staying humble – Page 5 – twenty-one words

This is me happy

September 14, 2023Posted in a thought, anxiety, books, depression, favourite quotes, Lately I've been reading about, life, Other people's words about ..., reading, resilience, solace, spring, staying humble, staying true, writingTagged Brandon Taylor, The Late Americans7 Comments

Other people’s words about … happiness

Ivan closed his eyes. He tried to remember what it was like when [he and Goran] were good and together and all right. He tried to imagine what it was like the first time they met on the app and made plans to see each other outside the auditorium at night. They’d stood on the bridge and looked at the lights of the auditorium, gold and tiered like a delicate rock formation. Then they’d walked around the river path and talked all night about music, about ballet, about where they spent their afternoons, best place for coffee, how to dodge the undergrads.
That night had been so good, like something out of a dream. And they were so far from it now.
‘I can’t make you happy,’ Ivan said.
‘You do make me happy. This is me happy. I am happy.’
‘This can’t be happiness. If this is you happy, then I don’t think I understand what happiness is for.’
‘Sometimes happiness is just letting people feel how they fucking feel,’ Goran said.
He looked the furthest thing from happy. He looked pissed off. He looked annoyed. He looked like he was going to cry. His eyes welled. He bit at the inside of his jaw, then sat down sharply at the kitchen table, trying to catch his breath. Ivan sat down next to him, reached for his hand, and for the first time in a very long time, Goran let him.

from ‘The Late Americans‘
by Brandon Taylor

I’ve been fighting a battle with fleas for the last couple of weeks. This might seem like a random thing to write about after quoting Brandon Taylor’s words about happiness (and love … and life), but somehow it feels directly related.

Lizzie, my rescue cat, the cat who went from living in the garden and not letting me touch her to jumping up on my lap every night and curling up on top of me to go to sleep, started scratching ferociously a few weeks ago. Because I’ve never had a cat before; because I didn’t have any bites or itches myself (and still don’t); because, in all the years I had dogs,they never once got fleas; because, before I moved house a couple of years ago, Lizzie herself had never had fleas; because I thought (wrongly, as it turns out) that, since my house has bare wooden floorboards throughout instead of carpet, it was flea-proof — because of all these things, it took me a while to figure out that the cause of her scratching was fleas.

Semaphore Jetty, August 2023.

She’s far more domesticated than she was when she arrived in the garden of my old house three years ago, but still, a rescue cat is a rescue cat, and there are times when she likes to be touched and times when she doesn’t, times when you can pick her up and times when you can’t. So it took me several days to get her to take the medication, and several days more to get her to allow me to start combing her with a fine-toothed flea-comb. I flea-bombed the main room about two weeks ago, and since then, I’ve been vacuuming every day — every day, God, every day — and slowly, slowly I am getting on top of them.

What has this got to do with the passage I’ve quoted today from Taylor’s wonderful third book, The Late Americans? In part, it has to do with something I mentioned here a while back, some good news I had earlier this year. Astute readers might have guessed when I mentioned it that my news is writing-related, which it is, although I still can’t tell you the details yet because they’re still embargoed. It’s a small thing, a very small thing — a very, very small thing — and yet it’s made me feel part of the publishing world again in a way that I haven’t for over a decade. In this sense, though in a very small way, it’s something that I’ve dreamed of and longed for for a long time.

Spring flowers in the Scrub, September 2023.

And yet. Has my year been any happier because of this news? In a big-picture way, yes. But in a small-picture way, in my everyday life — no. (No, no, no.) Happiness still eludes me. I am not unique in this, I realise. Still, in these past few weeks, as I vacuumed the house and combed my cat and put on load after load of laundry, I found myself returning to Taylor’s words over and over. This is me happy. And: If this is [me] happy, then I don’t understand what happiness is for.

Why do we search for happiness in this way? Why do we expect it, even? I don’t know. I can’t tell you. And still Taylor’s words ring in my ears.

Lately I’ve been reading …

- For many practitioners, ECT is still seen as worth the risk: Astrid Landon on whether ECT works or not, and what its dangers are.
- That was the moment where I accepted that I have the kind of brain that loves to prepare for bad news and thus is wholly unprepared for good news or, in fact, great, incredible news: I read Sarah Thankum Mathews’s novel All This Could Be Different a few months ago and loved it. Here she is, in interview with Emily Gould, on writing the wrong novel for seven years before throwing it out, on why this novel might be a once-in-a-life writing experience for her, and on why the two things that stand in the way of her writing are self-doubt and rent.
- Swimming isn’t something you can be taught just by following the rules. You have to figure out how to move intuitively and you have to want it. Middle age isn’t something you can prepare for adequately. You have to figure out how to move through it intuitively and you have to endure it: Diane Mehta on swimming to ease her pain, on growing older, on Henry James, on Whitman … and on life.
- I used to love exercise, weight training specifically. Every few months I would train my way up to trying to beat my personal best deadlift. If and when I achieved it, I would clench my fist and say ‘yes Derek!’ And that was that. Working hard and achieving the goal was enough — there was no need for external recognition. Not so with books, it seems: In another exercise-related piece, Derek Owusu speaks about writers and their need for external validation … or not.
- Like Tennessee Williams’s Blanche Dubois, I want magic. It might be found in the enchantments of a novel’s style, the elegance of a scholar’s mind or simply the excitement of learning something new. So I try a few pages of this book and that, restlessly hoping to start one that finally keeps me spellbound: Michael Dirda on how to read. While I’d quibble with his preference for hardcover books over paperback and am outraged at his dislike of the plastic covers that librarians use to protect their books and his insistence in pencilling in notes in the margins, we have many habits in common as booklovers.

Only connect: seeing someone

September 7, 2023Posted in a thought, favourite quotes, gratitude, hope, Lately I've been reading about, life, moments of beauty, on writing, Only connect!, Other people's words about ..., reading, resilience, solace, staying humble, staying true, WinterTagged Rufi Thorpe, The Knockout QueenLeave a comment

Other people’s words about … connection

‘So how is it [in prison]?’ I said [to Bunny]. ‘You look good.’
She did not look good. Her skin looked dull and she had a handful of tiny pimples on the left side of her face. Her hair was greasy at the roots. ‘It’s fine,’ she said. ‘I mean, I get by.’ She laughed.
‘Do you have any friends?’ I asked.
‘A couple,’ she said, licking up a palmful of M&Ms.
‘It’s just so good to see your face,’ I said, which was a lie. It was weird and sad to see her face. She didn’t look the same. But then she met my eyes fully for the first time, and the eye contact was so intense I felt I was falling, that if I didn’t concentrate I would lose consciousness. There was just her whole soul, right there. Looking at me. It was Bunny.

from ‘The Knockout Queen‘
by Rufi Thorpe

You know those moments when someone says something to you, or when you look at someone, and you feel a deep, true connection with them? That’s the kind of moment, I think, that Rufi Thorpe captures so movingly in the passage I’ve quoted today.

It’s hard to be frank in this way with another person, and it’s rarely sustainable, and so the intensity of the moment fades in the same way a bruise fades. That doesn’t mean you didn’t see each other.

It doesn’t mean you haven’t been seen.

Sunset, Deep Creek, August 2023.

Lately I’ve been reading …

- And they broke into song: Yasmine El Rashidi on protest, fear, repression and hip-hop in Egypt today.
- She began to sing then, low and lovely, in Pennsylvania Dutch. As she proceeded, the notes took on a tactile quality, a weight: dark birds moving through the night air: Rachel Yoder explores the fascinating world of Amish spells.
- When I say that a book has made me cry, what I’m really saying is: This is part of the canon of some of the most profound moments of my life: As a fellow crier, I enjoyed Rachel Dlugatch’s list of reading to make you cry.
- What look like lampposts around the field are actually vents that allow methane gases to escape: Rachel Kushner on post-street-life streets.
- The pressure to have fun in the summer has always felt like a kind of tyranny to me: Jean Hannah Edelstein on motherhood in the era of social media.

Unlearn

August 20, 2023Posted in a thought, anxiety, books, depression, favourite quotes, Lately I've been reading about, life, on writing, Other people's words about ..., reading, resilience, snatched phrases, staying humble, staying true, WinterTagged Anna Metcalfe, Chrysalis2 Comments

Other people’s words about … the way we feel

She did not adopt the persona of a lawyer, which was the only thing I’d learned to do. Instead, her own innate mannerisms, her seemingly authentic and unrehearsed responses, were more effective than any behaviour she might have acquired through practice and effort. She knew this, she used it and we won. I left the courtroom feeling slightly different about myself. I vowed to be less afraid to talk in my own voice, or to follow my own line of thought, though I had no clear sense of either of these things. I wanted to learn how to be myself again, having been carefully unlearning it ever since I was born.

from ‘Chrysalis‘
by Anna Metcalfe

It’s funny how you can be struck by a single passage in a book even when the book itself — its story, its characters, its voice, its narrative arc — leaves you cold. That’s how it is for me today, in quoting the passage above. My feelings about Anna Metcalfe’s novel Chrysalis as a whole are ambivalent, but this passage, particularly the last sentence, will never leave me. I wanted to learn how to be myself again, having been carefully unlearning it ever since I was born.

Groundsel flowers, Taperoo dunes, July 2023.

Another way to say what Metcalfe says is: All my life, I have felt as though there is something wrong with me. This is something I’ve written about in blog posts before, this feeling of wrongness, of inner wrongness, essential wrongness. I understand that it’s not unique to me — we probably all feel this way, to some degree. We live in a social world, after all. My life is jumbled up in yours, and yours in mine. Still, this feeling is one I’ve always experienced very strongly.

Something about Metcalfe’s way of putting it, though, particularly resonates with me. It’s the concept of learning and unlearning, I think. Can we unlearn this feeling? Maybe.

Lately I’ve been reading …

- I loved those letters. One of the best things about our decades-long correspondence: it was leisurely and incremental, enriched by delay. Typically, a month or more elapsed before one of us answered the other. We wrote back when the epistolary impulse struck: I am a big fan of Melissa Bank’s The Girls Guide to Hunting and Fishing. Here, Bank’s friend Julie Schumacher remembers her a year on from her death.
- Now that I am older it feels less challenging to turn away from accepted practice and give myself the time necessary to find and develop my own voice on the page. In my view it is not the thinking which makes the difference but the doing, the daily custom of seeking meaningful expression: Yes, yes, yes. This is why I write, too: Jeremy Cooper, on publishing a novel at 72.
- I’ve really struggled with happiness, most of my life. But purpose [I] can do: Emine Saner quoting Joe Yelverton, who survived an avalanche. Later, struggling to survive the PTSD that followed his accident, Saner turned to Victor Frankl’s book Man’s Search for Meaning for succour.
- Our bus showed up, but we were further delayed while passengers on it waited for their luggage. Apparently, its faulty hold had opened and bags had scattered along the highway – or so the story went. You never quite know on a Greyhound. The rides can take on a mythical dimension: Joanna Pocock, on crossing the US by Greyhound Bus, and on the ‘appification’ of travel.
- Jonathan Franzen, at least, is really great. His nonfiction is pessimistic and snobby, but his fiction is passionately inclusive. His main trick, which never gets old, is to reveal his characters’ inner lives at the moment of their most visceral humanity: Emily Gould, in an intriguing piece on the state of fiction today, in which she bewails the unfair success of male white writers and yet still manages to be fair about one of them whose writing she loves.

Immeasurable

July 23, 2023Posted in a thought, anxiety, books, depression, favourite quotes, hope, Lately I've been reading about, life, on writing, Other people's words about ..., reading, resilience, rituals, solace, South Australia, staying humble, staying true, Winter, writingTagged All Grown Up, Jami Attenberg1 Comment

Other people’s words about … practising art alone

But you have a little secret: while you are not making Art anymore you are at least drawing every day. To tell anyone about this would be admitting there is a hole in your life, and you’d rather not say that out loud, except in therapy. But there you are, once a day, drawing the same thing over and over: that goddamned Empire State Building [which you can see from the floor-to-ceiling window in your new apartment]. You get up every morning (or afternoon, on the weekends, depending on the hangover), have a cup of coffee, sit at the card table near the window, and draw it, usually in pencil. If you have time, you’ll ink it. Sometimes, if you are running late from work, you do it at night instead, and then you add colour to the sketches, to reflect the building’s ever-changing lights. Sometimes you draw just the building and sometimes you draw the buildings around it and sometimes you draw the sky and sometimes you draw the bridge in the foreground and sometimes you draw the East River and sometimes you draw the window frame around the whole scene. You have sketchbooks full of these drawings. You could draw the same thing forever, you realise. ‘No man ever steps in the same river twice, for it’s not the same river, and it’s not the same man’ is a thing you read once. The Empire State Building is your river. And you don’t have to leave your apartment to step in it. Art feels safe for you again, even though you know you are not getting any better at it, that the work you are making could be sold to tourists on a sidewalk outside of Central Park on a sunny Saturday and that’s about it. There’s no challenge to it, no message, just your view, on repeat. But this is all you can do, this all you have to offer, and it is just enough to make you feel special.

from ‘All Grown Up‘
by Jami Attenberg

I have conflicting responses to the passage above. In many ways, Attenberg’s narrator, Andrea, reminds me of myself, although her creative practice is art and mine is writing. I certainly know what it’s like to stop showing people the material you are creating, to keep your practice to yourself, to see it as your own little secret. And I know the feeling that comes with doing this, too, which Andrea articulates elsewhere in her narrative — that feeling that what you are doing, the material you are creating, the act of creating it, is barely scratching a feverish itch.

Something changed for me about a year ago, though, after which I began tentatively showing people something I’d written — a few people, a very few people. This gave me the courage to do more with that particular piece of writing, and as a result I’m not in the same place anymore as Andrea, although all I can say about that for now is that I do have a piece of writing coming out later this year — a small piece, but a piece nonetheless — and I will tell you more when I can.

Reeds in the marsh, The Washpool, July 2023.

But even if things hadn’t changed for me, I suspect that I’d still finding myself wanting to argue with Andrea as much as I’d find myself wanting to agree with her. Because the thing that I learned during those years of writing alone, writing unseen, was that there is a value to creating something — art, literature, whatever — that has nothing to do with other people’s opinions, nothing to do with productivity or acclaim or results. What I learned (very slowly, very painfully) is that creating just your view, on repeat can in fact teach you something; it can take you somewhere new in your work. You may not be able to measure the work you create in private; you may not be able to quantify it. But when did art become something we need to measure and quantify, anyway? When did it become an outcome, a product?

I believe, although it’s taken me years to come to this understanding, that the practice of creating has its own value. The work you do as you create something, that feeling you get as you practise it of reaching out, of bringing something into the world, is an act of connection and hope. This is valuable. This is meaningful. And it can — it can — be enough.

Lately I’ve been reading …

It’s a long list today, as I try to catch up on some of my reading over the last few months. I hope you’ll enjoy one or two of the pieces I’ve listed here.

- I didn’t believe in writer’s block, but writer’s block sure believed in me. It was a nightmare that wouldn’t end. As dramatic as this might sound, I felt like I was suffocating, dying —- and a part of me really was: While we’re on the topic of writing, here’s Matthew Quick on how he found his way through the writer’s block that assailed him when he became sober.
- I had lost contact with the mental space that running had once opened up for me, where for years I’d soothed my anxieties and depression, reckoned with my own alcoholic past, and incrementally cobbled together a sense of well-being: Caleb Daniloff with a different angle on addiction, not his own but his daughter’s, and on running with her dog after her death.
- You shrugged, those round army green shoulders coming up briefly around your face and then falling again. Me: already in love: Naomi Gordon Loebl contributes to Off Assignment’s wonderful ‘Letter to a Stranger’ series.)
- Harry stood patiently, observing, the way a photographer would. After a few minutes he turned to Dad and called, Hey, you need a hand? Ezequiel-Saint Millan II on a meeting between the man he calls Dad (his adoptive father) and his father (his biological father)
- I also keep thinking about how Blonde is over 700 pages and I never got past the second chapter: Jesse Lee Kercheval on Joyce Carol Oates and on the blurry line between fiction and non-fiction.
- I had been a confident child, but that confidence had slowly drained from me. I started getting nosebleeds, constant nosebleeds. I had known since I was six years old that I wanted to be a writer, so I read a lot, and wrote a lot, but these activities gave me less and less pleasure. I grew very thin. I did not sleep: The writer Joseph Earp on being plagiarised by his writing mentor, John Hughes. I wasn’t aware of the outcry around John Hughes’s plagiarism until I read this piece (some time ago now), but I was fascinated in reading this that Earp moves beyond outrage to something deeper and more conflicted — and ultimately more compassionate.

Grasp

July 17, 2023Posted in a thought, anxiety, books, depression, favourite quotes, gratitude, health, hope, Lately I've been reading about, Other people's words about ..., Paths, reading, resilience, Running, solace, South Australia, staying humble, staying true, walking, What I love about ..., WinterTagged Anna Raverat, Signs of LifeLeave a comment

Other people’s words about … reading

After most of my long days at work, I would arrive back at the flat, pour myself a glass of wine or vodka and read, mainly short stories and poetry. I wasn’t reading novels because I didn’t want that kind of continuity; I didn’t want to carry over any part of narrative from one day to the next. Sometimes I read poetry in languages I didn’t fully understand — with a sense of the meaning, but reaching for it, grasping after it. One of my other pleasures was smoking, but I didn’t dwell or savour; I narrowed it down to lighting up and the first few drags — after that I lost interest. I read like I smoked: fixating on my new favourite in its entirety to begin with and then honing in on the exact phrase or phrases that gave me the fix, then reading only for those, discarding the rest and when that poem had been emptied out, moving on to the next.

from ‘Signs of Life‘
by Anna Raverat

I’m not a smoker and I love reading novels far more than I do short stories or poetry, but still, I found myself smiling in recognition when I read the narrator’s description in the passage by Raverat above about her approach to reading. I experience myself, these days, as a greedy reader — greedy for beautiful words, phrases, images, moments, greedy for the fix they give me, while often the plot or theme of a novel remains distant or abstract to me.

Pathway, Sellicks Beach, July 2023.

Reading has been an important part of my life for as long as I can remember, though the reasons for its importance to me has varied over the years. These days, it feels like an escape for me from the world, or perhaps more accurately an escape into someone else’s world — that world they create with their words. And, like anyone addicted to their fix, I’m not about to give it up.

Little green bench (a place to read in when the warmer weather returns?)
Sellicks Beach, July 2023.

Lately I’ve been reading …

Today’s reading list is exclusively about animals and pets — for all the animal-lovers out there! xo

- To have a good life — to reach the highest rung of cat-ness — cats need to go outside: Long-time readers will know that a couple of years ago I rescued a feral cat, who has now become a much-loved member of my household. Before Lizzie came along, I was, as an environmentalist, firmly of the belief that feral cats had no place in Australia, where they are not native animals and where they are responsible for killing many native bird and reptiles. But, as Carrie Arnold writes in this piece, the issue becomes so much more vexed once you have got to know a cat up close. The problem of cats, Arnold concludes, isn’t a cat problem — it’s a human problem. That’s correct, I think. But I also think that what the discussion often misses is the matter of compassion. I want to act compassionately, and compassion is not a hard and fast concept, and rescuing Lizzie was for me an act of compassion despite my environmentalist principles. As I write this, my cat Lizzie is curled up on the quilt on my bed in the space between my knees and the laptop. She’s a happy little thing, and I’m grateful for her presence in my life.
- Why, then, do we consider domestic cats to be loners?: Jonathon B Losos with another piece on cats, this time on how domesticated they may or may not be.
- The status of dogs in India now contrasts sharply with that in Western countries, where any dog found wandering outside on the street is considered stray and liable to impoundment and being killed if not retrieved or rehomed: Krithika Srinivasan and Chris Pearson discuss the free-living dogs of India and how the roots of their treatment lie in … colonialism.
- Early signs of canine anxiety can be as subtle as lip licking, yawning, or staring into the distance. It’s no wonder that many pet owners don’t notice their dogs’ distress until it takes on more problematic forms, like excessive barking and peeing indoors. Even aggressive reactions like growling and snapping at other dogs or people are likely rooted in fear: Ula Chrobak on anxiety in dogs.

How are we to know

July 4, 2023Posted in a thought, anxiety, books, depression, favourite quotes, Lately I've been reading about, life, Only connect!, Other people's words about ..., reading, resilience, solace, staying humble, staying true, Winter, writingTagged Men in My Situation, Per PettersonLeave a comment

Other people’s words about … grief

And one time [Audun] drove in to Advocate Delhis Plass and picked me up off the floor where I was lying flat out on my stomach. Turid and the girls were in Trondheim, and I had no intention of getting up for a good while, but rather preferred to lie there with my forehead ground into the hard cold dusty floorboards, and I thought, how does one measure grief, is there a yardstick for grieving, is there any difference, say, between grieving for one person as opposed to two or three persons, or even four, as in my case, did all this fit on a yardstick, or could the level of grief register as on an instrument, such as a Geiger counter, and the closer the instrument got to the full power, the full height, the full number, the faster and louder the instrument would emit its familiar beep. And how was I to know when there was grief enough, and if grief was liquid like melting silver, could one then pour the grief into a litre measure and conclude, under these circumstances eight decilitres ought to be sufficient, and let the silver congeal hard and shiny not far below the rim. How was I to know. And how was I to know it really was grief I was feeling, it didn’t seem to resemble anything I had seen on film, or what others told me they had felt when their people died, and I was bewildered, for I didn’t cry, and when did one cry really, when you were alone, or in the company of witnesses. And if one were alone, what was the point, when no-one would see it, how was I to know, I didn’t have that yardstick, that litre measure. I had to deal with it myself, was that not so, I let no-one else inside, no-one else’s yardstick was of any use, no-one’s litre measure, and in a way it felt strangely irrelevant, no, not irrelevant, but rather beyond my field of vision. I could barely glimpse a dark swishing tail disappearing, and when I grasped it and held it fast, I was left with nothing but the tail in my hand. The rest was gone, like a lizard sacrificing its tail for freedom. I did try, and hard too, with open eyes to face what had happened, but I didn’t know what to do with what I saw, I had already watched most versions of the issue acted out on TV, they were used up, and I couldn’t think of any others. So then I simply tried not thinking about it at all. That didn’t work either. And so instead I wanted to find an image that could cover all this, after all it was my job, to turn the whirling liquid into something concrete, turn the waves of distracting electric shocks to the stomach into solid surface. but I didn’t have any images that were large enough, firm enough, and after a while I found it pretty exhausting. So I lay there until Audun arrived. He walked straight in, the door wasn’t locked, I had forgotten as usual, and before even seeing me, he said into the hallway, hello Arvid, for Christ’s sake, why don’t you answer the phone when I call. And it was true, often I didn’t answer, it was a breach of every rule, but I was afraid there might be an undertaker at the other end, although I knew the funerals I was supposed to attend lay behind me for now. And there came Audun, in through the living-room door and he saw me on the floor and said, what the hell are you doing down there. I’m thinking, I said. All right, he said, so what are you thinking about. Litre measures, I said, yardsticks, that kind of thing. Okay, he said, that sounds practical in a way, but you can get up now. I’m not sure I can, I said down into the floor, my lips cold against the cold planks, covered in dust, the vacuum cleaner hadn’t been out for a good while. Yes, you can, he said, just do it, and I’ll go to the kitchen and put the kettle on for coffee.
Ten minutes later when he came back with two full cups of coffee and milk and sugar on a tray, I was sitting on my chair at the desk. It wasn’t exactly Mont Blanc, but it had been a long climb.

from ‘Men in My Situation‘
by Per Petterson

I am thankful to say that I have never experienced a grief or sorrow of the kind that the narrator in the passage above, Arvid, has experienced, having lost his parents and siblings to a tragic accident at sea. But Petterson’s words, voiced through Arvid, move me all the same. Elsewhere, Arvid says, ‘[T]o be honest I was in a state of bottomless despair, it was the worst time, by far, I felt quite naked, quite cold’. And I think this is what the longer passage I’ve quoted in this post describes, really — Arvid’s feeling of utter nakedness in the face of his loss.

This is what I love about fiction, the way someone else’s words can move you to tears and wonder. That’s all from me today — I will leave you with Petterson’s words, however you measure them, and however they move you.

The Washpool, Sellicks Beach, July 2023.

Lately I’ve been reading …

- What I felt as I scrolled through the story the foundation member told was only the familiar ache of knowing something really bad is happening in the world and feeling powerless to stop it: Rachel Weaver, on the demise of the swift parrot, on thinking fast and also thinking slowly, and on five sweet notes of elusive birdsong.
- I could hear normal life taking place nearby, as friends whispered their worries to George in the kitchen. Did she have dizzy spells before? Have you ever seen anything like this? But engaging with their concerns would have required me to shift fully back into my body, where the vertigo remained debilitating: Katy Vine, in a fascinating piece about her experience of a five-week bout of vertigo, and about vertigo’s connection to migraine, seizures and ecstatic visions.
- I didn’t want an espresso. I didn’t want an Americano. I wanted filter coffee. Like something you brew in the morning before work. I didn’t even want a French press. I longed for a perfect, clean cup of coffee. Something clear and sharp. French press is kind of chewy to me these days. I can’t go back. I’ve tasted the sweet release of Chemex and anything else just feels like trying to suck down mud: The inimitable Brandon Taylor on trying to find a good coffee in London. I am not a coffee-drinker, but you can’t be an Australian and not be aware of how much we pride ourselves here in Australia on our coffee. I suspect that Brandon Taylor would hate it! This piece made me laugh in all the best ways.
- I like truth, especially in language. And using psychiatric terms to describe common human experiences is simply not truthful: Eleanor de Jong on why we should not pathologise normal feelings like sadness and stress, and on why the difference between serious mental illness and going through a bad patch is important.
- I stopped being a professional writer, but I haven’t stopped writing. I surrender to the trap of words because silence is overwhelming, and crushes my temples. So I have to break it with a sentence, shatter it, carry some words to safety, outside myself. Every time I do this, I think it’s the last time, and while I’m doing it, I also feel like doing it is a failure. But perhaps it’s worth it to reach this limit, to fail this way, to write only when not writing would be dying, to write only when I can’t do otherwise: Andrea Bajani on Kafka and the curse of not being able to write.

Ravaging

June 19, 2023Posted in a thought, ageing, anxiety, books, depression, gratitude, health, hope, Lately I've been reading about, life, Other people's words about ..., Paths, reading, resilience, staying humble, staying true, WinterTagged Fat Girl Dancing, Kris Kneen1 Comment

Other people’s words about … growing older as a woman

The things they don’t tell you about menopause are multiple and ever-changing, newly horrifying with every fresh wave.

I know there are positives. Apparently you no longer care what people think about you. Apparently you have come into your power, you are a wise elder, you don’t give a shit about what anyone else might say.

Only you do. The thing no-one tells you about menopause is that you look like you don’t care because your face is set that way, because you get used to trying not to care until you imagine it is true. But you do care. It is ravaging and you do care, you really do.

from ‘Fat Girl Dancing‘
by Kris Kneen

I can’t think of a time when I didn’t care about what other people think about me. I have always been someone who cares too much about this, who compares myself with others and finds myself wanting in every way I can think of to be found wanting.

This hasn’t changed as I’ve got older. Like Kneen, I’ve heard the truisms around ageing; I’ve listened to and read the interviews in which famous older women tell their interviewer that at fifty/sixty/seventy they feel wiser/calmer/happier/more beautiful than at any previous stage in their life — and I’ve believed them. (Let it be said, I am somewhat suggestible when it comes to what other people say. It comes with the territory.)

Sunset, Taperoo Beach, June 2023.

I was thinking, when I first read Kneen’s words, about writing a post here about how we as women are objectified; about how that’s why, when we reach menopause, we feel the way Kneen describes; about how, though objectification feels odious, being silently discarded feels even worse. But this morning as I sat down to write this post, I found that what I wanted to say was something else.

What I really want to say is that one of the things I have come to realise as I grow older is that the pieces of received wisdom I’ve absorbed over the years rarely work for me when I try to apply them to myself. Over and over again over the years, I’ve had to discard those generalisations — about living, about being a woman, about growing older, about finding some level of happiness or contentment or peace — and find my own truth.

At fifty-two, I certainly don’t feel that I am coming into my power, and I could not feel further from being a wise elder. But I do know that in the years that lie ahead of me, if I am lucky enough to live them, I will continue to need to find my own path through life. I will continue to need to turn away from those truisms and pieces of received wisdom about how my life should appear to me. And I will continue to need to be less suggestible. Because I do care; I really do. I always will.

Black and white, Taperoo Beach, June 2023.

Lately I’ve been reading …

- No one can tell us what we must surrender. They can try, but, if we have options, we can form callouses over our eardrums: Amy Benson on giving up air travel to save the planet.
- When I tried to get out of bed today I simply collapsed: Ross Benjamin quoting Franz Kafka on the torments of juggling a creative life with the necessity of a day job.
- There’s only ever the same, finite amount of water churning around in our water cycle. Every drop of water on Earth has been here since the beginning of time, constantly recycled: Tim Smedley on the scarcity of water as climate change escalates and why it will cause the next pandemic.

In the ether

June 5, 2023June 5, 2023Posted in a thought, Autumn, blogging, books, favourite quotes, Lately I've been reading about, life, on writing, Only connect!, Other people's words about ..., reading, resilience, staying humble, staying true, writingTagged Christine Smallwood, The Life of the Mind4 Comments

Other people’s words about … emails

Dorothy used to love email, used to have long, meaningful, occasionally thrilling email correspondences that involved the testing of ideas and the exchange of videos and music links. Email had been the way that she and the people she know or was getting to know had crafted personas, narrated events, made sense of their lives. Their way of life, alas, had ended. Long emails had ceased being the preferred mode of storytelling among her peers, or perhaps they no longer had so much to say to one another, and emails, though sealed with perfunctory hugs and kisses, had become businesslike. Sending a thoughtful email that she had drafted over several days and edited would, she knew, be a form of aggression; it would be foisting unpaid labour, a homework assignment, on a friend. She herself liked homework, but it was unreasonable to hope for such an email: There was too much television to keep up on, and if you wanted to know what someone was doing, you could usually find out on social media. Still, Dorothy had not stopped checking, expecting, or wishing that a good message might be out there, waiting in the ether just for her.

from ‘The Life of the Mind‘
by Christine Smallwood

Oh, how wryly I smiled when I read the passage above. My smile was wry on two counts — first, I come from a generation before Dorothy’s, and so I miss letters as well as emails. And second, there is so much to unpack here, from the description of a long, thoughtful email as a form of aggression (ouch!) through to that funny but terribly sad comment: There was too much television to keep up on.

Shining sand, Aldinga Beach, May 2023.

Meanwhile, I’ve had some good news recently. As a result, my life has been exceptionally busy for reasons that I can’t (yet) go into, though I promise that I will when I can. But I couldn’t resist popping in to leave you all to enjoy the passage above for now.

As always, there are links to some reading below, too. I’ve listed a few more than usual, just to keep you going till I next write …

Rock pools, Aldinga Beach, May 2023.

Lately I’ve been reading …

- For a while, I kind of lost the joy of writing because suddenly, there was a sea of faces pressed to the glass, cooing at me, trying to see if they could get me to do a thing. Of course, there were no actual faces. People weren’t actively trying to make me do anything. But I felt that way. I had internalized a gallery of reproachful faces that smirked and sneered at every word I wrote: The always wonderful Brandon Taylor, on publishing his third novel, The Late Americans.
- Here was the truth: I was not a terrorist but a tourist: Omer Aziz, on identity, being a Brown man, being neither Westerner nor non-Westerner … and being a hyphenated man.
- He believed my pain, though; and what a relief that was, to be seen, in some crucial way: I wrote recently about reading Oliver Mol’s wonderful book about his experience of a chronic migraine, Train Lord. In my post I touched on my own experiences with a chronic headache. Here, Hanna Halperin writes about her experience of migraine, chronic pain, distrust of her own body and the way the medical establishment has failed her. This is a short piece but with much that I found resonant. I know my body intimately, she writes. I’ve never had a good sense of what I look like, how much I weigh, how much or how little space I take up. Every look in the mirror shows me somebody different. But how can you receive treatment if you can’t describe your embodied experience? I highly recommend it as a follow-up to Mol’s book if you’re interested in this topic.
- But our culture of instrumentality has settled like a thick fog over the idea that some activities are worth pursuing simply because they share in the beautiful, the good, or the true: Josephe M. Keegin, arguing against instrumentality and for a life spent in pursuit of splendid uselessness (in other words, art for art’s sake).
- You’d think we despise/the way they slide together: Poet Ellen Bass on four-letter words and swearing. If you are not easily offended, this is a beautiful, angry, tender poem about connecting.
- It’s always dry now. If there is no water, the animals are sad: A Phinaya herdsman tells Angela Ponce, Sarah Johnson and Illa Liendo about the effects of climate change in the Andes on their lives.

Solace

April 9, 2023Posted in a thought, anxiety, Autumn, books, depression, favourite quotes, gratitude, health, Lately I've been reading about, life, nature, Other people's words about ..., out & about, Paths, reading, resilience, rituals, Running, solace, South Australia, staying humble, staying true, the beach, the sea, the sky, walking, What I talk about when I talk about runningTagged Katherine Brabon, The Memory Artist4 Comments

Other people’s words about … stepping outside

I went outside. Often I walked till the late hours. The sky’s was a darkness I could deal with. I wanted to stop living by the measures of everyone else: before and after, death and life, sea and self. Being out there — in towns where I spoke to no-one, in green deserted parks, along the edge of the gulf’s water — allowed me to turn inwards. It reflected the silence I felt in me. I wanted to be outdoors for good. Yes, I went outside.

from ‘The Memory Artist‘
by Katherine Brabon

Pasha, the narrator of Katherine Brabon’s novel The Memory Artist, is a Russian man in his mid-thirties, a writer trying to make sense of his life post-glasnost, post-perestroika. While the story in Brabon’s novel is about the effect of political repression on people, and particularly on artists, I found uncanny echoes in Pasha’s voice of my own thoughts and feelings (although not, clearly, in response to any political repression or trauma, neither of which I have experienced).

Sky and Sea, Snapper Point, April 2023.

I wanted to stop living by the measures of everyone else, Pasha writes, by which he means not that he wants to stop living, but that he wants to accord his own values to this life he is living. Where he finds it most possible to do this is outside, under the great arch of the sky.

It’s a similar impulse, I think, that makes running so appealing to me — running through the scrub, running on the beach, running beside the sea. It’s outside where I find some of the things I most long for in life: silence, neutrality, the sense that I could (if I went on running long enough, if I stayed outdoors long enough) dissolve.

Sometimes, when I’m inside going about my day — working, sleeping, eating, showering — I remind myself that the sky is just a few steps away, literally at my feet. It feels to me like the very definition of solace.

Sun and shadow, Aldinga Beach, April 2023.

Lately I’ve been reading …

An apology of sorts: today’s list is lengthy, I know, but it’s been a while since I last posted here, and meanwhile I’ve been enjoying my online reading! I hope you will dip in and out of the list below and find something that you enjoy.

- The life of a writer is a life of rejection, but that’s OK. It’s the process that I love. I get so much joy from the work of creation, immersing myself in the craft and the research and the interesting things you discover, that publication often feels somewhat incidental: Claire Egan, on why we write even when no-one reads what we write.
- No man in my lifetime has ever done nonchalant beauty better than Pitt, certainly none of his immediate peers: Lucas Mann in an astonishing piece about Brad Pitt, peanut butter, fame, masculinity, beauty, grief for a lost sibling and what it feels like as a man to hate the body you live in.
- I bleached my conversations of Chinese: Angie Kang, in a graphic essay for the now defunct wing of Catapult magazine about the experience of growing up in the Chinese diaspora, and on how you can’t boil down Chinese culture — or indeed any culture not our own — to food, however harmless and appealing and even, yes, inclusive it may feel to do so.
- There is a woman I sometimes see at the gym. She is in her eighties and has regular private lessons with a coach, working on her press handstands. I don’t know her story, but I know her secret. There is no age limit to defying gravity. I plan to keep at it forever: Writer Rae Meadows, on finding a new passion in her fifties.
- I didn’t feel missed as a person, I felt missed as staff. My invisible labor was made painfully visible when I left the house. I was needed back in my post: Poet Maggie Smith on the age-old division of labour in marriages.

How to write

February 4, 2023Posted in a thought, anxiety, books, depression, favourite quotes, gratitude, hope, Lately I've been reading about, life, on writing, Other people's words about ..., reading, resilience, South Australia, staying humble, staying true, summer, the sky, writingTagged Julia May Jonas, Vladimir7 Comments

Other people’s words about … writing (and shame)

The voice I wrote with felt new to me — unrestrained. For years I had been trying to cool down the temperature of my writing, to pull it back, pull it back, pull it back — neutralise it, contain it, make it crisp, clear, and sharp, every word carved out of crystal. This writing was nothing like that — it was drippy, messy, breezy. I was working through a mind frame, not a conceit. I was creating a world, not words on a page.

from ‘Vladimir‘
by Julia May Jonas

There is a practice called Loving Kindness Meditation that I first encountered some years ago when I was participating in a forty-day meditation challenge that involved raising money for a particular charity by pledging to my sponsors to meditate for ten or more minutes every day for forty days. Although I tried many different kinds of meditation during those forty days, and although ultimately I didn’t keep meditating after the challenge was over, the idea behind Loving Kindness Meditation has stuck with me. Essentially, this kind of meditation is about generating, through your meditation practice, kindness and love to other people — as well as to yourself.

There’s a quote by Femi Kayode about writing that I keep close to me whenever I myself am writing. I don’t remember where I got the quote from, and I’ve tried but failed to trace it back to its source. In it, though, Kayode says:

Most of all, write in love. Love for the characters — good or bad, and the story. Love for the reader, for the craft, for humanity. An unconditional compassion for the human condition is the one true gift I believe a writer can give the world.

I thought about Kayode’s words when I came across the passage I’ve quoted at the start of this post, from Julia May Jonas’s wonderful novel Vladimir. The narrator in Vladimir is, like me, a middle-aged female writer who has had two novels published early on in her writing career but has struggled to bring out a third novel. Now, when I think about the ten years I spent between having my second novel for young adults published and submitting my third manuscript to my agent, a novel for middle-grade readers that remains as yet unpublished, what I remember most is how I wrote and rewrote the same manuscript, then wrote and rewrote it some more, all the while trying to perfect it — all the while not understanding that there is no such thing as perfect, and that the search for perfection can take you a long way away from the place you started, that place of excitement and hope.

Stormy skies over the Port River, Port Adelaide, February 2023.

I mentioned recently that I’ve now begun working on a fourth manuscript, a literary fiction novel. This time around, in an attempt to break free of the tangle of lonely perfectionism that I’d somehow found myself ensnared in during the writing of my third novel, I’ve deliberately sought feedback from readers early on in the process. Predictably, some of the feedback I’ve received has been positive, and some less so. Your writing lacks introspection, one reader said. And: We never really get to know or understand your narrator, so it’s hard to care about what happens to her.

To be honest, I was a little shocked when I got this feedback. I thought I’d been writing with great restraint; I thought I’d been ‘showing, not telling’; I thought I’d been practising the principle of ‘less is more’. All those old writing saws. But I’ve slowly come to see, as I’ve mulled this feedback over, that in writing this way I’d been falling into the same trap as Jonas’s narrator, trying to carve my words out of crystal. To neutralise my writing. To contain it. To pull it back.

And here is where I find myself returning to the idea of loving kindness and compassion that I began this post with. It’s okay to try to improve your writing, to see the flaws in it and work hard to make it better: more interesting, perhaps, or more insightful, or more moving. But trying to improve your writing isn’t the same thing as condemning it. Because what is the act of trying to neutralise your writing other than a reflection of your own self-doubt and self-hatred? What is the act of trying to contain your words and thoughts other than a reflection of the shame you feel about yourself? What is this whole painful process, other than a way of saying to yourself that your writing is not good enough? That your characters are not good enough? That you, by extension, are not good enough?

Calmer waters, the Port River, Port Adelaide, February 2023.

In the end, what I’ve learned from all of this over the last few weeks (or perhaps over the last ten years) — what I’ve learned from Jonas’s words, and from the words of those people who were kind enough to read my manuscript and give me feedback, and from, finally, the words of Kayode — is that writing, any kind of writing, can’t come from a place of shame.

If, as a writer, you ask your readers to care about your characters, then you have to allow yourself to care about your characters, too. You have to write from a place of compassion. You have to write — yes — in love.

Lately I’ve been reading …

- So that’s what it’s come down to. I have two college degrees, nearly thirty years in academia, have published thirteen books in five languages, co-written two television movies, and can’t afford to replace a washing machine. Welcome to the new American middle class. We have the finest doctors, nurses, techs in the world. The American health care system can save your life, as it has mine, repeatedly. And in doing so, it sucks up everything around you. It saves your life, but can leave you with little left to live it: Steven Womack, on writing, cancer, the American medical system, the publishing industry and climate change, among other things. Towards the end of this essay, Womack tells us that 64% of cancer patients in America declare bankruptcy. If that’s not an indictment of the US medical system, I don’t know what is. And yet, novelist to the last, Womack keeps writing …
- One year ago my brother was killed by a tree: Elisha Cooper on how to honour a dead sibling.
- Some days, the hardest thing to do is to forgive myself for being myself: Devin Kelly’s writing, which I’ve provided links to in the past, never fails to astonish me. Here, in one of his earlier pieces, he writes about running, writing, shame and joy. Mostly, in the saddest kind of way, about joy.
- But solitary is not the opposite of social; it’s the opposite of gregarious: Danielle Clode on koalas and how we may be mistaken about their preference for solitude.
- There’s another quote I keep on my desktop by the poet Amanda Gorman, yet another quote for which I have lost the source, in which she writes, I think if I could go back in time and give myself a message, it would be to reiterate that my value as an artist doesn’t come from how much I create. I think that mind-set is yoked to capitalism. Being an artist is about how and why you touch people’s lives, even if it’s one person. Even if that’s yourself, in the process of art-making. Vanessa Zoltan takes up a similar theme in her piece about NaNoWriMo, or National Writing Month. Zoltan writes: Writing a bad novel is a belief that something doesn’t have to be ‘productive’ in order for it to be worthwhile. It is a belief that you being you is, in and of itself, a worthy thing. It’s faith that even if it never turns into anything but itself, it was worth the time and practice of writing the thing anyway. I’ve always been faintly horrified by NaNoWriMo, but maybe I should reconsider. It is, Zoltan writes, nothing less than an act of resistance against capitalism.