depression – Page 2 – twenty-one words

End-times

August 16, 2024August 16, 2024Posted in a thought, anorexia, blogging, books, coronavirus, depression, eating disorder recovery, favourite quotes, health, hope, Lately I've been reading about, life, Other people's words about ..., Paths, reading, resilience, rituals, Running, solace, staying humble, staying true, work, writingTagged Julia Armfield, Private Rites1 Comment

Other people’s words about … the end of the world

It has been so many years — a decade of this, another decade before that of almost this. People take supplements, for vitamin D, for energy, complain the damp has reached their bones. It rains constantly and the fact of the rain, of the rain’s whole great impending somethingness, runs parallel to the day-to-day of work and sleep and lottery tickets, of yoga challenges, of buying fruit and paying taxes, of mopping floors and taking drugs on weekends and reading books and wondering what to do on dates. It’s exhausting, as it always was, to live with such a breadth of things to take up one’s attention — exhausting, the way there can be too much world, even in its final stages. Exhausting, to be so busy and so bored with no time left for either.

from ‘Private Rites‘
by Julia Armfield

In Private Rites, three sisters, Isla, Irene and Agnes, are living in the end-times of the world. Their world, their day-to-day, is one of endless rain, of land flooding, buildings subsiding, people drowning. It’s not the world we live in, not quite — and yet it is. When I read the passage above, I thought of the days of the Covid lockdowns, of 2020 and 2021 when on the one hand everything stopped — when no-one went out, when people lost their jobs and their lives — and yet on the other hand, people went on. They bought food; they spoke to their loved ones; they slept and ate and bickered and loved each other and tried to stay healthy and tried to stay apart from each other while also trying not to let go of each other. Armfield’s rainy, drowning world is a lot like that.

Pathway to Lameroo Beach, Darwin, August 2024.

The pandemic is over now, at least officially, and no-one speaks about it anymore, except in passing, but it has changed our lives forever. Meanwhile, in the background, there is the climate crisis, which was possibly what made it possible for a pandemic like Covid to happen in the first place, and which continues apace while we look away and go about our lives.

Vines at Lameroo Beach, Darwin, August 2024.

For me, Armfield’s words in the passage above capture all of this, the worry and the refusal to worry, the going on and the not quite going on. It is exhausting, and it is boring. Writing about it, I think, is important.

Lately I’ve been reading …

- Forty-three words, nine clauses, a single semicolon. Not a massive sentence per se, but one which violates much of the common-sense advice about simply getting to the point: Ed Simon on Zadie Smith, Annie Proulx, E B White, and the magic of the long, long sentence.
- I love writing! But I hate writing! But I love writing! Katie Williams, on struggling through the writing process, and why she still loves it.
- In all that beautiful solitude I wanted to cry and laugh at the same time. I hadn’t known how much I needed this aloneness, after years of crowded work at a university, after months of eldercare, the phobias of the pandemic, and the stresses of a crowded, socially mediated, 21st-century life: I don’t surf, though I am close to someone who does. But I found so much in this piece by Mylene Dressler about surfing with which I resonate. Many of the things that Dressler celebrates in surfing are what I, as a middle-aged, non-athletic, non-competitve runner celebrate in running. I [surf] for a certain kind of peace, an assertion of body, and of choice, Dressler writes. Yes. Yes. Yes.
- And I’ve felt daunted by the decades that lie ahead, if I do indeed remain childfree: how will I generate meaning and momentum, entirely on my own steam? Elle Hunt explores childlessness and why women remain undecided. I think the most interesting aspect of this is regret, which Hunt explores several times, though I’d disagree with her concluding lines. Regret is inevitable, I think, part of the human condition, a reflection of the availability of choice in the first place. We can’t prevent it and we shouldn’t fear it.
- Memoirs and essays about eating disorders are often structured in redemptive narrative arcs — the writers describe the specific ways they starved or purged until their enamel wore down and their hearts almost stopped. Then they begin to recover, sometimes against their will, and from this place of tentative health, they write. I can’t find myself in these narratives: Billy Lezra explores what recovery from an eating disorder means when it doesn’t mean getting well.
- At no point did I feel as if I wanted to end it all, but my identity had shifted into something unrecognisable: Meera Sodha, British food writer, on how she lost her appetite … and slowly found her way back.

Calculus

July 21, 2024July 21, 2024Posted in a thought, anorexia, blogging, books, depression, eating disorder recovery, favourite quotes, health, hope, Lately I've been reading about, life, My published writing, on writing, Other people's words about ..., reading, resilience, staying humble, staying true, the beach, the sea, Winter, writingTagged Dead Weight, Emmeline KleinLeave a comment

Other people’s words about … counting calories

In 2008, I downloaded a new app to my iPod. The icon featured a silhouetted figure in the middle of a balletic jump, lithe and limber like I wanted to be, and when I clicked open the app I was welcomed and asked to input my height, current weight, age, gender, and goal weight. MyFitnessPal, which debuted on the app store in 2005, is to this day one of the most popular calorie counting apps worldwide. Its icon is also regular featured in eating disorder starter pack memes and discussed on pro-ED websites. ‘Does anyone else have MyFitnessPal app trauma???’ someone posted, while another joked darkly about ‘the myfitnesspal to eating disorder pipeline’, and another mocked ‘myfitnesspal’s yassification of orthorexia’. The app is focused on calories in and out, calculating your personalised daily allotment based on your biometrics and the date by which you’d like to hit your weight goal. During the era I spent addicted to the app, every time I considered putting something in my mouth, I searched it in the apps’s expansive database, and often decided against eating it after seeing its caloric content. What I did eat, I entered, and the app updated my remaining calories for the day accordingly. The app quickly became a ritual and a rulebook, and scrolling my daily record in bed at night a practice as yearnful and penitent as running my fingers through rosary beads.

from ‘Dead Weight‘
by Emmeline Clein

I have written two novels now that feature characters with eating disorders in them, a YA novel and my recent novella, Ravenous Girls. Both the characters in my books, like myself, experienced the onset of their anorexia in the late 1980s or early 1990s, before the existence of the internet, let alone of iPods and the app store. And yet when I read the passage I’ve quoted above by Emmeline Clein, I thought how familiar it sounded and how, despite the passage of time and the onslaught of digital technology, the experience of anorexia has remained in its essence the same across generations, at least in certain parts of the world and among people of a certain class.

Whether you count calories by consulting a book of charts that is updated and republished annually (as my characters and I did in the 1980s) or whether you download an app and then ‘chat’ about it online with your pro-ana friends, you are still counting calories. You are still measuring yourself by your food intake and the effect it has on your physical appearance. You are still, in other words, measuring your worth by what you eat and how you look.

Taperoo Beach, July 2024.

There are people who say that when we write about the experience of anorexia we trigger others to seek the experience out. I am not one of those people. The subtitle of Clein’s book is On Hunger, Harm and Disordered Eating, and I think it’s the first two words of that subtitle that grab me most strongly. Hunger is the primary experience of anorexia, whatever your age or sex or class or gender, and harm is the result — in some cases, terrible harm.

Perhaps we can’t prevent that harm when we write about it, but perhaps, too, we can try to make sense of it. And that, I believe, is important.

Lately I’ve been reading …

Each week I bookmark pieces I’ve read online that I might list on my blog, and each week my list grows and grows, since I read far more than I blog. For this post, I’ve dived into my archive of bookmarks for some pieces I’ve loved over the last two or three years.

- Twenty years ago we did not have constructive ways to leave the age of fossil fuel behind. Now we do. And the solutions keep getting better: Rebecca Solnit, on why the stories we tell about climate change are as important as the things we do — and why they’re not, in fact, all about doom and gloom. Like many people, I tend to spiral into despair whenever I consider climate crisis. Solnit’s piece, from early 2023, is considered and wide-ranging and allows much room for hope.
- When I was confident we could meet socially, or off-the-record, we embarked on that all-too-rare thing in adult life – a new friendship: Alice Vincent, in another piece from 2023, on forming friendships later in life.
- But I knew, even at that young age, that I had to write in order to feel whole. Whether or not anyone else read my work, or paid me for it, was a separate matter: Ann Napolitano with some wise words on writer’s block, on not writing what you know, and on offering yourself grace.
- Again, I feel grateful that so much of my education happened in spaces of that kind of permissiveness, where the value of unexpected pleasure was seen as greater then the danger of non-catastrophic, unpleasant experience. That space of permissiveness allows for a kind of discovery: I’m a huge fan of Garth Greenwell’s two novels, What Belongs to You and Cleanness, so when I heard that his next novel is coming out later this year (in the US, at least), I got pretty excited. While we wait for that, here is Greenwell in a fascinating, thoughtful conversation about cruising, queer spaces, the #MeToo movement and capitalism.
- It didn’t occur to me to be scared: Maggie Slepian, in a more recent piece, tells a startlng, moving story about how she nearly drowned while she was out kayaking … and what happened afterwards. This one is worth reading all the way to the end, though I can’t promise you won’t cry.
- The sex was okay, I guessed, but what I really liked was seeing my body through their eyes; the hollows of my stomach, the knobby delicacy of my collarbone. I still felt a sick shame in the pit of my stomach in the morning when they left, but it was less like an overpowering stomach flu, more like a mild bug: I’m finishing with this more recent piece by Emma Specter, which returns to the theme of my post today, and what Specter calls the ‘calculus [of] … calories in, calories out’. Does this sound familiar?

Echo

June 29, 2024June 30, 2024Posted in a thought, anorexia, anxiety, books, Cairo, depression, eating disorder recovery, favourite quotes, gratitude, hope, Lately I've been reading about, My published writing, on writing, Other people's words about ..., reading, resilience, solace, South Australia, staying humble, staying true, the beach, What I love about ..., Winter, writingTagged Normal People, Sally Rooney3 Comments

Other people’s words about … intimacy

He exhales. In the spring he would sometimes wake up at night beside Marianne, and if she was awake they would move into each other’s arms until he could feel himself inside her. He didn’t have to say anything, except to ask her if it was alright, and she always said it was. Nothing else in his life compared to what he felt then. Often he wished he could fall asleep inside her body. It was something he could never have with anyone else, and he would never want to. Afterwards they’d just go back to sleep in each other’s arms, without speaking.

from ‘Normal People‘
by Sally Rooney

I don’t know anyone who writes about intimacy better than Sally Rooney, especially in her first two novels, Conversations with Friends and Normal People. What I love about Rooney’s writing is that she understands how our emotions convey themselves to us by manifesting themselves physically. Connor’s longing for Marianne in the passage above, his longing to be inside her, is both physical and emotional. It’s all-encompassing, unspeakable, the kind of intimacy that he doesn’t have words for — that most of us don’t have words for. Only Sally Rooney, as I said, can write this way.

Port Elliot, June 2024.

I’ve been thinking over the last few months about why I write and what I want to write about next, now that my novella Ravenous Girls is out in the world. And I’ve been writing, too, or trying to. Earlier this year, in fact, I submitted part of a new manuscript, the manuscript I’ve been thinking about over the last few months, to the Deep Creek Residency — and this week I found out to my excitement that, based on the strength of the material I’d submitted, I have been named the winner for 2024 of the residency. Which is deeply exciting.

It’s funny how writing works, though — by the time I got the news about winning the residency, I’d pretty much convinced myself that this manuscript, or the version of it that I’d worked on and submitted to the residency, was unfeasible. Clunky. Strained. Embarrassing, even.

So maybe I was wrong about that; maybe I somehow got myself lost inside my own echo chamber. This happens to me over and over again whenever I’m writing, and yet each time it happens to me, it astonishes me anew. It’s not a place I recommend staying in very long, this echo chamber. It’s a desolate, lonely place.

Aldinga Beach, June 2024.

Partly what I’m writing about in my new manuscript is Cairo. Partly what I’m writing about is the two sisters that I wrote about in Ravenous Girls, Frankie and Justine, at a later stage in their lives. And partly what I’m writing about is intimacy, not in the way that Sally Rooney writes about intimacy, but intimacy nonetheless.

Intimacy, which is its own terrifying echo chamber.

Lately I’ve been reading …

- And still you write. It takes stamina and dedication and perhaps a bit of insanity to work on the same story, year after year, and do it without praise, without support, without even the knowledge that it will come together in the end: On the subject off writing, here’s Peyton Marshall, on the value of writing slowly. Long-time readers of this blog will know that there were ten years between my second book, a novel for young adults, and my third, a novella. Talk about getting lost inside an echo chamber! I find much to relish in Marshall’s words here.
- To be honest, I’m a little frightened of how humbled I am. Which is why I must share my news several times a day, and with all 12.9K of you — to show that, even in the wake of success, one can achieve an improbable amount of humility: Still on the subject of writing, in this piece Jeff Bender lampoons the social media posts that writers publish in the wake of publication. Ouch! This made me laugh at first, and then cry. In the end, it’s not the writers who come off badly here — it’s the industry.
- Clouds rend the air: This poem, ‘My Atmosphere’ by Alan Felsenthal, took me by surprise. Read it to the end and you’ll see why. Reading it again now, I’m still left breathless.

Unrequited

May 30, 2024Posted in a thought, ageing, anxiety, Australian bush, Autumn, birds, books, coronavirus, depression, favourite quotes, gratitude, health, hope, Lately I've been reading about, native coastal vegetation, Other people's words about ..., out & about, reading, resilience, staying humble, staying true, the beach, What I talk about when I talk about running, writingTagged Cursed Bread, Sophie MackintoshLeave a comment

Other people’s words about … a woman’s desire

The meat was ready, steaming, when I lifted the lid of the pot. As I sliced it up I pictured meeting the ambassador in the hotel room. First, he will open the door and clasp me in his arms, I decided, putting a plate in front of my husband. He will kiss the hollow of my throat very softly, and then he will gaze upon me, I decided, like he did today, but with much more tenderness. I cut my potatoes up into tiny pieces. My husband chewed and chewed, with the mouth that never kissed me. He will lay me down on the soft white bed and undo the buttons slowly, I decided. He will kiss my eyelids. I will place my hands on his smooth back, I decided as I chewed. I will clutch him to me but not too hard, not like a drowning person. The light will be dim. The bedding will be spotless. He will tell me that he has seen what nobody else has ever noticed. He will say, ‘It’s you I’ve wanted all along, Elodie. I see you, Elodie. You. You.’

from ‘Cursed Bread‘
by Sophie Mackintosh

I came back to Elodie’s story again today, having quoted from it once before. Elodie’s story continues to compel me — her longing for her husband to desire her, to see her, oh, to want her. Though Elodie is young and has her life ahead of her, I wonder whether the feelings and desires she expresses in her narrative, those feelings and desires that in her tiny village community are so forbidden, are a little like those an older woman might feel, a woman my age, on realising that the desires she once thought might be realised are now out of reach.

I wonder.

Largs Bay Jetty, May 2024.

I’ve spent the last few weeks quietly. Post-Covid, I still feel tired. It’s a funny kind of tiredness, not so much a feeling of lethargy as a feeling of being tissue-thin, emotionally and physically. I don’t know how else to describe it. Still, I’ve been walking and reading and even writing (a little), and I had a quiet moment of celebration a couple of weeks ago when I saw ten hooded plovers at Aldinga Beach.

Yes, ten. I have never seen so many before, and I walked home feeling quietly jubilant.

Bracken fern, May 2024.

Lately I’ve been reading …

- You see, just because she can’t articulate her desires, doesn’t mean she doesn’t yearn for something more: On the topic of desire, here is Mesha Maren on quiet women who are filled with longing.
- But the land where we pitched our tent is no longer there. It’s somewhere in the North Sea: Rachel Keenan on her disappearing town. (Okay, I confess this story particularly got to me as someone who is employed by local government and has previously worked in positions in both state and federal governments. If you read it, you will see why.)
- Novel writing is such a personal and idiosyncratic thing, and there’s rarely a good reason to do it apart from fulfilling some serious internal nagging: Ladette Randolph interviews Carolyn Kuebler, whose words about writing — why she writes, how she writes — seem to me some of the wisest I have stumbled across.
- [Antimicrobial resistance as an] issue is ‘more acute’ than climate change: Kat Lay on how the Covid pandemic may have been relatively minor, as far as pandemics and illnesses go, as we look into the future.

Disjunction

April 27, 2024Posted in a thought, anxiety, Autumn, books, coronavirus, depression, favourite quotes, gratitude, health, hope, Lately I've been reading about, life, Other people's words about ..., Paths, reading, resilience, Running, staying humble, staying true, the beach, What I talk about when I talk about runningTagged The Ex-Wife, Ursula Parrott1 Comment

Other people’s words about … getting divorced

I went to a gymnasium most afternoons between half past five and dinner time, because exercise kept me clearheaded writing copy in the daytime, and fresher-looking through the evening. The gymnasium had a running track on the roof. Going round and round it, regarding the view of upper Broadway electric light signs, or thinking that the person who invented the sweat shirt had no sense of design, or just counting off twenty laps to the mile, and debating detachedly whether to be energetic and run three miles, or lazy and stop at two, I felt very contented. Thump, thump, thump, around a board track. It was a simple occupation, but an absorbing one.
That feeling of running, of having been running endlessly, so that I was breathless, yet must go on running forever, seemed to sum up my life. Running through days of posing as an efficient young business woman, through nights of posing as a sophisticated young woman about town. Running from the memory of Peter, toward something or nothing, it did not matter which.

from ‘Ex-Wife‘
by Ursula Parrott

You could think, reading the passage above, that you were reading something from a book by a contemporary female author, a Millennial or a Gen Z writer, that you were reading a modern sad-girl novel. But you would be mistaken. Ursula Parrott published her wonderful novel, The Ex-Wife, in 1929. I am astonished at how true Patricia’s story, and Patricia’s voice, still rings now.

I read The Ex-Wife just before I came down with my first bout of Covid, and now, picking the novel up again and reading the words from it that I’ve quoted above, which so struck a chord with me at the time I read it, I wonder if I’ll ever run again the way Patricia describes, which is the way I remember running. Thump, thump, thump. I know that everyone feels like this after Covid, and I assume that it will pass. Still, the feeling of disjunction between the me who read Parrott’s novel a few weeks ago and the me writing this post is jarring.

Norfolk pine trees and autumn sunshine post-Covid, April 2024.

In The Ex-Wife Patricia’s husband has just broken up with her and she is trying to make sense of being, yes, an ex-wife. Though divorce is now far commoner than it was when Parrott wrote her novel; and though we accept the idea of wives committing adultery as much as we do the idea of husbands doing so; and though many women no longer feel the need to marry at all — still, it seems to me that Patricia’s feelings reflect what a young, heartbroken woman might feel now in a similar situation. Patricia feels betrayed by her ex-husband Peter, who leaves her after she confesses to him that she has slept with another man (even though he has, all along, been sleeping with another woman); she loves him, still, as much as she hates him; she wants to move on but can’t; and meanwhile she tries to make her way as a young, single, independent woman through the world. How familiar does all of that sound?

I am grateful to live in a world post-third wave feminism. I am grateful to live in a world that has allowed the #MeToo movement to happen finally. And yet. And yet. There is still so much that needs to change in this space. So very much.

Cuddly Covid companion, April 2024.

Lately I’ve been reading …

20. Acknowledgements for novels should be kept under two pages. You may add an additional page for every 400 pages of novel: Ryan Chapman provides a tongue-in-cheek list of 100 tips to improve your writing. Caveat lector. I love this list, both the serious tips and the not-so-serious ones. (In fact, they’re all serious, really.)

He’d never been one for small talk, preferring instead to launch into deep discussions, even with people he barely knew. He wondered if he could create a place like that outside of everyday conversation, a place full of awe, anguish, and urgency: Meg Bernhard on Frank Warren, the curator of Postsecret.com, a website I find myself simultaneously fascinated and bothered by. When we anonymously reveal our darkest secrets for others to read, as the website allows us to do, are we sharing and connecting with others, or are we just shouting our loneliness into a void? And conversely, in reading other people’s secrets are we reaching out to each other or are we just being voyeurs?

My theory … is [that] coffee companies are no longer aiming to be delicious; instead they’re just going for disgust-minimisation. I’d say that’s the right choice because deliciousness is a far more difficult goal than inoffensive mediocrity: Nicholas Jordan taste-tests eleven instant coffees. What a brave man! I’m not a coffee-drinker at all, but I admire his fortitude.

But if there’s one thing you learn from a lifetime of being different, it’s that you can’t rely on a broad public consensus to tell you anything true about yourself: Rafael Frumkin on identity literature and cancel culture — and writing about joy.

We’ll see

April 13, 2024Posted in a thought, anorexia, anxiety, Autumn, books, depression, eating disorder recovery, gratitude, health, hope, Lately I've been reading about, life, My published writing, on writing, Other people's words about ..., reading, resilience, staying humble, staying true, writingTagged Austin Duffy, This Living and Immortal ThingLeave a comment

Other people’s words about … getting sick

In the laboratory on the other hand it is rare that something totally out of the blue occurs. You set your own conditions and to a large extent the future is predetermined. Only some of the details are fluctuant. And even if something unexpected does occur you can usually work out the mechanism, uncover a logic that is always present in nature even if we don’t see it a lot of the time. Whereas in the clinic it sometimes felt as if there was not logic at all and that, when you were talking to the patients about what might happen to them, trying to answer their questions and so on, you might as well read their horoscope. “We’ll see,” you would say whenever a patient asked something as basic as “Will it work, doctor, the treatment?” or “What will happen?”, entirely reasonable questions, you might think, but completely unanswerable. “We’ll see,” you could only say, “we’ll see.”

from ‘This Living and Immortal Thing‘
by Austin Duffy

I used to be one of those people who loved watching medical dramas on TV — the ones set in emergency departments or in GP clinics or centred around a class of student surgeons. (You know the ones I mean.) It wasn’t the medical crises they depicted that I loved; it was the human dramas that the writers of the show wrote around those medical crises, the love stories, the broken hearts, the moral dilemmas — all those.

I’ve grown weary of those medical dramas, though. I don’t know if that’s just because I’ve become a more seasoned and cynical TV watcher overall or because I am more conscious now, as an older woman, of my own real-life encounters with the medical system. Whatever the reason, though, I recently very much enjoyed watching the TV dramatisation of Adam Kay’s memoir, This Is Going To Hurt (which I read some years ago). It’s a series I can highly recommend, even for the most seasoned watcher of medical dramas. (For starters, it’s so much more than a medical drama.)

Another jetty photo! March 2024.

[It felt as though] you might as well read their horoscope, writes Austin Duffy’s narrator, an oncologist turned clinical researcher, in the passage I’ve quoted above. He captures here something I once thought I’d found in the medical dramas I watched (until I saw through their paper-thin, highly sexualised plots). We seek treatment from doctors for our illnesses and frailties, Duffy’s narrator reminds us, but they, our doctors, are only frail, too. Most of the time — I truly believe this — they are working in the dark, making the best guesses they can about how to make us better. Sometimes they get it right; sometimes they get it wrong.

Austin Duffy is himself an oncologist, and he writes beautifully about the medical world and how it intersects with the other parts of our lives, our hopes and longings and dreams. I find it humbling to read the reminder he gives us, through his narrator, that our bodies write their own narratives — and that sometimes (mostly?) all that we, like his narrator, can say about the course of our illness is … ‘We’ll see.’

Lately I’ve been reading …

My novella, Ravenous Girls, is a story about two sisters in the 1980s, one of whom is receiving treatment for anorexia. Outside of fiction, there is some fascinating, erudite and nuanced writing about anorexia and eating disorders, as the articles I’ve linked to below all demonstrate. Each of these pieces, in their own way, moved me and made me think.

My twin sister (we’re fraternal) is beautiful and accomplished. When we were 14, my sister developed anorexia, impelled by perfectionism, genes, whatever spectral lever it is that tilts the cosmic pinball board and then everything changes. When we were 17, I developed anorexia, impelled by some unpoetic cacophony of motivations: wanting to be close to her, wanting to compete with her, wanting to rescue her, wanting to cancel her out: Katy Waldman, in a stunning article written some years ago about sisterhood and anorexia, recovery and non-recovery, families and love.

There were two selves: the sane one who wanted to eat and stay alive, and the one who felt somehow saner than sane — more refined, less mundane, eyes on some rarefied vista, voice genderless and supple and curling like smoke — who wanted to starve and die. Or starve and stay alive anyway, like a curiosity in a traveling exhibition. Or starve as a way to stay alive: Suzanne Rivecca, with a piece of writing I don’t know how to describe about the experience of having once had an eating disorder. This is not just an essay — it’s a chant, an invocation, a roar into the darkness. What I mean is that it’s compelling. Read it for yourself to see what I mean.

“BMI is a terrible marker of anything,” Dr. Gorrell says, referencing body mass index, the simplistic clinical measurement that experts have noted is flawed”: Derek Beres, reporting on the increasing prevalence (or is it just the increasing recognition? I’m not sure) of eating disorders in men. I can think of at least two young men in my circle of acquaintance who I think could be suffering from some kind of eating disorder, and I have sometimes thought about reaching out to them. But despite my own experience of anorexia as a young woman, I am separated from these young men by two things — an age gap of 30+ years, and the fact that I am a woman. I see now, partly from reading this piece, that my experience of an eating disorder was very gendered.

Even writing this bores me, and if there weren’t some tiny, tiny part of me that wishes I were still sick I would have never wanted to do it: Alice Gregory, reviewing Kelsey Osgood’s How To Disappear Completely. I read Osgood’s memoir some years ago, when it first came out, and like Gregory I was troubled by the way that Osgood, in her efforts to de-glamorise anorexia, only somehow manages to glamorise it all the more. But I also find this review of Osgood’s memoir by Gregory troubling for exactly the same reasons. Is it possible to write about anorexia at all, I wonder, without somehow glamorising it?

Becoming

March 10, 2024Posted in a thought, ageing, anxiety, books, depression, favourite quotes, gratitude, health, hope, Lately I've been reading about, life, Other people's words about ..., Paths, reading, resilience, solace, staying humble, staying true, summer, walkingTagged Anne Enright, The Wren5 Comments

Other people’s words about … leaving home

Much as I love my mother, much as I love that fabulous fridge, the free heating, the coffee grinder with whole, organic beans, much as I love reading on the sofa while she shifts and grunts over her Sudoku, I really did need to get away.

Meanwhile, some oozing, inner self knew what I was doing when I loaded up the boot of her car and broke her heart. When I made my mother drive me across town to a damp room in a run-down street, whose only attraction was the fact that she was not in it. I was going to fall apart. I had been so good, I had done all the things. Now, I wanted to sleep under a hedge and wake to the rain.

I also wanted to move out of this crap, overpriced town but I had not figured out where to go yet, so I was in a house in Ballybough that belonged to someone’s dead granny, first of all with Lily and, when she left for London, with her friend Stuart and one other randomer in the box room. Every time I went online, I found light-flooded interiors with potted plants the size of our kitchen. Outside, the red-brick streets were starting to look curated and I was just flicking through a life that wasn’t mine. Just flicking through.

from ‘The Wren, The Wren‘
by Anne Enright

I remember going away, leaving my childhood home, like the narrator in the passage above, Nell, does when she leaves her mother Carmel. I found it harder to break away than Nell and so I bought a plane ticket and flew overseas, because that was the only way I could make myself leave —- it required money; it required fear; it required loneliness; it required a non-refundable, one-way plane ticket to the other side of the world. I am not speaking figuratively here. As soon as I was on that plane, I felt afraid but I could not jump out —- that’s the thing about planes; you can’t jump out —- and so I went on flying away, leaving home (although, like Nell, I grew up and came home again eventually).

Path to the beach, Silver Sands, March 2024.

Last year I turned fifty-three and yet the stories that most move me, the books I most often read, are still, even now, about young people coming of age —- or if not young people, then people at moments in their lives when they become bigger or older or wiser or sadder, when they become in essence someone new, which is after all another form of coming of age. Perhaps what I mean is that I love stories of becoming.

Being fifty-three is a time when you come of age in another way. It is, you know, especially for women. I am right in the throes of that now, my last coming of age, perhaps.

It’s funny in some ways, because all the things I taught myself to do when I was younger, all the things I taught myself to do in order to grow up and look after myself and find a way of moving through the world with more ease (which is perhaps the very definition of finding a way to grow up) no longer work, not at fifty-three. My coping mechanisms, that is to say, are no longer effectual at helping me to cope — not because they no longer work, I don’t think, but because I simply can’t do them anymore.

Crooked tree and seat, The Washpool, March 2024.

For example.

You teach yourself to be intimate with other people -— a man you love, a friend you adore, another friend you trust. You teach yourself to be fit and strong. You teach yourself to drink a little wine every now and then, because it helps you to relax. You teach yourself to be okay with solitude. You teach yourself these things -— I taught myself these things -— but now these things, most of them, are slowly becoming inaccessible to me, simply by virtue of the fact that I am fifty-three. And fifty-three, I am finding, says no to these things. Physically, I mean. It says no.

Cracked mud, March 2024.

So I look down the tunnel of my fifties and I see what every other fifty-year-old before me has seen, no doubt. And I do not feel, no matter what decision I make, as though I am growing bigger or wiser or sadder or in any way newer. I am growing older, definitely. There is that.

But then there are books like The Wren, The Wren. Because I lied a little when I said that all the coping mechanisms I taught myself as a younger woman no longer work for me. One of them still does. I read. I read. I read.

Lately I’ve been reading …

- Within the strictures of neoliberal capitalism, one of the few ways we can now relate to the old-fashioned concept of morality and being ‘a good person’ is through our brand and speech, where we spend our money, the businesses and causes we align with, and how we present ourselves to others. We don’t have commandments, only hashtags: Ahona Guha explores the ethics of using social media to protest the violence in Gaza (or not). This clear, thoughtful essay is less about whether we should speak up or not than it is about what it means to speak up or not, why we use social media, what social media means to us and how we can use ethical principles to guide us in our lives.
- Inevitably, Waylon would lie down beside him, gingerly resting his enormous, wart-covered head on Austin’s thigh. They could remain that way for five or six hours at a time: Peter Holley explores why a wild animal will always be … a wild animal.
- Women and racial and ethnic minorities are 20 to 30 percent more likely than White men to experience a misdiagnosis: Liz Szabo explores the biases and prejudices that cause medical misdiagnosis. For reasons that may be clear from the content of my post, I find this article particularly relevant right now.
- ‘I reject the world’: Oh, Sinead. Jonno Revance looks at the legacy of Sinead O’Connor, a woman ahead of her time.

Unfathomable

February 16, 2024February 16, 2024Posted in ageing, books, depression, favourite quotes, health, Lately I've been reading about, Other people's words about ..., reading, staying humble, staying true, summerTagged Cursed Bread, Sophie Mackintosh2 Comments

Other people’s words about … unrequited desire

My husband saw me watching him over dinner each night and never asked me what was on my mind. Maybe he knew it was all terrible, unfathomable. Maybe he knew me better than I realised. And isn’t that a perfect cruelty. And isn’t that a marriage. Two people locked in a box together. I still talk to him, Violet, as much as I talk to you. Even a mouse in a trap will self-amputate rather than remain stuck, I tell him. if you’d only touched me, I tell him. All that summer I was dying over and over, I tell him, but I’m only telling the air, the empty room.

from ‘Cursed Bread‘
by Sophie Mackintosh

I don’t think I’ve ever read a more powerful, fevered narrative of desire than the story that Sophie Mackintosh’s narrator, Elodie, tells in Cursed Bread. Elodie desires her husband, who once desired her but doesn’t any longer. She desires him and she tries to make him desire her. She kisses him. She touches him. She climbs on top of him. He rolls away every time, which only makes her desire grow stronger.

Elodie’s longing for her husband, and her longing for him to long for her, is not the only thing that Mackintosh’s novel is about, but — for me, at least — it is the most powerful element of the story. I’ve been looked at in pity and in fear and I’ve learned that the only way to really be seen is through desire, Elodie writes. To be looked at and found whole. Found alive. Please look at me. I promise you that I am here.

Summer bike ride, Aldinga, January 2024.

There is an element of tragedy here that the only way Elodie can imagine herself being acknowledged and seen is as a sexual being, and yet this, too, rings true to me. As she herself might say: And isn’t this the story of desire. Isn’t this the story of every woman who has ever wanted to be seen.

At fifty-three, I find myself intrigued by stories about desire in a way that I wasn’t as a younger woman. Perhaps it’s because I understand at last how much we, all of us — all of us women, at least — long to be seen. Perhaps it’s also because I understand at last how easy it is to confuse being desired (and desirable?) with being seen.

Hospital waiting room, February 2024.

Lately I’ve been reading …

- The present tense can exacerbate both bad prose and loose ideas; to harness it like a flashlight and not a hammer requires delicacy: In this fascinating piece, Grace Bryon explores trans literature (including whether it exists, or should exist, at all) through exploring fiction written in the present tense. I found Bryon’s essay interesting on two levels — both her discussion of what trans lit is or isn’t and her discussion of what makes any writing good (or not).
- One habit that those born between 1997 and 2012 are keen to endorse is reading –- and it’s physical books rather than digital that they are thumbing: Chloe MacDonnell explores the apparent love that Gen Z have for reading print books and asks, is it a genuine response to the noise they experience from the digital world, or is it merely a performative love (which, presumably, contributes to the digital noise)?
- Adulthood, in any case, is a socially constructed concept that varies across places and times: Lila Shapiro explores age-gap relationships.
- I sensed that the overworked and underpaid health care professionals I saw didn’t believe I was seriously ill because I wasn’t producing the beginnings of a corpse. This was, after all, the height of the pandemic in Florida; death was going door to door. And here I was, complaining of a fever. I had just turned 30. I was —- and still am, or so I like to think —- a young man. I could still walk my dog, grade papers, and post on Twitter. I’d lost some weight and wasn’t eating much, but I wasn’t incapacitated. These doctors concurred, gave me a once-over and moved me along. In hindsight, I could have demanded blood tests and better care, but deferring to doctors is what patients are supposed to do: Evan Grillon — survivor of cardiac surgery, former crisis centre counsellor — on illness, being a patient, and living with death.
- I had only just turned 52 one week before the September evening I collapsed. But the year from 51 to 52 had been a remarkably bad one: To accompany Evan Grillon’s piece above, here is Tom Seneca, also a relatively young man, with his reflections on his own experience of illness.

Inkling

December 31, 2023Posted in a thought, anorexia, anxiety, books, depression, eating disorder recovery, favourite quotes, gratitude, health, hope, Lately I've been reading about, life, My published writing, on writing, Other people's words about ..., Paths, reading, resilience, solace, staying humble, staying true, summer, writingTagged Niamh Campbell, This Happy2 Comments

Other people’s words about … self-perception

The evening was cold with a bolt of black cloud over the dome of the courts. Inside, a maitre d’ approached. He led me to a high marble table with several stools and a can of light on a chain.
Thankyou, I said. I’m waiting for two more.
They were already late. I wondered if the robust twists of bread stacked in a basket to my left were real or fake. I didn’t see anybody that I knew. The food was expensive but I would not be paying for it. At times like this I simply felt too large. I am not a large person but I felt too large, as if I’d bloated, as if I were rangier and wider and more ungainly than other people.

from ‘This Happy‘
by Niahm Campbell

I’ve experienced the feeling that Niamh Campbell’s narrator describes suddenly coming over her in the passage above — the feeling of largeness, of having an outsized body in comparison to other people’s bodies — so many times in my life that I’ve lost count. Till now, though, I’ve always assumed that it was one of those quirks that is unique to people who have lived with an eating disorder.

It’s certainly true that one of the motivations behind my anorexia was a longing to shrink my body. And I’m not alone in this; over the years I’ve met other people with anorexia who have expressed the same motivation. In fact, back when I was a teenager, in the early days of my treatment, the nurses frequently used to say to me and my fellow anorexic patients, ‘You deserve to take up space.’ It was a kind of motto they came out with when we were feeling low, when we said hateful things about ourselves; they would chant it at us — in an effort to distract us, or perhaps to dissuade us, or even, impossibly, to cure us.

You deserve to take up space.

Those words, that chant, never quite resonated with me. My sense of largeness didn’t feel spatial; it felt physical and embodied, the way one person might have a louder voice than another, or coarser hair. Still, even as the feeling came over me — even as at certain moments it took up all my awareness — I understood that it wasn’t an accurate one. At heart, I knew even then that my body wasn’t any larger than anyone else’s, and that it was my perceptions that were distorted rather than my body. It was just that I didn’t know how to adjust those perceptions.

In many ways, I think, I still don’t. Instead, I’ve learned to ignore my perceptions, to see them as a false signal blinking at me that I choose to ignore. Maybe that’s a rudimentary way of dealing with them, but it’s the most effective response I’ve come up with.

Branch across the path, December 2023.

Because today is the last day of the year, the last day of 2023, I’m going to move on now to an entirely different topic. I want to finish this post with a beautiful poem by Lisa Holstein called ‘Happy New Year’. The poem comes from her collection Dream Apartment; its words are poignant and filled with sadness but also beauty, and so I can’t think of any better ones with which to bring in the new year.

Is it selfish to wish for more than to survive?
I see you, bare arms gleaming in the sun-

struck snow, I see the browned roast
you brought to your wine-stained lips

the stack of books you read, and those boots
that last fall you loved yourself in.

I see you in them again on this roll call
morning stroll through what intimate data

strangers tell me about their lives.
Once upon a time I asked them to

or they asked me, who can recall,
I’m into it, I guess. I like to watch,

at least, I can’t seem to stop, but I can’t
bear to share, so I’ll tell you here:

the cat finally came home last night—
spooked by so many fireworks barking,

he hid somewhere unsearchable for a while
no matter how I called and called.

He chose me, I like to say since the day
I found him starving on the porch.

I know the night is full of unsteady boats
on cold seas and horrible cages

and people far more alone than me
I’m sorry for your loss, your cancer,

the accident you had no way to see coming
and the one you did have an inkling of

I’ve learned how important it is to say
because of how difficult it is to say

and how loudly loneliness fills the silence
although, like anything, it depends—

for instance, I still can’t unhitch my breath
from even the softest whisper of your name.

Late groundsel flower, December 2023.

Lately I’ve been reading …

- First, some of my own good news: Paul Daley named my novella, Ravenous Girls, as one of the best 25 Australian books of 2023 in The Guardian. I’m honoured and somewhat astonished to find my name listed in amongst all the other names that appear on this list, many of whom are writers whose work I adore.
- The enigma of how to sell a book touches all corners of literary culture: Tajja Isen, in a fascinating piece on how hard it is to sell a book, and how few books actually do sell.
- I did not know how to fall asleep without a book, how to wait without a book, how to be, without a book: Sarah Wheeler, with more on books and reading, this time making the case for audiobooks, which saved her from losing the ability to read during a bout of severe illness.
- With apologies to the everything-happens-for-a-reason crowd: no, there are indeed some things in life that are profoundly meaningless: Matthew Hays on reading his writer friend’s posthumous book after suicide.

Fumbling

November 22, 2023Posted in anorexia, books, depression, eating disorder recovery, favourite quotes, gratitude, health, hope, Lately I've been reading about, life, My published writing, on writing, Other people's words about ..., Paths, reading, resilience, rituals, solace, South Australia, spring, staying humble, staying true, writingTagged Good Girls, Hadley FreemanLeave a comment

Other people’s words about … growing up

I also felt like I was being pushed into a world where I didn’t understand the rules. The summer before we moved, a bunch of my friends at camp were caught kissing boys behind our cabin with their T-shirts off. I didn’t even know why a girl would take her T-shirt off with a boy, but I knew it was very wrong to do so, because they all got into big trouble. I’d started going to after-school ballroom dancing lessons in New York, which was something kids from my part of Manhattan did, maintaining an Upper East Side fantasy that we all still lived in an Edith Wharton novel. At the last dance, a boy put his hand on my bottom. Again, I couldn’t understand why a boy would want to touch my bottom, but I knew I didn’t like it. But I also knew that admitting I didn’t like it — like admitting I didn’t know why a boy would want to see my chest — would make people laugh at me. So I said nothing to him, to anyone.

from ‘Good Girls: A Story and Study of Anorexia‘
by Hadley Freeman

One of the things I loved about Hadley Freeman’s memoir Good Girls is that, as well as recounting the years during which she lived with anorexia, she also recounts her life post-anorexia, post-‘recovery’. While the story she tells of her rapid and precipitous descent into anorexia in early adolescence is vivid and poignant, it’s the rest of her story that most spoke to me — the years during which she maintained a pattern of restricted eating that wasn’t quite anorexia but also wasn’t quite wellness or sanity, the years when she lost herself to drug addiction, the years, finally, when she began to come to some kind of peace with herself.

It’s time that eating disorder narratives did this more often, I think. I said nothing … to anyone, Freeman writes in the passage above, and, elsewhere, So much of anorexia is about suppressed conversations. But I think this is as true, if not truer, of those years when a person who has survived anorexia begins to make their way back into life, those years when a person begins to try to make something of their life other than an anorexic one. (And they are years. For most people, the transition away from anorexia is long and slow and painful.) We need, in our narratives about anorexia, to engage with the whole experience, not just one part of it, the most clearly visible part. We need to tell the whole story. I hope that in the future there will be more writers like Freeman who do so.

Looking out onto Lake Burley Griffin, Canberra, November 2023.

I’ll return to this theme in future posts, because there’s so much to unpack here, and because it’s one of the things I was most conscious of when I wrote my novella, Ravenous Girls. In fact, though, what most drew me to the passage I’ve quoted in today’s post is something else. Here Freeman, describing her pre-anorexic period, her pre-adolescent years, writes, I also felt like I was being pushed into a world where I didn’t understand the rules. This is how I felt, too — at twelve years old, at thirteen, even at fourteen. I was what people kindly describe as a late bloomer, which is to say that I entered adolescence reluctantly, lingering in childhood for as long as I could, wishing that I could somehow stay a child forever. Teenage rituals, those fumbling intimacies between boys and girls that Freeman describes here, puzzled me. I knew this marked me out as different, or at least I believed that it did, and so, like Freeman, I remained quiet. I regret this quietness now. I see, looking back, that I was muting myself, retreating into a silence that wasn’t healthy or sustainable. As Freeman notes, it’s in suppressing conversations that anorexia steps in, and that was certainly true for me.

Ravenous Girls isn’t only a story about anorexia, though that’s a part of it. It’s a story about silence and muteness. Perhaps these are themes I’ll continue to explore for the rest of my life. It’s a theme that endlessly fascinates me.

For sale, November 2023.

Lately I’ve been reading …

- Whatever happened, I knew, it was going to be a disaster for both sides. A selfish thought ran through my head: we’re never going to go home again: Mya Guarnieri, and Israeli, married a Palestinian and they both live in the US. Here’s her experience of the conflict.
- Sometimes — and this was a tragic element to contemporary life — you experienced something deeply intimate with a person, and it was this very experience of intimacy which foreclosed all possible intimacy in the future. That was, you used it all up in one go right up front, and there was nothing left. He felt a little sad about that: A story by one of my favourite writers, Brandon Taylor. Taylor has written that the protagonist, Per, is a recurring character in his upcoming stories, and I’m looking forward to reading more about him.
- Does meditating really improve your health? Care Chesler explores the science.