Winter – twenty-one words

Only connect: seeing someone

September 7, 2023Posted in a thought, favourite quotes, gratitude, hope, Lately I've been reading about, life, moments of beauty, on writing, Only connect!, Other people's words about ..., reading, resilience, solace, staying humble, staying true, WinterTagged Rufi Thorpe, The Knockout QueenLeave a comment

Other people’s words about … connection

‘So how is it [in prison]?’ I said [to Bunny]. ‘You look good.’
She did not look good. Her skin looked dull and she had a handful of tiny pimples on the left side of her face. Her hair was greasy at the roots. ‘It’s fine,’ she said. ‘I mean, I get by.’ She laughed.
‘Do you have any friends?’ I asked.
‘A couple,’ she said, licking up a palmful of M&Ms.
‘It’s just so good to see your face,’ I said, which was a lie. It was weird and sad to see her face. She didn’t look the same. But then she met my eyes fully for the first time, and the eye contact was so intense I felt I was falling, that if I didn’t concentrate I would lose consciousness. There was just her whole soul, right there. Looking at me. It was Bunny.

from ‘The Knockout Queen‘
by Rufi Thorpe

You know those moments when someone says something to you, or when you look at someone, and you feel a deep, true connection with them? That’s the kind of moment, I think, that Rufi Thorpe captures so movingly in the passage I’ve quoted today.

It’s hard to be frank in this way with another person, and it’s rarely sustainable, and so the intensity of the moment fades in the same way a bruise fades. That doesn’t mean you didn’t see each other.

It doesn’t mean you haven’t been seen.

Sunset, Deep Creek, August 2023.

Lately I’ve been reading …

- And they broke into song: Yasmine El Rashidi on protest, fear, repression and hip-hop in Egypt today.
- She began to sing then, low and lovely, in Pennsylvania Dutch. As she proceeded, the notes took on a tactile quality, a weight: dark birds moving through the night air: Rachel Yoder explores the fascinating world of Amish spells.
- When I say that a book has made me cry, what I’m really saying is: This is part of the canon of some of the most profound moments of my life: As a fellow crier, I enjoyed Rachel Dlugatch’s list of reading to make you cry.
- What look like lampposts around the field are actually vents that allow methane gases to escape: Rachel Kushner on post-street-life streets.
- The pressure to have fun in the summer has always felt like a kind of tyranny to me: Jean Hannah Edelstein on motherhood in the era of social media.

Unlearn

August 20, 2023Posted in a thought, anxiety, books, depression, favourite quotes, Lately I've been reading about, life, on writing, Other people's words about ..., reading, resilience, snatched phrases, staying humble, staying true, WinterTagged Anna Metcalfe, Chrysalis2 Comments

Other people’s words about … the way we feel

She did not adopt the persona of a lawyer, which was the only thing I’d learned to do. Instead, her own innate mannerisms, her seemingly authentic and unrehearsed responses, were more effective than any behaviour she might have acquired through practice and effort. She knew this, she used it and we won. I left the courtroom feeling slightly different about myself. I vowed to be less afraid to talk in my own voice, or to follow my own line of thought, though I had no clear sense of either of these things. I wanted to learn how to be myself again, having been carefully unlearning it ever since I was born.

from ‘Chrysalis‘
by Anna Metcalfe

It’s funny how you can be struck by a single passage in a book even when the book itself — its story, its characters, its voice, its narrative arc — leaves you cold. That’s how it is for me today, in quoting the passage above. My feelings about Anna Metcalfe’s novel Chrysalis as a whole are ambivalent, but this passage, particularly the last sentence, will never leave me. I wanted to learn how to be myself again, having been carefully unlearning it ever since I was born.

Groundsel flowers, Taperoo dunes, July 2023.

Another way to say what Metcalfe says is: All my life, I have felt as though there is something wrong with me. This is something I’ve written about in blog posts before, this feeling of wrongness, of inner wrongness, essential wrongness. I understand that it’s not unique to me — we probably all feel this way, to some degree. We live in a social world, after all. My life is jumbled up in yours, and yours in mine. Still, this feeling is one I’ve always experienced very strongly.

Something about Metcalfe’s way of putting it, though, particularly resonates with me. It’s the concept of learning and unlearning, I think. Can we unlearn this feeling? Maybe.

Lately I’ve been reading …

- I loved those letters. One of the best things about our decades-long correspondence: it was leisurely and incremental, enriched by delay. Typically, a month or more elapsed before one of us answered the other. We wrote back when the epistolary impulse struck: I am a big fan of Melissa Bank’s The Girls Guide to Hunting and Fishing. Here, Bank’s friend Julie Schumacher remembers her a year on from her death.
- Now that I am older it feels less challenging to turn away from accepted practice and give myself the time necessary to find and develop my own voice on the page. In my view it is not the thinking which makes the difference but the doing, the daily custom of seeking meaningful expression: Yes, yes, yes. This is why I write, too: Jeremy Cooper, on publishing a novel at 72.
- I’ve really struggled with happiness, most of my life. But purpose [I] can do: Emine Saner quoting Joe Yelverton, who survived an avalanche. Later, struggling to survive the PTSD that followed his accident, Saner turned to Victor Frankl’s book Man’s Search for Meaning for succour.
- Our bus showed up, but we were further delayed while passengers on it waited for their luggage. Apparently, its faulty hold had opened and bags had scattered along the highway – or so the story went. You never quite know on a Greyhound. The rides can take on a mythical dimension: Joanna Pocock, on crossing the US by Greyhound Bus, and on the ‘appification’ of travel.
- Jonathan Franzen, at least, is really great. His nonfiction is pessimistic and snobby, but his fiction is passionately inclusive. His main trick, which never gets old, is to reveal his characters’ inner lives at the moment of their most visceral humanity: Emily Gould, in an intriguing piece on the state of fiction today, in which she bewails the unfair success of male white writers and yet still manages to be fair about one of them whose writing she loves.

Immeasurable

July 23, 2023Posted in a thought, anxiety, books, depression, favourite quotes, hope, Lately I've been reading about, life, on writing, Other people's words about ..., reading, resilience, rituals, solace, South Australia, staying humble, staying true, Winter, writingTagged All Grown Up, Jami Attenberg1 Comment

Other people’s words about … practising art alone

But you have a little secret: while you are not making Art anymore you are at least drawing every day. To tell anyone about this would be admitting there is a hole in your life, and you’d rather not say that out loud, except in therapy. But there you are, once a day, drawing the same thing over and over: that goddamned Empire State Building [which you can see from the floor-to-ceiling window in your new apartment]. You get up every morning (or afternoon, on the weekends, depending on the hangover), have a cup of coffee, sit at the card table near the window, and draw it, usually in pencil. If you have time, you’ll ink it. Sometimes, if you are running late from work, you do it at night instead, and then you add colour to the sketches, to reflect the building’s ever-changing lights. Sometimes you draw just the building and sometimes you draw the buildings around it and sometimes you draw the sky and sometimes you draw the bridge in the foreground and sometimes you draw the East River and sometimes you draw the window frame around the whole scene. You have sketchbooks full of these drawings. You could draw the same thing forever, you realise. ‘No man ever steps in the same river twice, for it’s not the same river, and it’s not the same man’ is a thing you read once. The Empire State Building is your river. And you don’t have to leave your apartment to step in it. Art feels safe for you again, even though you know you are not getting any better at it, that the work you are making could be sold to tourists on a sidewalk outside of Central Park on a sunny Saturday and that’s about it. There’s no challenge to it, no message, just your view, on repeat. But this is all you can do, this all you have to offer, and it is just enough to make you feel special.

from ‘All Grown Up‘
by Jami Attenberg

I have conflicting responses to the passage above. In many ways, Attenberg’s narrator, Andrea, reminds me of myself, although her creative practice is art and mine is writing. I certainly know what it’s like to stop showing people the material you are creating, to keep your practice to yourself, to see it as your own little secret. And I know the feeling that comes with doing this, too, which Andrea articulates elsewhere in her narrative — that feeling that what you are doing, the material you are creating, the act of creating it, is barely scratching a feverish itch.

Something changed for me about a year ago, though, after which I began tentatively showing people something I’d written — a few people, a very few people. This gave me the courage to do more with that particular piece of writing, and as a result I’m not in the same place anymore as Andrea, although all I can say about that for now is that I do have a piece of writing coming out later this year — a small piece, but a piece nonetheless — and I will tell you more when I can.

Reeds in the marsh, The Washpool, July 2023.

But even if things hadn’t changed for me, I suspect that I’d still finding myself wanting to argue with Andrea as much as I’d find myself wanting to agree with her. Because the thing that I learned during those years of writing alone, writing unseen, was that there is a value to creating something — art, literature, whatever — that has nothing to do with other people’s opinions, nothing to do with productivity or acclaim or results. What I learned (very slowly, very painfully) is that creating just your view, on repeat can in fact teach you something; it can take you somewhere new in your work. You may not be able to measure the work you create in private; you may not be able to quantify it. But when did art become something we need to measure and quantify, anyway? When did it become an outcome, a product?

I believe, although it’s taken me years to come to this understanding, that the practice of creating has its own value. The work you do as you create something, that feeling you get as you practise it of reaching out, of bringing something into the world, is an act of connection and hope. This is valuable. This is meaningful. And it can — it can — be enough.

Lately I’ve been reading …

It’s a long list today, as I try to catch up on some of my reading over the last few months. I hope you’ll enjoy one or two of the pieces I’ve listed here.

- I didn’t believe in writer’s block, but writer’s block sure believed in me. It was a nightmare that wouldn’t end. As dramatic as this might sound, I felt like I was suffocating, dying —- and a part of me really was: While we’re on the topic of writing, here’s Matthew Quick on how he found his way through the writer’s block that assailed him when he became sober.
- I had lost contact with the mental space that running had once opened up for me, where for years I’d soothed my anxieties and depression, reckoned with my own alcoholic past, and incrementally cobbled together a sense of well-being: Caleb Daniloff with a different angle on addiction, not his own but his daughter’s, and on running with her dog after her death.
- You shrugged, those round army green shoulders coming up briefly around your face and then falling again. Me: already in love: Naomi Gordon Loebl contributes to Off Assignment’s wonderful ‘Letter to a Stranger’ series.)
- Harry stood patiently, observing, the way a photographer would. After a few minutes he turned to Dad and called, Hey, you need a hand? Ezequiel-Saint Millan II on a meeting between the man he calls Dad (his adoptive father) and his father (his biological father)
- I also keep thinking about how Blonde is over 700 pages and I never got past the second chapter: Jesse Lee Kercheval on Joyce Carol Oates and on the blurry line between fiction and non-fiction.
- I had been a confident child, but that confidence had slowly drained from me. I started getting nosebleeds, constant nosebleeds. I had known since I was six years old that I wanted to be a writer, so I read a lot, and wrote a lot, but these activities gave me less and less pleasure. I grew very thin. I did not sleep: The writer Joseph Earp on being plagiarised by his writing mentor, John Hughes. I wasn’t aware of the outcry around John Hughes’s plagiarism until I read this piece (some time ago now), but I was fascinated in reading this that Earp moves beyond outrage to something deeper and more conflicted — and ultimately more compassionate.

Grasp

July 17, 2023Posted in a thought, anxiety, books, depression, favourite quotes, gratitude, health, hope, Lately I've been reading about, Other people's words about ..., Paths, reading, resilience, Running, solace, South Australia, staying humble, staying true, walking, What I love about ..., WinterTagged Anna Raverat, Signs of LifeLeave a comment

Other people’s words about … reading

After most of my long days at work, I would arrive back at the flat, pour myself a glass of wine or vodka and read, mainly short stories and poetry. I wasn’t reading novels because I didn’t want that kind of continuity; I didn’t want to carry over any part of narrative from one day to the next. Sometimes I read poetry in languages I didn’t fully understand — with a sense of the meaning, but reaching for it, grasping after it. One of my other pleasures was smoking, but I didn’t dwell or savour; I narrowed it down to lighting up and the first few drags — after that I lost interest. I read like I smoked: fixating on my new favourite in its entirety to begin with and then honing in on the exact phrase or phrases that gave me the fix, then reading only for those, discarding the rest and when that poem had been emptied out, moving on to the next.

from ‘Signs of Life‘
by Anna Raverat

I’m not a smoker and I love reading novels far more than I do short stories or poetry, but still, I found myself smiling in recognition when I read the narrator’s description in the passage by Raverat above about her approach to reading. I experience myself, these days, as a greedy reader — greedy for beautiful words, phrases, images, moments, greedy for the fix they give me, while often the plot or theme of a novel remains distant or abstract to me.

Pathway, Sellicks Beach, July 2023.

Reading has been an important part of my life for as long as I can remember, though the reasons for its importance to me has varied over the years. These days, it feels like an escape for me from the world, or perhaps more accurately an escape into someone else’s world — that world they create with their words. And, like anyone addicted to their fix, I’m not about to give it up.

Little green bench (a place to read in when the warmer weather returns?)
Sellicks Beach, July 2023.

Lately I’ve been reading …

Today’s reading list is exclusively about animals and pets — for all the animal-lovers out there! xo

- To have a good life — to reach the highest rung of cat-ness — cats need to go outside: Long-time readers will know that a couple of years ago I rescued a feral cat, who has now become a much-loved member of my household. Before Lizzie came along, I was, as an environmentalist, firmly of the belief that feral cats had no place in Australia, where they are not native animals and where they are responsible for killing many native bird and reptiles. But, as Carrie Arnold writes in this piece, the issue becomes so much more vexed once you have got to know a cat up close. The problem of cats, Arnold concludes, isn’t a cat problem — it’s a human problem. That’s correct, I think. But I also think that what the discussion often misses is the matter of compassion. I want to act compassionately, and compassion is not a hard and fast concept, and rescuing Lizzie was for me an act of compassion despite my environmentalist principles. As I write this, my cat Lizzie is curled up on the quilt on my bed in the space between my knees and the laptop. She’s a happy little thing, and I’m grateful for her presence in my life.
- Why, then, do we consider domestic cats to be loners?: Jonathon B Losos with another piece on cats, this time on how domesticated they may or may not be.
- The status of dogs in India now contrasts sharply with that in Western countries, where any dog found wandering outside on the street is considered stray and liable to impoundment and being killed if not retrieved or rehomed: Krithika Srinivasan and Chris Pearson discuss the free-living dogs of India and how the roots of their treatment lie in … colonialism.
- Early signs of canine anxiety can be as subtle as lip licking, yawning, or staring into the distance. It’s no wonder that many pet owners don’t notice their dogs’ distress until it takes on more problematic forms, like excessive barking and peeing indoors. Even aggressive reactions like growling and snapping at other dogs or people are likely rooted in fear: Ula Chrobak on anxiety in dogs.

How are we to know

July 4, 2023Posted in a thought, anxiety, books, depression, favourite quotes, Lately I've been reading about, life, Only connect!, Other people's words about ..., reading, resilience, solace, staying humble, staying true, Winter, writingTagged Men in My Situation, Per PettersonLeave a comment

Other people’s words about … grief

And one time [Audun] drove in to Advocate Delhis Plass and picked me up off the floor where I was lying flat out on my stomach. Turid and the girls were in Trondheim, and I had no intention of getting up for a good while, but rather preferred to lie there with my forehead ground into the hard cold dusty floorboards, and I thought, how does one measure grief, is there a yardstick for grieving, is there any difference, say, between grieving for one person as opposed to two or three persons, or even four, as in my case, did all this fit on a yardstick, or could the level of grief register as on an instrument, such as a Geiger counter, and the closer the instrument got to the full power, the full height, the full number, the faster and louder the instrument would emit its familiar beep. And how was I to know when there was grief enough, and if grief was liquid like melting silver, could one then pour the grief into a litre measure and conclude, under these circumstances eight decilitres ought to be sufficient, and let the silver congeal hard and shiny not far below the rim. How was I to know. And how was I to know it really was grief I was feeling, it didn’t seem to resemble anything I had seen on film, or what others told me they had felt when their people died, and I was bewildered, for I didn’t cry, and when did one cry really, when you were alone, or in the company of witnesses. And if one were alone, what was the point, when no-one would see it, how was I to know, I didn’t have that yardstick, that litre measure. I had to deal with it myself, was that not so, I let no-one else inside, no-one else’s yardstick was of any use, no-one’s litre measure, and in a way it felt strangely irrelevant, no, not irrelevant, but rather beyond my field of vision. I could barely glimpse a dark swishing tail disappearing, and when I grasped it and held it fast, I was left with nothing but the tail in my hand. The rest was gone, like a lizard sacrificing its tail for freedom. I did try, and hard too, with open eyes to face what had happened, but I didn’t know what to do with what I saw, I had already watched most versions of the issue acted out on TV, they were used up, and I couldn’t think of any others. So then I simply tried not thinking about it at all. That didn’t work either. And so instead I wanted to find an image that could cover all this, after all it was my job, to turn the whirling liquid into something concrete, turn the waves of distracting electric shocks to the stomach into solid surface. but I didn’t have any images that were large enough, firm enough, and after a while I found it pretty exhausting. So I lay there until Audun arrived. He walked straight in, the door wasn’t locked, I had forgotten as usual, and before even seeing me, he said into the hallway, hello Arvid, for Christ’s sake, why don’t you answer the phone when I call. And it was true, often I didn’t answer, it was a breach of every rule, but I was afraid there might be an undertaker at the other end, although I knew the funerals I was supposed to attend lay behind me for now. And there came Audun, in through the living-room door and he saw me on the floor and said, what the hell are you doing down there. I’m thinking, I said. All right, he said, so what are you thinking about. Litre measures, I said, yardsticks, that kind of thing. Okay, he said, that sounds practical in a way, but you can get up now. I’m not sure I can, I said down into the floor, my lips cold against the cold planks, covered in dust, the vacuum cleaner hadn’t been out for a good while. Yes, you can, he said, just do it, and I’ll go to the kitchen and put the kettle on for coffee.
Ten minutes later when he came back with two full cups of coffee and milk and sugar on a tray, I was sitting on my chair at the desk. It wasn’t exactly Mont Blanc, but it had been a long climb.

from ‘Men in My Situation‘
by Per Petterson

I am thankful to say that I have never experienced a grief or sorrow of the kind that the narrator in the passage above, Arvid, has experienced, having lost his parents and siblings to a tragic accident at sea. But Petterson’s words, voiced through Arvid, move me all the same. Elsewhere, Arvid says, ‘[T]o be honest I was in a state of bottomless despair, it was the worst time, by far, I felt quite naked, quite cold’. And I think this is what the longer passage I’ve quoted in this post describes, really — Arvid’s feeling of utter nakedness in the face of his loss.

This is what I love about fiction, the way someone else’s words can move you to tears and wonder. That’s all from me today — I will leave you with Petterson’s words, however you measure them, and however they move you.

The Washpool, Sellicks Beach, July 2023.

Lately I’ve been reading …

- What I felt as I scrolled through the story the foundation member told was only the familiar ache of knowing something really bad is happening in the world and feeling powerless to stop it: Rachel Weaver, on the demise of the swift parrot, on thinking fast and also thinking slowly, and on five sweet notes of elusive birdsong.
- I could hear normal life taking place nearby, as friends whispered their worries to George in the kitchen. Did she have dizzy spells before? Have you ever seen anything like this? But engaging with their concerns would have required me to shift fully back into my body, where the vertigo remained debilitating: Katy Vine, in a fascinating piece about her experience of a five-week bout of vertigo, and about vertigo’s connection to migraine, seizures and ecstatic visions.
- I didn’t want an espresso. I didn’t want an Americano. I wanted filter coffee. Like something you brew in the morning before work. I didn’t even want a French press. I longed for a perfect, clean cup of coffee. Something clear and sharp. French press is kind of chewy to me these days. I can’t go back. I’ve tasted the sweet release of Chemex and anything else just feels like trying to suck down mud: The inimitable Brandon Taylor on trying to find a good coffee in London. I am not a coffee-drinker, but you can’t be an Australian and not be aware of how much we pride ourselves here in Australia on our coffee. I suspect that Brandon Taylor would hate it! This piece made me laugh in all the best ways.
- I like truth, especially in language. And using psychiatric terms to describe common human experiences is simply not truthful: Eleanor de Jong on why we should not pathologise normal feelings like sadness and stress, and on why the difference between serious mental illness and going through a bad patch is important.
- I stopped being a professional writer, but I haven’t stopped writing. I surrender to the trap of words because silence is overwhelming, and crushes my temples. So I have to break it with a sentence, shatter it, carry some words to safety, outside myself. Every time I do this, I think it’s the last time, and while I’m doing it, I also feel like doing it is a failure. But perhaps it’s worth it to reach this limit, to fail this way, to write only when not writing would be dying, to write only when I can’t do otherwise: Andrea Bajani on Kafka and the curse of not being able to write.

Ravaging

June 19, 2023Posted in a thought, ageing, anxiety, books, depression, gratitude, health, hope, Lately I've been reading about, life, Other people's words about ..., Paths, reading, resilience, staying humble, staying true, WinterTagged Fat Girl Dancing, Kris Kneen1 Comment

Other people’s words about … growing older as a woman

The things they don’t tell you about menopause are multiple and ever-changing, newly horrifying with every fresh wave.

I know there are positives. Apparently you no longer care what people think about you. Apparently you have come into your power, you are a wise elder, you don’t give a shit about what anyone else might say.

Only you do. The thing no-one tells you about menopause is that you look like you don’t care because your face is set that way, because you get used to trying not to care until you imagine it is true. But you do care. It is ravaging and you do care, you really do.

from ‘Fat Girl Dancing‘
by Kris Kneen

I can’t think of a time when I didn’t care about what other people think about me. I have always been someone who cares too much about this, who compares myself with others and finds myself wanting in every way I can think of to be found wanting.

This hasn’t changed as I’ve got older. Like Kneen, I’ve heard the truisms around ageing; I’ve listened to and read the interviews in which famous older women tell their interviewer that at fifty/sixty/seventy they feel wiser/calmer/happier/more beautiful than at any previous stage in their life — and I’ve believed them. (Let it be said, I am somewhat suggestible when it comes to what other people say. It comes with the territory.)

Sunset, Taperoo Beach, June 2023.

I was thinking, when I first read Kneen’s words, about writing a post here about how we as women are objectified; about how that’s why, when we reach menopause, we feel the way Kneen describes; about how, though objectification feels odious, being silently discarded feels even worse. But this morning as I sat down to write this post, I found that what I wanted to say was something else.

What I really want to say is that one of the things I have come to realise as I grow older is that the pieces of received wisdom I’ve absorbed over the years rarely work for me when I try to apply them to myself. Over and over again over the years, I’ve had to discard those generalisations — about living, about being a woman, about growing older, about finding some level of happiness or contentment or peace — and find my own truth.

At fifty-two, I certainly don’t feel that I am coming into my power, and I could not feel further from being a wise elder. But I do know that in the years that lie ahead of me, if I am lucky enough to live them, I will continue to need to find my own path through life. I will continue to need to turn away from those truisms and pieces of received wisdom about how my life should appear to me. And I will continue to need to be less suggestible. Because I do care; I really do. I always will.

Black and white, Taperoo Beach, June 2023.

Lately I’ve been reading …

- No one can tell us what we must surrender. They can try, but, if we have options, we can form callouses over our eardrums: Amy Benson on giving up air travel to save the planet.
- When I tried to get out of bed today I simply collapsed: Ross Benjamin quoting Franz Kafka on the torments of juggling a creative life with the necessity of a day job.
- There’s only ever the same, finite amount of water churning around in our water cycle. Every drop of water on Earth has been here since the beginning of time, constantly recycled: Tim Smedley on the scarcity of water as climate change escalates and why it will cause the next pandemic.

Roar

September 2, 2022Posted in a thought, anxiety, Australian bush, birds, blogging, depression, favourite quotes, gratitude, health, hope, Lately I've been reading about, native coastal vegetation, nature, Other people's words about ..., Paths, reading, resilience, solace, South Australia, staying humble, staying true, the beach, the sea, What I love about ..., WinterTagged Jennifer Down, Pulse Points2 Comments

Other people’s words about … country and city life

Ramesh was used to the sounds of the suburbs. He never noticed barking dogs or level crossings. On the train to work every morning he turned up the volume of his audiobook so it was louder than other passengers’ mobile phone conversations. But [tonight he was in] the country [and it] roared. He could hear the air move in the trees. He had grown up in Croydon, moved to Glasgow at seventeen, back to London at twenty-three, then Sydney at thirty-six. As a child he’d stood outside his parents’ bedroom listening to his father’s whistling snore. He liked living in places where he could hear others alive. He reached for his phone where it sat charging. For an instant he saw his hands illuminated in the bluish light of its screen. He set his rain sound app to the setting called ‘Harbour Storm’.

‘What are you doing?’ Henry croaked. His face was pressed to the pillow. ‘You don’t need that tonight.’

Ramesh opened his mouth to argue, then he heard the rain outside, like gunfire on the corrugated iron roof.

from ‘Pulse Points‘
by Jennifer Down

I love this passage, not because I’m in accordance with Ramesh, but for the opposite reason. I love the ‘roar’ of the country. I spend most of my time living in a house in the suburbs. It’s close to the beach, which I love, but it’s even closer to the railway line, a line that trains zip up and down every half an hour from five in the morning until midnight.

Sunset, early August 2022.

I don’t mind the sound of trains, actually — as suburban sounds go, I find it vaguely comforting — but when I leave my house to stay outside the city, to visit Aldinga Scrub or to camp in Yorke Peninsula, I feel a knot inside my chest of which I wasn’t even aware releasing itself.

Sounds I love when I am away from the city: the dull roar of the ocean at the end of the road (yes, another roar). The whistle of a hot wind through the trees. A frogmouth letting out its low, persistent, booming call at dusk. A shrike thrush singing. A magpie warbling. Frogs croaking. Insects clicking in the grass. And, yes, like Ramesh, the rain drumming on the roof.

Still, the photo accompanying my post today, like so many of my photos on this blog these days, comes from the suburban beach at the end of the street I live on. The sand is being eroded away and there are car parks dotted along the coast line and on most weekends a food truck selling hot donuts sets up shop during daylight hours.

But it’s still the beach. It’s still wide and beautiful and open and … The sea still roars.

Lately I’ve been reading …

It’s a lengthy list today, because I’ve been reading far more than I’ve been posting. But I hope you find something interesting below.

- There is an extremely pale woman with purple-black stains on her fingertips, and one poor soul who is writhing in agony with abdominal pain but nobody can understand the language he is speaking: Maggie O’Farrell on the unexpected long-term side effects of Covid.
- I’m shocked by how quickly people have normalized the pandemic and our governments’ response to it—how easily they write off those lockdown months as a period when ‘nothing happened’, when in fact the unthinkable happened: Claire Pollard, also writing about Covid-19, in her case about bearing witness, or why we should write about what is happening now.
- Publisher’s Marketplace, the industry website that logs book deals, is doing away with the women’s fiction category, finally. Fiction will be commercial, or it will be literary, or it will reside in a genre category that doesn’t make such explicit assumptions about gender: Cara Blue Adams on Melissa Banks, women’s fiction, and why it’s not all chick lit. I haven’t read Banks yet, but I will, now I’ve read Adams’s article.
- Writing is an attempt to keep it together: Ella Risbridger, in a wonderful, thoughtful piece on memoir, fiction, love, loss, pain and writing.
- In the ocean’s shadowy twilight zone, between 600 and 800 metres beneath the surface, there are fish that gaze upwards through their transparent heads with eyes like mesmerising emerald orbs: Helen Scales on the wonderful barreleye fish.
- I take it for granted that books are good for us: David L Ulin on the virtues and joys of reading.

Only [dis]connect

August 4, 2022September 2, 2022Posted in a thought, anxiety, books, depression, favourite quotes, gratitude, Lately I've been reading about, life, moments of beauty, Only connect!, Other people's words about ..., reading, resilience, solace, staying humble, staying true, the beach, the sea, the sky, WinterTagged Jean Kyoung Frazier, Pizza Girl5 Comments

Other people’s words about … beauty

I wondered if a more complex language like [my mother’s native language] Korean had a singular word to describe the feeling of getting off a long shift of a physically demanding job and finding that, for at least half an hour after, everything, every last thing, was too beautiful to bear.

Jenny asked the question so simply — ‘Okay, what do you want to talk about?’ — and I nearly reached across the table and grabbed her hands back, whispered thanks against each of her knuckles. I was about to ask her opinion on lakes and oceans — which did she prefer, contained and musty, or vast and salty? — when she suddenly sat up straight, eyes wide. ‘So — what did you think of that meeting today? Hold nothing back.’

‘Oh,’ I said. ‘I don’t know, it was fine.’

from Pizza Girl
by Jean Kyoung Frazier

I thought of Sally Rooney’s novel Beautiful World, Where Are You? when I read the passage above. In Beautiful World, Rooney’s characters variously mourn the loss of the sense they used to have that they were moving through a beautiful world, or they lament the ugliness of the everyday world, or they remark upon what Rooney calls a hidden reality: the presence at all times, in all places, of a beautiful world.

Sunset, early July 2022.

I think this is what Kyuoung Frazier’s narrator is getting at. She wants to tell Jenny about the beautiful world she sees all around her — but Jenny, like everyone else in the narrator’s life, either doesn’t want to hear what she has to say or doesn’t know how to hear it.

Some years ago when I was going through a difficult patch, a friend of mine offered to exchange a daily photograph with me via text message. ‘We’ll just send each other a picture of something we see,’ she said. ‘Something we like. Something that makes us smile. We’ll share our pictures, and it’ll be a way to reach out. To say hello.’

Dune flowers, early July 2022.

We ended up exchanging daily photographs for over a year, and it was a way to say hello, but it was also so much more. What I loved most about our exchange, beyond the sense of connection it gave me with another human being, was the knowledge that we were each finding something beautiful in our day and then sharing it with someone else. Passing the beauty on.

Maybe we should all share more beauty. Maybe it doesn’t matter if beauty is fleeting and makes us feel fragile. Maybe that’s exactly why we should keep on sharing it.

Before sunset, early July 2022.

Lately I’ve been reading …

- I feel like I’m 22 again. Just absolutely and utterly lost: Carmen Maria Machado on writing, loss, depression, anxiety … and being older than twenty-two.
- James Lovelock’s Gaia theory, which was initially ridiculed as ‘New Age’ nonsense, now makes up the basis of much of climate science: Helena Horton on the life of Lovelock, who died recently at the age of 103.
- In The Last Walk, Jessica Pierce writes, ‘When we commit to owning an animal, we must commit all the way to the bitter end, as in a marriage’: Keshia Naran Badalge on seeing her beloved dog Shandi through to her death. I have to confess that ultimately I found Badalge’s piece troubling, and I would love to know what you think about it. Badalge says she thought of Shandi as her sister, but this was a ‘sister’ whom Badalge abandoned for ten years while she went off to live her own life in another country. Is that love? How much does one old dog have to forgive? What do you think?
- Part of our confusion today is tied to a belief that happiness and personal growth should organise all of our decisions about relationships, which is a relatively recent disposition in Western societies: Joshua Coleman on why the pursuit of happiness above all else is not always the best resolution when you feel you are struggling in a relationship, why our fervour for ‘happiness hacks’ (my term, not his) may be misplaced, and why Durkheim had a point.

Revelation

July 10, 2022Posted in a thought, anxiety, Australian bush, books, depression, gratitude, health, Lately I've been reading about, life, native coastal vegetation, Other people's words about ..., out & about, Paths, reading, resilience, Running, solace, South Australia, staying humble, staying true, walking, Winter, writingTagged bushwalking, conversation2 Comments

Other people’s words about … secrets

‘Philip,’ [his mother Rose] said. ‘There are things I could tell you.’
‘Tell them,’ Philip said.
‘No.’
‘Why not? I’m prepared.’
She turned, looked at [Philip’s father Owen] slumped on the sofa. ‘Because I don’t believe that just because something’s a secret it therefore by definition has to be revealed,’ Rose said. ‘Keeping certain secrets secret is important to — the general balance of life, the common utility.’
From ‘The Lost Language of Cranes‘
by David Leavitt

I have always been fascinated by people like Philip’s mother Rose in the passage above: people who keep their own counsel. I have a tendency to do the opposite — to over-share, to talk to people for advice, to feel guilty if the life I lead isn’t entirely transparent. I’m not sure why. I may just be wired that way, but I suspect that years of therapy during adolescence and early adulthood ingrained this way of being in me. When you are used to talking things through with someone on a weekly basis, it can feel odd — unsafe, even — once you stop.

Gnarled trunk, early July 2022.

I like Rose’s matter-of-fact statement that secrets don’t have to be revealed. Sometimes, when I am uncertain about a course of action or a decision I have to make, I think of the oath that I’m told doctors must take: ‘First, do no harm.’ I find this oath, applied to life in general, one of the most useful creeds I know.

And so I find myself thinking that Rose may be right. If keeping a secret doesn’t harm anyone, then why feel compelled to reveal it? Why not learn to live in silence with one’s own truths?

Waterways, early July 2022.

Lately I’ve been reading …

- I finally understood, I think, that I keep running because it is the most concrete and effective way for me to feel alive, or at least the one way I know. In other words, I run because I’m afraid of dying: Andrea Marcolongo, on why she loves running (yes, another writer who loves running!).
- It’s never about mastery. That’s what I love about swimming. In the water, I’m always partially enabled, never certain, always at risk. If meditation requires an exploration of impermanence, swimming-meditation activates transience on the skin. Its embodied teaching flashes me into a fragile, tangible, barely hopeful body. It’s the best way I know to understand being a physical form in an unstable world: Still on the topic of movement, Steve Mentz’s love for swimming feels akin to my love for running. Though propelling your body through water is a different thing entirely from propelling it through the air, the sense of rhythm, coupled with a feeling of exertion that reminds us of our physical fraility, is much the same.
- The average individual in the top 10 percent of global earners —- and with the current Euro-to-dollar exchange rate, if you earn more than $39,100 a year, you qualify —- causes about 31 metric tons of annual carbon emissions each: Jag Bhalla on why technological innovation will not save the planet.
- We are creatures of tropical jungles as much as the savannah: Patrick Roberts on why we need to rethink our belief that we (humans) came from the savannah.
- We have always loved and loathed cats: Egill Bjarnason on the vexed issue of cats. I used to be one of those people who categorically believed that feral cats must be destroyed to prevent them from destroying the natural environment. Then Lizzie arrived in my life. She was feral and starving and living in my garden when I first encountered her. Since then, I have fed her, had her desexed, taken her with me when I moved house, introduced her to indoor life … and found myself surprised and moved by the joy and laughter she brings to my household. Bjarnason’s article raises all these topics and more — it’s fascinating reading.

Stumble

September 26, 2021September 26, 2021Posted in a thought, anxiety, blogging, books, coronavirus, depression, favourite quotes, gratitude, health, hope, Lately I've been reading about, life, native coastal vegetation, nature, Other people's words about ..., out & about, Paths, reading, resilience, Running, solace, South Australia, staying humble, staying true, What I talk about when I talk about running, Winter, workTagged coronavirus2 Comments

Other people’s words about … being an adult

I’ve joked all my life about my complete incapacity with money. Nothing has made me more anxious than dealing with finances. Trying to do my accounts caused a fog in my brain, a feeling near panic. I sensed, with the same primitive instincts that locate danger, that money is something that invalidates me, that cancels me out. I was afraid of it, afraid of its mysterious mechanisms. I loathed it, and yet it ruled my life …

Before I was in my fifties, I had no idea, until an accountant added it up, how much I earned in a year. I couldn’t read my financial records and I didn’t possess the smallest notion of what to do if I did. To me, all these things were as punitive and arbitrary as the love of God, which passeth all understanding.
From ‘Monsters: A Reckoning‘
by Alison Croggon

For the last few years I have lived with a similar sense of incapacity at the edges of my awareness to the one that Alison Croggon describes in the passage above. My incapacity is partly, like Croggon’s, about financial matters: though I finally learned to manage to file my tax return in my early thirties, for example, I have yet to come to terms with superannuation and all its requirements. (I make flippant jokes to friends about how I plan to live in a tent after retirement. And then I say: ‘Besides, what’s retirement, anyway? I’ll have to keep working to pay my bills till the day I die.’)

But that fog in my brain that Croggon describes descends on me in other areas, too. I have been aware since my late twenties that I had lost, or couldn’t locate, several crucial documents of identity — my birth certificate, my Australian citizenship certificate. I stumbled along without these documents, managing to get by using my passport instead, until, around the time I began to avoid getting in planes, I let my passport lapse, too, until it no longer qualified as a document that could establish my identity.

And still, even then, I put off applying for a replacement birth certificate or citizenship certificate. I was terrified that I would find once I started the application process that I wouldn’t qualify for those documents anymore. I was terrified I would no longer be able to prove that I am who I am. (Whoever that is.) I was terrified, in other words, that the application process would, as Croggon puts it, cancel me out.

Fog at Deep Creek.

I have lived my life like this for years. Decades, even. But in the space of the last three weeks — and I apologise for the clumsiness of the segue here, but it is all I can muster — in addition to re-establishing my identity and regaining my papers, I have bought a house and I have sold a house. Somewhere in those last three weeks I have also walked through a doorway out into the sunshine — a real, physical doorway, I mean, not a metaphorical one — and rolled my ankle, possibly tearing a ligament (still trying to figure that out). As a result of this I find myself now, quite literally, limping and stumbling through my days.

After the fog cleared.

I apologised earlier for the clumsiness of my segue, but the clumsiness I was referring to, though not intentional, was hardly coincidental. Though it shames me to say this, I find it impossible to talk with any grace or even with any sense of safe passage about the things I have been doing recently: proving my identity, applying for home loans, buying and selling and moving house. They are things that most people have to do at some point in their lives in our society, I know, but going through them makes me feel sick enough, my stomach churning, my head spinning. Talking about it, writing about it, processing it is too much. That fog in the brain again.

It takes a certain level of privilege to be in the position I am in, to have got through my life the way I have till now: no questions to answer, no endless need to prove who I am. The colour of my skin, the family I am part of, the certainty that I am lucky enough to feel about my gender and sexuality, the generation I was born into — all of these things have allowed me, and will continue to allow me, to choose to make myself powerless in the ways I have chosen to till now.

Deep Creek reflections.

And yet. That doesn’t mean the terror isn’t real. It doesn’t mean the choices I’ve made haven’t felt instinctive, primitive, inevitable; it doesn’t mean they haven’t felt like choices at all. It doesn’t mean I won’t keep limping through the days, wondering when I will be able to walk — or maybe, one day, even run? — again.

Lately I’ve been reading …

Through the Window: Rather than a number of articles, today I’m sending you this link instead, the Griffith Review‘s wonderful series of essays about the experience of living through the coronavirus pandemic. If you are interested in any kind of coronavirus chronicles, I can highly recommend any of the essays on this list.