Merry Christmas, everyone.
May your holiday be filled with joy,
and also with serenity and tranquillity.
Rebecca xo
(tales from the birdgirl)
It was the top of the morning, the very cream, and I skimmed it off and crouched in the cornfield, gulping it down … The field ended in a double ditch, and from it grew a mass of flowers in a profusion of colours and forms, such as is seen trimming the edges of medieval manuscripts. Black medick, I counted, buttercup, horsetail, ribwort plantain, hedge woundwort, must mallow and curled dock, the clustered seeds a rusty brown. Wild rose, dandelion, the red and white dead nettle, blackberry, smooth hawksbeard and purple-crowned knapweed. Interspersed with these were smaller, more delicate flowers: cut-leaved cranesbill, birdsfoot trefoil, slender speedwell, St John’s wort, heath bedstraw, tufted vetch and, weaving in and out of the rest, field bindweed, its flowers striped cups of sherbet-pink and white. The stem of the knapweed was covered in black fly, and a spider trap shaped like a dodecahedron had annexed a few pale purple flowers of vetch inside swathes of tight-woven web.
from ‘To the River‘
by Olivia Laing
I have quoted from Olivia Laing before, I know. Still, one day a week or so ago as I went for a bushwalk, I couldn’t help thinking again of To the River. In particular, my thoughts kept returning to the passage I’ve quoted above. We’ve had an extraordinarily wet, windy spring here in South Australia this year — a spring that’s left me craving our usual harsh, dry, crackling heat. But the ‘up’ side to the lower temperatures and higher rainfall has been the abundance of wildflowers.
That day, as I strolled along the path, it felt to me as though I was walking on a carpet of flowers. Whistlers burbled in the trees above me — I spied both golden whistlers and rufous whistlers — and wattlebirds clucked, and magpies warbled, and I am sure I heard the call of a curlew or a godwit, though I really don’t know whether that’s possible in the part of the world through which I was walking.
Meanwhile, the rug of flowers went on spreading out before me.
As I walked, I found myself doing exactly what Laing does in the passage above: counting the flowers. I saw each flower; I named it; I knew it. I made my list as Laing made hers, and though we live in different hemispheres, and our lists are very different, I suspect that the joy I felt in making my list was somewhat akin to hers.
If I was an artist or a calligrapher — if I was a mediaeval scribe — I would decorate the edges of this post with the flowers I saw that day, in reference to the illuminated manuscripts Laing mentions above. But I am none of those things, so my photos will have to suffice. (As usual, hover your cursor over the photos to see the name of each flower — or my attempt, at least, to identify and name each one. Part of the pleasure in list-making is the knowledge that some of the names on the list might be wrong. I learn as I go.)
Perhaps you might like to think of these photos as a kind of pictorial version of the list I made that day, or as evidence of the carpeted path I trod, or as a simple expression of my joy.
They’re all of those things to me.

Recently, I spent a weekend in Perth, Western Australia, celebrating a friend’s fiftieth birthday.
Read that sentence again. It doesn’t sound like much, does it? I hopped onto a plane in Adelaide on Friday afternoon, and arrived in Perth two hours later; I rented a small, sunlit apartment in West Perth for two nights; and then late on Sunday afternoon, I hopped onto another plane and flew back to Adelaide. This is the kind of thing people do all the time, if they can afford to. It’s what people call a ‘holiday’, a ‘break’.
And this trip was both of those things, and for me, that seems a little like a miracle.

In my twenties, I spent over two years travelling and living overseas: waitressing in London, volunteering on an archaeology dig in Texas, working in a factory and then an ice cream shop in Germany, and, in my last year, teaching English in Cairo and Jakarta. I was a well-seasoned traveller by any standards. By that age, I had already had emetophobia — a fear of nausea and vomiting, which I have mentioned in passing on this blog before (here, for example) — for over fifteen years. It caused the odd anxiety attack, but nothing else. It certainly didn’t stop me from my travels.
But then, in my late thirties, something happened. Something — some edifice of bravery or stability or spontaneity inside of me — crumbled. For some reason, I began to feel queasy and nauseated more often, and so, because of the emetophobia, I began to feel anxious more often. The sickness and the anxiety always accompanied each other: sometimes it was hard to tell which came first. (This is the emetophobe’s eternal dilemma: Do I feel anxious because I am nauseous? Or do I feel I nauseous because I am anxious?)
My illness and anxiety seemed to be magnified when I travelled interstate or overseas. They became even worse if I was travelling in the company of people I loved, people I really wanted to travel with. I booked rash, non-refundable trips to visit my dearest friends who live interstate — Perth, New South Wales — and then cancelled my bookings, losing all the money I’d spent in the process. I planned holidays in Portugal and New York, with family, with friends, with people I loved, and then I cancelled those trips, too. I wanted to go on those trips, but I felt that I couldn’t.
In the end, I stopped going on holidays anywhere beyond the state borders of South Australia.
I just stopped.

Fear of holidays is a very strange fear to have. Adelaide author Elisa Black is one of the few people who understand it:
The anxiety during this trip was so intense that it is almost too much to remember, no matter how hard I try. I know I thought I was going crazy. I know I was exhausted …
Constant dread, that is what I felt … What I wanted was to not feel this way, to be normal, but if that wasn’t possible then I wanted to crawl into a hole where I could be safe, where everything could be controlled …
from ‘The Anxiety Book‘
by Elisa Black
Those phrases: constant dread, and I wanted to crawl into a hole where I could be safe. They say it all. For me, they speak to a form of social anxiety. For many years, I have been ashamed of my phobia. What is there to fear about vomiting? And so, when I get nauseous, and the nausea triggers my anxiety, I am also flooded with feelings of shame. I try to act ‘normally’ during the course of an attack of nausea, but my terror and my shame impair my performance. (Note that word, with all its implications: ‘performance’.)
What I long for when I am nauseous is to be alone. I long for some kind of sanctuary.

Fear of holidays and travel is one thing. But then, too, there’s the fear of flying.
Winter in Adelaide this year has been very stormy. We have had one of the rainiest winters ever recorded; we have had statewide power cuts; we have had floods. It is spring now, and yet winter still hovers and menaces. The night before I left for Perth, there was another storm, and when I went to walk my dog the following morning, I saw that branches from the pine trees that line the esplanade by the beach had come down, barring our path over the dunes.
It did not seem a very auspicious day for flying. All that wind! All that turbulence! I wondered — I truly wondered — if I could get on the plane and fly to Perth as I’d promised.

Oddly, I am not actually afraid of the act of flying itself: unlike many anxious fliers, I don’t fear plane crashes or hijacking. I once knew a woman who feared flying because she had a fear of sharks, but I don’t share this particular terror. My fear is, I think, more like a form of claustrophobia: it is a fear of becoming nauseated and thus anxious whilst I am trapped inside a machine, way up in the air, with no escape. I am not very good at staying still when I am anxious about being sick. I do not lie down, as most people do when they feel unwell: I go outside; I pace; I tremble; I sob melodramatically; I run away. I do not like to be witnessed or contained. An aeroplane is, unfortunately, the perfect vessel of witness and containment.
Scott Stossel shares my fear:
For instance, the fear of vomiting … makes me afraid of travel because I’m afraid I’ll vomit far from home. It makes me afraid of flying not for the conventional reason that I’m afraid that the plane will crash, although I also have that, but I’m afraid I’ll get motion sick and get nauseous … The horrible kind of self-fulfilling vicious cycle of emetophobia is that if you’re prone to acute anxiety and nervousness, as I am, it often manifests itself with stomach symptoms.
from an interview on NPR with Scott Stossel
author of ‘My Age of Anxiety‘
6 January 2014
At first glance, today’s post might seem to be all about fear. Yet here I am, back from a wonderful weekend in Perth, despite all my fears.
So what I am writing about today is, in fact, celebration. Forgive me if it seems solipsistic, but this is about me breaking a pattern. It’s about me, stepping onto a plane; me, flying; me, not getting ill while I was on holiday as I’d feared (though I did get anxious). It’s about me being able to do something I’ve wanted to do for a long, long time. It is about some part of me being restored after all these years: rebuilt. Not recovered, exactly: I am still emetophobic; I still have a funny tummy; I am still anxious; I still find recovery, from both illness and anxiety, a problematic concept.
Most of all, what I am writing about today is hope.

By the way, if you should ever choose to holiday in Perth, you must visit Kings Park, where most of the photos on today’s post were taken. It is a beautiful place: a kind of sanctuary, if you like. Take a picnic there with you, or a book; go for a wander with friends.
Enjoy your time there. Celebrate it. Allow yourself to feel restored.

And, wherever you are today, whatever you are doing right now, breathe. Smile. Wonder.
Hope.

It is no wonder that most Adelaide inhabitants have little idea of what the pre-European vegetation of the Adelaide Plains looked like, because over vast swathes of suburbia, unless one knows exactly where to look, it is basically all gone and has been for over a hundred years. Add to this the interest in recent decades in planting Australian natives that may have been sourced from regions over a thousand kilometres away and there is little wonder that confusion exists about the identity of the truly indigenous plants of the Adelaide Plains.
from ‘The Native Plants of Adelaide‘
by Phil Bagust and Lynda Tout-Smith
One of my favourite places to spend time in is Aldinga, south of Adelaide, though I didn’t grow familiar with it until I was well into adulthood. When I was a child, Aldinga was still a little coastal country town within driving distance of Adelaide. City people spent their summer holidays there each year. That was all I knew about it.


Aldinga isn’t a small country town anymore: over the years, it’s been swallowed up in the growing suburban sprawl — those vast swathes of suburbia — along the coast north and south of Adelaide. It’s no longer a holiday town, either. People travel farther afield these days for their holidays, mostly overseas. Many of the beach shacks have been knocked down, but some still stand.



Aldinga Scrub is a patch of native coastal vegetation growing just inland of the beach: an environment of dense, bushy vegetation growing on low sandy dunes. As a child, I didn’t even know of its existence, though now I try to make the effort to visit it as often as I can. It is, in fact, the only patch of remnant (pre-European) coastal vegetation left in South Australia. It’s not pristine — there are many weeds growing in it. The climate within the Scrub itself has changed, too, due to the diversion of natural stormwater by farmers onto encroaching farmland.
And yet, wandering through on a precious day off work — listening to the songs of the shrike-thrushes and whistlers and magpies and fantails; stumbling across a lone echidna trundling through the undergrowth; standing back to allow a kangaroo with a joey in her pouch bound past — I feel as though I get a hint of what the place was like before European settlement. Hence the photographs on today’s post, which I took on a visit in mid-September, as spring took hold of the Scrub.


I’ve never named the Scrub explicitly on my blog before, though I’ve posted many photographs from my visits to it. I feel fiercely protective of the place — because of its unique status; because I discovered it late in life; because I know that the more that humans like me encroach upon it, the more it disappears. Because, because, because.
Meanwhile, whenever I visit the Scrub, I continue to teach myself the names of the native birds and animals and plants and insects who inhabit it. I wander about, learning and wondering. I may never really know its original nature, but I plan to go on teaching myself about it until the day I die.
He tried to show me the basics [of surfing], but he made it look too simple. Surfing was in his muscle memory, in his blood, in his thoughts. It was like his shadow, simply part of him …
We got back into the water one more time, and the sea tugged me under and tossed me around under a wave, like a plaything, like it was laughing at me. I came up ready to go home, mouth full of salt, hair full of sand.
from Season of Salt & Honey
by Hannah Tunnicliffe
( p. 134)
I know a man who is a surfer. In his fifties now, he started surfing in his teens, catching a ride to the south coast with an older friend who had a driver’s licence.
Though I love the sea, I have a fear of waves, of getting dumped. Still, when I first came to know this man (nearly twenty years ago now), I wanted to give surfing a go. I wanted to see what made him love it so. I asked him if he could help me brave the waves.
So one day, we paddled out into the salt water, he on his surfboard and I on my boogie board, paddling hard. He set me up for a couple of waves. Each time, when the wave rolled towards me, he said, ‘Now!’ and then, when I froze, he gave my board a push, and away I went. I rode the wave towards shore, lying flat on my belly on the board as he’d shown me, and it was fast and terrifying and exhilarating all at once.
And I got it. I got what he felt out there in the ocean. I got the magic of it. The awe.

But I’ve never attempted it again. I can’t read the waves or the currents. I’m afraid of getting caught in a rip. I don’t understand the sea. I love it; I’m awed by it; but I don’t know it.
She gives me that sad, hopeful look that says [surfing] can be for everyone, should be for everyone. That surfing is the best thing in the world. Her strange, blue-grey eyes fix on me, like she wants to explain. I imagine her in the sea, like a fish, moving as though made for the water. She would know where to put her feet, how to balance, how to fall without hurting herself, without drowning. She’s probably one of those girls who rides the waves as though she’s dancing with the whole of the ocean; her and the water taking different roles, moving in different ways. The ocean leads and she simply responds.
(p. 134)
I think, for me, the sea will always remain a beautiful, mysterious, unknown quantity. There are different ways of loving it, perhaps. Mine isn’t the way of the surfer, but it’s still there. It will always be there. I have lived by the sea for twenty years or more now, and the sand and the salt and the sea are in my blood.
And that is enough for me.

April 2016
In the Northern Hemisphere, they call it Indian summer:
a hot, dry start to Autumn.
That’s what we had here last month —

— warm, sunny days.
Still nights.
No rain.

In the bush,
dry twigs crackled beneath my feet,
and the odd flower bloomed.

Winter stole closer,
like afternoon shadows
creeping across sandy ground.

On Saturday afternoon, I went for a quick stroll on the beach,
shoring the sights up in my memory — and the warmth on my skin — of the last hours of Daylight Saving.
It was a typical mid-Autumn day.
Windy.
Half-sunny.
Half-dull.
The sand was wind- and water-rippled.
The gulls’ footprints seemed to blow away as I watched.
Soon, when I walk on the beach, I’ll wear shoes, socks, a coat, a beanie.
I’ll call the wind ‘bracing’.

I’ll think of this last long day of light with yearning.
Summer nostalgia — is there a cure?
There should be!
Note:
Okay, a confession: autumn makes me crotchety. I’ll get over it soon, I swear!
Sometimes, in early Autumn, the days become sunny in a way utterly unlike summer.
The mornings are cool.
There’s a brief wave of heat in the afternoon,
before coolness returns with evening.

22 March 2016
12.12 pm
I wish you could hear the sounds accompanying today’s photo.
It was still.
Hot.
Intensely sunny.
I could hear gulls’ legs moving through the water,
and tiny rock-creatures made bubbling noises beneath the surface.
By late April, this weather will vanish,
and the grey skies of Autumn will begin.
You have to treasure these moments, don’t you?
Treasure them.
Treasure them.
As I mentioned in my previous post,
there is something about the colour of the sea in summer.

The quality of blue is different from other times of the year.

It’s silky blue.
Pearly blue.
The truest kind of blue.

Blue sky.
Blue sea.
Bluer than blue.

A celebration of blue.