A sad place

Other people’s words about … accessing feelings

Some years ago an older woman said to me that she had noticed she didn’t cry very much anymore. She said that when she was younger she had been someone who cried easily, when she was sad, when she was angry, sometimes when she was happy. But now, in her seventies, the tears didn’t well up anymore.

I remember thinking that that wouldn’t be the case for me. I remember thinking that I would always be someone who cried a lot — too much, probably, rather than not enough. I have always cried copiously and easily and very often self-piteously. I have cried at the most inappropriate times, during moments that weren’t about me at all, moments when I should have been comforting someone, not dealing with my own emotions.

Largs Bay Jetty, April 2025.

And yet here I am, mid-fifties, and it’s happening to me, too. In the passage I’ve quoted above from Tove Ditlevesen’s memoir, Ditlevsen is describing the way she felt as a teenager, but the feelings she expresses in this passage describe the way I often feel now, the way the older woman I mentioned above also expressed feeling. It’s a feeling of seeing sad things, being moved by them, being aware that I’m sad about them even, but not being able to access the sadness itself directly. When I do cry, it’s usually, like the adolescent Ditlevesen, when the feeling is being conveyed to me through another medium — a book, a film, a poem, a song.

I miss crying. Perhaps that sounds odd or self-indulgent, but I miss the feeling that came when my eyes grew hot and tears fell down my cheeks and my throat tightened and my breath snagged. I miss the feeling of being there with my sadness, right there. I miss the feeling that follows a crying bout, too, that feeling of being healed, even if only temporarily.

The world is a sad place right now. People will say in response to this that the world has always been sad for someone somewhere, and that’s true. Partly, then, I say that it’s a sad place from a place of privilege, because I’ve experienced times when it seemed that there was a lot of hope in the world, if you could only learn to access it. Still, when I think about the climate crisis, when I think about Presidents Trump and Putin and Xi Jinping and Yoon Suk Yeol, when I think about the rise of Artificial Intelligence, the world seems to me a very sad place indeed. Would it help if I were able to cry about this? I don’t know. Like the adolescent Divletsen, I don’t think very much of reality.

Lately I’ve been reading …

Like breath

Other people’s words about … places that reside within our hearts

During our visit to the jungle, while we slept on the verandah at 3 AM, night would be suddenly alive with disturbed peacocks. A casual movement from one of them roosting in the trees would waken them all and, so fussing, sounding like branches full of cats, they would weep weep loud into the night.

One evening I kept the tape recorder beside my bed and wakened by them once more out of a deep sleep automatically pressed the machine on to record them. Now, and here, Canadian February, I write this in the kitchen and play that section of cassette to hear not just peacocks but all the noises of the night behind them — inaudible then because they were always there like breath. In this silent room (with its own unheard hum of fridge fluorescent light) there are these frogs as loud as river, grunting, the whistle of other birds brash and sleepy, but in that night so modest behind the peacocks they were unfocused by the brain — nothing more than darkness, all those sweet loud younger brothers of the night.

from ‘Running in the Family
by Michael Ondaatje

I have just spent a week away in Deep Creek, having been chosen as this year’s lucky winner of the Deep Creek Residency for writers. I spent that week away writing, reading, bushwalking, running, writing again, then writing some more. It was a joyous time, the rarest privilege, to be given time away simply to write.

Daytime, Deep Creek, October 2024.

In our lives, I think that there are some places, connected to some times, that are somehow magic, that come to us through luck or stealth or a great deal of planning and then reside with us forever. These places become a part of the fabric of who we are, though we may not always understand why, and what we feel, when we think of them or remember them or revisit them, is a sense of awe — a sense of connection to something deeper than we can articulate.

Gully of grass trees, Deep Creek, October 2024.

Deep Creek, place of grass trees and rolling hills and shrike thrushes calling in the trees, place of kangaroos and echidnas and sheep and shingleback lizards, place of tawny frogmouths and fogs and sunshine and rain and big, big skies — Deep Creek is, anyway, one of those places for me, a place close to my heart. I have left Deep Creek now, and the hopes and dreams I went there with — that I would write copiously and productively, that the story I’m writing is worth telling, that the manuscript I’m working on might one day get published — may or may not come true, but Deep Creek is still with me and always will be. I don’t know how else to put it.

Resting place, Deep Creek, October 2024.

And this is what I love about the passage I’ve quoted above by Michael Ondaatje, the way he captures the mystery of a place, its essence; the way it has become a part of him. I have never been to the jungle that he writes of, never heard peacocks who weep weep loud into the night. But in Deep Creek I have felt what Ondaatje describes. In Deep Creek I have felt that I have found a place that will, like breath, always be with me.

First light, Deep Creek, October 2024.

Lately I’ve been reading …

Stay true

Other people’s words about … reading

When I get to our house, Lauren and Edith are both asleep. The house is dark and quiet, and warm too — the solidity of English homes is a welcome point of difference to Australia, where we were used to draughty Edwardian weatherboards — and, still buzzing with the thoughts that occurred to me on my walk home, I pour myself a tumbler of the Aldi whiskey we got on special, and, thinking of how a quiet house and a calm world allow a reader to become their book, and how, at the same time, it is the act of solitary reading that produces that quietness and the calmness, and how, at the same time, it is the reader’s desire to be a model reader, their desire for quietness and for calmness, that makes it so — thinking of that, I sit down at the dining table in the living room and try to remember the thoughts I had on my walk home — as if thoughts can be possessed, rather than experienced; as if my thoughts are a book that I can lean into, to which I can be true, and through such trueness of reading make order, quiet and calm where before there was none.

from ‘Anam
by Andre Dao

There are a couple of things that resonated with me in the passage I’ve quoted above from Andre Dao’s award-winning novel, Anam.

First, there’s the mention of draughty Australian houses. I thought, reading these words, of the grey, rainy winter days of my own childhood in South Australia, although unlike Dao, I grew up in a 1920s colonial-style house rather than a weatherboard one. Our house had french windows and a verandah with wrought-iron lace trimming and a terrazzo floor. The ceilings in the house were high and the walls were thick, and we had central heating, but we used it sparingly. In June and July, then, when the days were at their shortest, those rooms were cold; I remember going to bed with a hot water bottle to warm my feet on. Even in adulthood — perhaps especially in adulthood — the houses I’ve lived in have been chilly in winter, the kind of chilly that requires you to wear several layers to ward it off.

In Australia, we like to believe that we don’t experience cold weather, and to an extent that is true — but there is nothing like the internal climate of a poorly heated house to remind you that winter does exist here. It does indeed get cold.

Guinea Flower, Aldinga Scrub, September 2024.

But the main theme of this passage is reading, and the quietness and calmness we seek from it. A quiet house and a calm world — isn’t that what most of us want? How wonderful it is that reading, an activity whose seeming simplicity belies its complexity, can give this to us.

How wonderful, too, that in discussing this Dao takes us from the idea of reading books to reading our own thoughts — and how we may stay true to them.

Lizzie, August 2024.

Lately I’ve been reading …

Becoming

Other people’s words about … leaving home

Much as I love my mother, much as I love that fabulous fridge, the free heating, the coffee grinder with whole, organic beans, much as I love reading on the sofa while she shifts and grunts over her Sudoku, I really did need to get away.

Meanwhile, some oozing, inner self knew what I was doing when I loaded up the boot of her car and broke her heart. When I made my mother drive me across town to a damp room in a run-down street, whose only attraction was the fact that she was not in it. I was going to fall apart. I had been so good, I had done all the things. Now, I wanted to sleep under a hedge and wake to the rain.

I also wanted to move out of this crap, overpriced town but I had not figured out where to go yet, so I was in a house in Ballybough that belonged to someone’s dead granny, first of all with Lily and, when she left for London, with her friend Stuart and one other randomer in the box room. Every time I went online, I found light-flooded interiors with potted plants the size of our kitchen. Outside, the red-brick streets were starting to look curated and I was just flicking through a life that wasn’t mine. Just flicking through.

from ‘The Wren, The Wren
by Anne Enright

I remember going away, leaving my childhood home, like the narrator in the passage above, Nell, does when she leaves her mother Carmel. I found it harder to break away than Nell and so I bought a plane ticket and flew overseas, because that was the only way I could make myself leave —- it required money; it required fear; it required loneliness; it required a non-refundable, one-way plane ticket to the other side of the world. I am not speaking figuratively here. As soon as I was on that plane, I felt afraid but I could not jump out —- that’s the thing about planes; you can’t jump out —- and so I went on flying away, leaving home (although, like Nell, I grew up and came home again eventually).

Path to the beach, Silver Sands, March 2024.

Last year I turned fifty-three and yet the stories that most move me, the books I most often read, are still, even now, about young people coming of age —- or if not young people, then people at moments in their lives when they become bigger or older or wiser or sadder, when they become in essence someone new, which is after all another form of coming of age. Perhaps what I mean is that I love stories of becoming.

Being fifty-three is a time when you come of age in another way. It is, you know, especially for women. I am right in the throes of that now, my last coming of age, perhaps.

It’s funny in some ways, because all the things I taught myself to do when I was younger, all the things I taught myself to do in order to grow up and look after myself and find a way of moving through the world with more ease (which is perhaps the very definition of finding a way to grow up) no longer work, not at fifty-three. My coping mechanisms, that is to say, are no longer effectual at helping me to cope — not because they no longer work, I don’t think, but because I simply can’t do them anymore.

Crooked tree and seat, The Washpool, March 2024.

For example.

You teach yourself to be intimate with other people -— a man you love, a friend you adore, another friend you trust. You teach yourself to be fit and strong. You teach yourself to drink a little wine every now and then, because it helps you to relax. You teach yourself to be okay with solitude. You teach yourself these things -— I taught myself these things -— but now these things, most of them, are slowly becoming inaccessible to me, simply by virtue of the fact that I am fifty-three. And fifty-three, I am finding, says no to these things. Physically, I mean. It says no.

Cracked mud, March 2024.

So I look down the tunnel of my fifties and I see what every other fifty-year-old before me has seen, no doubt. And I do not feel, no matter what decision I make, as though I am growing bigger or wiser or sadder or in any way newer. I am growing older, definitely. There is that.

But then there are books like The Wren, The Wren. Because I lied a little when I said that all the coping mechanisms I taught myself as a younger woman no longer work for me. One of them still does. I read. I read. I read.

Lately I’ve been reading …

Grasp

Other people’s words about … reading

After most of my long days at work, I would arrive back at the flat, pour myself a glass of wine or vodka and read, mainly short stories and poetry. I wasn’t reading novels because I didn’t want that kind of continuity; I didn’t want to carry over any part of narrative from one day to the next. Sometimes I read poetry in languages I didn’t fully understand — with a sense of the meaning, but reaching for it, grasping after it. One of my other pleasures was smoking, but I didn’t dwell or savour; I narrowed it down to lighting up and the first few drags — after that I lost interest. I read like I smoked: fixating on my new favourite in its entirety to begin with and then honing in on the exact phrase or phrases that gave me the fix, then reading only for those, discarding the rest and when that poem had been emptied out, moving on to the next.

from ‘Signs of Life
by Anna Raverat

I’m not a smoker and I love reading novels far more than I do short stories or poetry, but still, I found myself smiling in recognition when I read the narrator’s description in the passage by Raverat above about her approach to reading. I experience myself, these days, as a greedy reader — greedy for beautiful words, phrases, images, moments, greedy for the fix they give me, while often the plot or theme of a novel remains distant or abstract to me.

Pathway, Sellicks Beach, July 2023.

Reading has been an important part of my life for as long as I can remember, though the reasons for its importance to me has varied over the years. These days, it feels like an escape for me from the world, or perhaps more accurately an escape into someone else’s world — that world they create with their words. And, like anyone addicted to their fix, I’m not about to give it up.

Little green bench (a place to read in when the warmer weather returns?)
Sellicks Beach, July 2023.

Lately I’ve been reading …

Today’s reading list is exclusively about animals and pets — for all the animal-lovers out there! xo


Solace

Other people’s words about … stepping outside

I went outside. Often I walked till the late hours. The sky’s was a darkness I could deal with. I wanted to stop living by the measures of everyone else: before and after, death and life, sea and self. Being out there — in towns where I spoke to no-one, in green deserted parks, along the edge of the gulf’s water — allowed me to turn inwards. It reflected the silence I felt in me. I wanted to be outdoors for good. Yes, I went outside.

from ‘The Memory Artist
by Katherine Brabon

Pasha, the narrator of Katherine Brabon’s novel The Memory Artist, is a Russian man in his mid-thirties, a writer trying to make sense of his life post-glasnost, post-perestroika. While the story in Brabon’s novel is about the effect of political repression on people, and particularly on artists, I found uncanny echoes in Pasha’s voice of my own thoughts and feelings (although not, clearly, in response to any political repression or trauma, neither of which I have experienced).

Sky and Sea, Snapper Point, April 2023.

I wanted to stop living by the measures of everyone else, Pasha writes, by which he means not that he wants to stop living, but that he wants to accord his own values to this life he is living. Where he finds it most possible to do this is outside, under the great arch of the sky.

It’s a similar impulse, I think, that makes running so appealing to me — running through the scrub, running on the beach, running beside the sea. It’s outside where I find some of the things I most long for in life: silence, neutrality, the sense that I could (if I went on running long enough, if I stayed outdoors long enough) dissolve.

Sometimes, when I’m inside going about my day — working, sleeping, eating, showering — I remind myself that the sky is just a few steps away, literally at my feet. It feels to me like the very definition of solace.

Sun and shadow, Aldinga Beach, April 2023.

Lately I’ve been reading …

An apology of sorts: today’s list is lengthy, I know, but it’s been a while since I last posted here, and meanwhile I’ve been enjoying my online reading! I hope you will dip in and out of the list below and find something that you enjoy.

Speak

Other people’s words about … despair

She sat across from him. For some reason, he removed his glasses and set them on the gold table. His naked eyes were as dark as the burnished leather they sat on and held a startling amount of despair. The effect struck her as indecent, as if he’d disrobed. ‘Put your glasses back on,’ she wanted to tell him. ‘For God’s sake.’

from ‘Vacuum in the Dark
by Jen Beagin

I’ve been thinking a lot recently about the things people say to each other and the things they don’t. And about subtext, which is not quite the same thing but is part of it all the same.

Over the last couple of years, having written and submitted a middle-grade fiction manuscript to my agent which has as yet to find a home with a publisher, I’ve been writing a literary fiction manuscript. I haven’t mentioned this here till now, in part because my writing in that area is still so new and tentative, and in part because when I say the words, ‘I am writing a literary fiction manuscript’, all I hear is my own internal mocking laughter.

You? says the voice in head, that little internalised voice. How could you possibly presume to have something to say in the literary fiction field? How could you assume that much writing talent of yourself? That much wisdom?

Bracken fern, light and shadow, January 2023.

It’s impossible to say whether what I’m writing will ever be something complete, let alone publishable. That’s the risk any writer takes, whether they have had previous books published, as I have, or not. But what I am writing about in that manuscript is in part what Jen Beagin describes so beautifully in the passage I’ve quoted above: our unwillingness to witness each other’s despair. Our inability to talk about it or bring it to light. Our constant need to reassure each other with upbeat, optimistic conversation and good cheer.

I am not by nature a cheerful person. Nor am I an optimist. Nor am I a skilled conversationalist. At fifty-two, I still find myself getting midway through a conversation with another person, only to realise that I have revealed too much of myself: my fears, my doubts, my sadnesses. (Actually, ‘I still find myself’ is the wrong way to put this; in fact, the right way to put this would be, ‘I increasingly find myself’.) Maybe this isn’t evident to the person I’m talking to, or maybe it is. I’m never sure. But I often feel like the man Beagin describes in the passage above: glasses off, the truth in my eyes revealed. This is not a comfortable place to find myself.

But increasingly I believe in the importance of confronting the secrets we see in other people’s eyes. I believe in meeting those secrets head-on. I believe in talking about them. Perhaps what I am saying here is that secrets don’t have to be the subtext to the conversations we have with other people: they can be the essence of our conversations. They can be where we meet.

Common everlasting flowers, January 2023.

Lately I’ve been reading …

Replenish

Other people’s words about … being alone

As the train left the station, I felt a sense of relief. I wanted to walk in the woods and among the trees. I wanted not to speak to anyone, only to see and hear, to feel lonely.

from ‘Cold Enough for Snow
by Jessica Au

I’ve been thinking a lot this year about solitude and loneliness, about participating socially and withdrawing. Though popular scientists and the mainstream media continue to exhort us to maintain our social connections as we age, both for the health of our brain and for our psychological wellbeing, I have come to believe that it’s just as important to be comfortable in your own skin as it is to be comfortable in a social context.

Garden pickings (1), October 2022.

Some years ago a friend said to me that what she admired most in me was that I am a person who has a rich inner life. I have often thought about her words and what they might mean. I tend to think of myself as introverted and shy, a social choker, and I often find myself wanting because of this. But the truth is that when I let go of my expectations of myself as a social creature, I am happy wandering the avenues of my mind.

I think that’s why I find such accord with Jessica Au’s words in the passage I’ve quoted above. What if loneliness wasn’t just a negative version of solitude? Why not embrace it for itself? In fact, why not seek replenishment from it?

Truly: why not?

Garden pickings (2), October 2022.

Lately I’ve been reading …

Revelation

Other people’s words about … secrets

‘Philip,’ [his mother Rose] said. ‘There are things I could tell you.’
‘Tell them,’ Philip said.
‘No.’
‘Why not? I’m prepared.’
She turned, looked at [Philip’s father Owen] slumped on the sofa. ‘Because I don’t believe that just because something’s a secret it therefore by definition has to be revealed,’ Rose said. ‘Keeping certain secrets secret is important to — the general balance of life, the common utility.’

From ‘The Lost Language of Cranes

by David Leavitt

I have always been fascinated by people like Philip’s mother Rose in the passage above: people who keep their own counsel. I have a tendency to do the opposite — to over-share, to talk to people for advice, to feel guilty if the life I lead isn’t entirely transparent. I’m not sure why. I may just be wired that way, but I suspect that years of therapy during adolescence and early adulthood ingrained this way of being in me. When you are used to talking things through with someone on a weekly basis, it can feel odd — unsafe, even — once you stop.

Gnarled trunk, early July 2022.

I like Rose’s matter-of-fact statement that secrets don’t have to be revealed. Sometimes, when I am uncertain about a course of action or a decision I have to make, I think of the oath that I’m told doctors must take: ‘First, do no harm.’ I find this oath, applied to life in general, one of the most useful creeds I know.

And so I find myself thinking that Rose may be right. If keeping a secret doesn’t harm anyone, then why feel compelled to reveal it? Why not learn to live in silence with one’s own truths?

Waterways, early July 2022.

Lately I’ve been reading …

Only connect: Reunion

Other people’s words about connection

Maude cranes around to look and Cormac looks too, close enough to see them, all quite young and glacially made up with one man of height and handsomeness towering over the rest and another, a man to the tall one’s left, cocking his head and nodding in Cormac’s direction meaningfully.
It is Senan. Cormac waves …
He hasn’t seen Senan in person for months and yet his vision still telescopes in, urgent and unreconstructed, so that Cormac sees and knows again he loves him with a scratchy passion that returns as reliably as a rash. It is not a nostalgic feeling and casts no shadow, existing always in a self-sustaining now.
How acute it is: immediate deja vu.

From ‘We Were Young

by Niamh Campbell

I love this passage from Niahm Campbell about a man reuniting with someone he loves after the two of them have spent some time apart. Cormack, the character in Campbell’s novel, seems unable to commit to one person, whether man or woman; he moves from one relationship or liaison to another. But as a backdrop to all his attempts to remain unfettered there is his love for Senan, a man who is smart enough, perhaps, to keep himself unavailable and therefore always desirable and lovable.



Sunlight and trees, April 2022.


Who hasn’t at some time in their life loved someone who was unavailable? Or, moving beyond relationships and intimacy, who hasn’t wanted something that was eternally just out of reach?


Grasstree, May 2022.

Lately I’ve been reading …