to buy a proper bookshelf. I was afraid, I think, of making the commitment. A bookshelf spelled permanency. It spelled adulthood. It spelled turning into your parents. I wasn’t going to do that. (Why, I wonder, are we so fervently against turning into our elders when we are young? Now I would be honoured to think I was, or am, like either of my parents.)

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I don’t remember exactly when I gave in to owning a bookshelf: to growing up, to admitting, happily, that I shared my parents’ passion for literature. I am glad that I did, though. The books on my shelves may one day fade, their pages tearing, their covers warping with damp. They may seem meaningless to anyone else. And yet there is something permanent in them: there is something that lasts forever, despite their physical frailty.

Reading transports to you another world: a world of someone else’s creation. It makes you feel things — sadness, joy, anger, bewilderment. Writers share their worlds with us; their books are their gifts. Those gifts leave an imprint on us. You can’t store that imprint on a plank of wood resting on a brick. You can’t stack it in a lettuce crate. And you certainly can’t pack it up and recycle it.

 

An open door

Other people’s words about … inspiring teachers

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I brought Vera to one of [my mother’s] lectures. It was held in the quadrangle at Sydney Uni and the hall was packed. Vera and I squeezed in at the back next to the open window and then my mother made her entrance, rushing in with a briefcase under her arm. She didn’t know we were there and didn’t see us. Applause broke out, brief but enthusiastic.

‘Oh,’ she said as she reached the front, ‘you are being entirely silly and adorable.’ And then she put on her reading glasses and began the lecture. I didn’t hear a word of what she was saying. I just kept thinking that I too would have clapped had I not known her. There had always been a kind of heat emanating from her. People responded to it, and that day was no exception; that day she made everyone feel that Political Science 101 was a gateway to a brilliantly inspired life.

from ‘What the Light Hides
by Mette Jakobsen

When I began my Arts degree at university, the one subject I refused to enrol in was the subject in which my father was a lecturer. I didn’t want to have the experience of being tutored by, or lectured to, or graded by, a parent. I wanted to make my own way through university, no strings attached.

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Still, word gets around. My father was an immensely popular lecturer: fallow students in other subjects began to come up to me and say incredulously, seeing the surname I shared with him, ‘I think your Dad’s my lecturer.’ The lecture theatre was always packed when it was his turn to speak. He told anecdotes that made students rock with laughter, and the passion he expressed for his subject lit up his eyes, filled his voice, guided his gestures. He was cool; he was a legend: friends told me this all the time. I know now, as I did then, that his students, walking under the shaded trees of that campus, strolling past the old stone buildings with the arched doorways and the spreading lawns, were lucky to have him.

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It’s a cliché, but teachers and lecturers really do change our lives. When I was in Year 12, I had a teacher who shared the same kind of popularity amongst students as my father did at university. She taught Australian history — a subject as dry and dusty as any you could think of, at least back then, in the days when the history of Australia’s first people was rarely considered or contemplated in high school classrooms. She took us through the history of the Australian Labor Party, the social history of (white) women in Australia, the beginning of national pride in Australia.

Like my father, she taught by telling stories. She had a flat, slightly croaky voice, and crinkled, grey hair through which she would push her hand as she walked between our desks. The whiff of cigarette smoke hung about her clothes — woollen jumpers, tweed skirts — leaving a trail behind her. She kept a sheaf of notes on her desk to consult if she needed to, which she rarely did. Mostly, she just talked. Sometimes her voice grew sad, sometimes urgent. If I close my eyes, I can still hear her talking.

Beyond history, she also taught us how to study. It was from her that I learned how to take notes, how to structure an essay, how to study for exams, how to practise good time management so that you could hand in an essay on time. I took those skills with me to university. I wasn’t happy socially the first time I attempted university — indeed, I left at the end of that first year and didn’t return for another six years or so — but I loved the academic challenge of the subjects I was studying, and I have my Year 12 Australian history teacher to thank for that. To this day, I still use the skills she taught us to structure anything I’m writing or drafting, and I rarely miss deadlines. That’s because of her.

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If you look closely, you’ll see a common theme in each of the photos I’ve chosen to accompany this post. They are all taken on or around my local campus, the University of Adelaide — and every one of them shows a door or a window. That’s because learning should be about opening doors, letting fresh air into our minds. It should be about allowing us to enter new worlds, to see things from a new perspective.

Gifted teachers guide us through this process — people like my history teacher, people like my father. They change our lives for the better.

In return, we carry their teaching with us for the rest of our lives. We never forget them.

The one true story

Other people’s words on … writing

He said, ‘What is your job as a writer of fiction?’ And she said that her job as a writer of fiction was to report on the human condition, to tell us who we are and what we think and what we do.

from ‘My name is Lucy Barton
by Elizabeth Strout

When I first began this blog, I was adamant that, though I am a published writer, my blog would not be about writing. A writer can blog about things other than writing, right? A writer isn’t just a writer: a writer is a person; a writer has a life. That’s what I wanted to blog about.

Besides, it seemed to me that blogging about writing would be, in my case, an inexcusably audacious act. My thinking went like this: I have published only two books. I haven’t published anything since 2010. My books have gone out of print. What can I tell anyone about writing? Who would want to read what I had the temerity to say?

Early drafts: an audacious act
Early drafts: an audacious act

I don’t much like the word ‘writer’. Perhaps it’s because I haven’t published much and don’t make a living from my writing, but I feel pretentious and arrogant when I call myself one. I think of myself instead as someone who has written two books, and would like to write another one, but is struggling to do so.

That’s another word I don’t like: ‘struggle’. When I first began writing stories and fiction, the writing was an act of joy. It was a process of humble discovery. Each word that I wrote, each sentence, each chapter, was a journey. I was learning to do something new. I was learning to do something I loved. I was learning.

Writing is a learning process
Lessons in writing: all part of the learning process

So when I first read the words I’ve quoted above from Elizabeth Strout, I thought: Yes! Writing fiction, for me, has always been about opening myself up to sorrow, and to joy, and to humility, and to discovery. It’s about expressing those things, however afraid I am to do so. It’s about making sense of my life. It’s about trying to make something beautiful. It’s about having the temerity — the audacity, the arrogance — to share my words with other people: people who, like me, love reading.

Most of all, writing fiction, like blogging, is about sharing.

And so that’s the reason I’m posting these words about writing today. Call it pretension; call it temerity. Call it audacity; call it arrogance. Call it learning; call it sorrow; call it joy.

Elizabeth Strout again (from the same book):

You will have only one story … You’ll write your one story many ways. Don’t ever worry about story. You have only one.

Maybe this is the only story I have to share, but that doesn’t mean it’s not worth sharing.

The butterfly bush

Other people’s words about … English gardens

The garden was in a jungle state of desuetude: weeds were everywhere. The top lawn descended to a second, where was a tangled rose garden and sun-dial: thence further descent, past more noble trees to a third lawn in the middle of which was a pond, or miniature lake. It had an off-centre well-scaped island, containing one weeping willow and some iris out of flower. Pigeons flew heavily out of bushes like people leaving a play of which they disapproved. Rabbits cavorted and then escaped their attention just in time. A huge old buddleia was spattered with either tortoise-shell or Painted Lady butterflies. Arabella seemed delighted by the whole thing.

from ‘Odd Girl Out
by Elizabeth Jane Howard

When I was fourteen years old, my family spent a year away from Australia, living in England. My whole family, on both sides, comes from the UK; my sister and I were born there, too. We migrated to Australia when I was three.

So the year back in England was a homecoming of sorts, for my parents, at least. We lived in an old stone coach house, in Oxfordshire. As I remember it, the coach house stood on stilts in the gardens of a much grander house, also built of stone. There were brambles, and two black cats — one bold and prowling, the other timid and long-haired and neurotic — and several peacocks strutted the spreading lawns, letting out frightening, ghoulish shrieks beneath our windows. That year, the winter in England was unusually severe, and drifts of snow built up in the garden and in the country lanes leading to our house. My bedroom in that cold house was tiny, with room only for a single bed, a chest of drawers, and the hot-water boiler. Because of the presence of the boiler, though, I remember my room as being always cosy and warm. It had cheerful Laura Ashley wallpaper with sprigs of tiny green flowers dotted all over it.

Butterfly poster
Butterfly poster

My grandparents on my mother’s side had retired to live in Dorset, and we spent many weekends there. My grandfather loved to garden; he had a small allotment on the fringe of the village, where he grew runner beans and potatoes and lettuce and — that most English of vegetables — spring greens. Their own backyard was small, with a stone wall at the end, beyond which cows grazed in a field.

Near the house grew a bush with beautiful purple flowers. Memory is a strange thing — I remember this bush as a buddleia bush; I remember my grandfather telling me that’s what it was; and I remember the butterflies that visited it in the spring, drinking nectar from the flowers, their wings warmed by the sun as they clustered on the blossoms. Now, years later, my mother tells me the bush wasn’t a buddleia at all: it couldn’t have been, because my grandmother considered buddleias weeds. It was, in fact, a lilac tree.

Butterfly brooch (1)
Butterfly brooch

However faulty my memory is, I know that it was in my grandfather’s garden that I learned to distinguish between tortoiseshells and painted ladies and swallowtails and cabbage whites. Though we returned to Australia a year later, I retained my love for butterflies. The butterflies here are different, and I delight in them just as much, so much so that my house is cluttered with butterfly ornaments and trinkets and gifts from friends.

Assorted butterfly earrings
Assorted butterfly earrings

How do I remember England and our time there? That’s another memory for another time. Lest anyone wonder, this post isn’t intended to be a commentary, condemnatory or otherwise, about the recent Brexit. The timing of this post is purely coincidental. Still, what I love about the words from Elizabeth Jane Howard in the quote above is how, in just a few sentences, they capture an English summer in all its Englishness … at least as I remember it.

 

Some books say

Other people’s words about … self-help

Some books say sing to your plants
Some books say sing to your plants

Sometimes I am guilty of believing that if I can just read the ‘right’ book, I will know how to change my life. If I can just follow the right advice (and adhere to it), I will know how to live.

That’s the appeal of self-help books, right? You don’t have to think for yourself anymore. You just have to do what the author says, and you’ll find happiness. Success. Wealth. Health. Glory. Inner peace.

Then again …

Some books say start a garden, sing to your plants. Some books say join a book club, take music lessons, start a stamp collection, get a pet. Some books say brew your own beer. Some books say try paintball, enter a local trivia competition, take dance lessons, learn to rumba. Some books say listen to James Brown. Some books say give yourself a hug. Some books say when someone hugs you, let them be the first to let go. Some books say let a dog lick your face. Some books say swim naked. Some books say kiss a stranger. Some books say climb a mountain. Some books say overcome a phobia. some books say change begins with pain. Some books say get busy living or get busy dying. Some books say never say the word try. Some books say there’s nothing you can’t do. Some books say accept your limitations. Some books say don’t take no for an answer. Some books say buy a karaoke machine and invite friends over. Some books say learn a new language. Some books say leave no regrets. Some books say beware a person who has nothing to lose. Some books say do no harm. Some books say never cut what can be untied. Some books say admit your mistakes. Some books say you are not your mistakes. Some books say forgive everyone everything. Some books say never criticise what can’t be changed. Some book say don’t be afraid to say I don’t know. Some books say don’t bore people with your problems. Some books say when someone asks you how you feel, say terrific, never better. Some books say ask questions. Some books say don’t ask too many questions. Some books say carry someone. Some books say let yourself be carried. Some books say there’s nothing to fear. Some books say it’s okay to be afraid. Some books say whistle in the dark. Some books say give more than you take. Some books say God never gives you more than you can take. Some books say God never blinks. Some books say God grant me the serenity to accept the things I cannot change, the courage to change the things I can, and the wisdom to know the difference. Some books say read the Psalms. Some books say if something seems too good to be true, it probably is. Some books say choose your life partner carefully. Some books say tape-record your spouse’s laughter. Some books say that if you live with a partner, one usually dies first. Some books say surrender. Some books say do not go gently. Some books say recognise that you are lost. Some books say put yourself back together piece by piece. Some books say it’s never too late. Some books say it’s not unusual to live to ninety. Some books say you will probably be old for a long time. Some books say you can’t kiss your own ear. Some books say it’s nice to meet someone after a long absence. Some books say reunion is a type of heaven. Some books sat there’s no good in goodbye. Some books say never say goodbye, better to say see you later, see you soon, see you someday, until we meet again.

from The Book of Why
by Nicholas Montemarano

Maybe it’s time for us (me?) to remember that there is no single, right way to live: that for every piece of truth someone offers you, there is another, opposite truth.

But maybe there is comfort in that plurality. Maybe that’s the point. Maybe it’s all about acceptance, and making peace with that acceptance.

And maybe — just maybe — that’s part of the adventure …

The third year

Beautiful words

I love reading.
I love words.
Maybe you’d noticed?
After all, reading and writing have been two of my core themes on this blog, right from the start.
So.
This year — my third year of blogging (yes, really! twenty-one words has been around for over two years now) — that will be my main focus.
Other people’s words.

A year of reading
A year of reading

Each week, I’ll be posting a quote from something I’ve read and loved,
either recently or long ago.
(Some writers’ words stay in your mind forever.)
Sometimes I’ll post a photo to accompany the quote,
sometimes I’ll post a comment instead.

A cup of tea to accompany reading makes it even better ...
A cup of tea to accompany reading makes it even better …

I hope you’ll find some words here, in the next year, that tickle your fancy;
that make you think;
that make you laugh,
or smile,
or cry;
that make you go to your library and read those other people’s words for yourself.
For me, that’s what reading’s all about.

Note
For readers wondering about my original theme — twenty-one words, after which this blog is named — fear not. ‘Twenty-one’ will still be a theme around here. Watch this space to find out how.