From one year to the next

Other people’s words about … loneliness

She had told herself more than once not to call it loneliness, since it wasn’t any different from one year to the next, it was just how her body felt, like hungry or tired, except it was always there, always the same. Now and again she had distracted herself from it for a while. And it always came back and felt worse.

from ‘Lila
by Marilynne Robinson

A couple of years ago, I began to experience recurrent bouts of unexplained nausea. The waves of sickness came every three or four weeks, and left me feeling depleted and frustrated. My symptoms of illness were made more difficult by the fear that accompanied them: a fear that I’ve touched on here and here, and will no doubt touch on again.

In her memoir Slipstream, Elizabeth Jane Howard mentions in passing a phase in her life, when she was a young woman, during which she experienced something like this.

In those days, I had bouts of being unable to eat that sometimes lasted for weeks. This seemed to be one of them. I was very tired from my illness, but encouragement to build up my strength by these kindly people was of no avail. I’d sit before an immense juicy steak and delicious salad, trying to swallow the first pieces of meat, my stomach heaving, and wanting to cry from embarrassment. ‘I’m so sorry. I don’t eat much,’ I had to say.

It was my mother who, just recently, introduced me to Slipstream. When I read the passage above, I wished that Howard was still alive, so that I could write to her and thank her for these words. It helps, when you are going through difficult times, or when you are experiencing something troubling and bewildering for which you yourself have no words, to read someone else’s words on the same thing. Here is Howard again:

I had no energy for writing, I didn’t like living alone, and I could hardly drag myself to the office every other week to earn the six pounds that barely kept the wolf from the door … I remember the misery of sitting in restaurants faced with enormous menus and finally asking for something like a piece of cold chicken only some of which I managed to force down.

During the worst phase of my own bouts of nausea, I felt my life began to fold in on itself. Although I wasn’t ill all the time — although there were days and weeks when I felt well: days, even, when I felt as though I’d never feel sick again — those bouts took a toll on me. I called in sick at work frequently, and worried about the consequences. (Would I be put on a performance plan? Would I get sacked? What if I couldn’t hold my job down anymore? How would I live with myself if I couldn’t make a living?) I worried about my social life. (What if I lost all my friends because I kept cancelling on them at the last moment? What if they didn’t believe me when I told them I was sick? What if they thought I was just neurotic, or antisocial?) And I fretted about people in my family, whom I wanted to see more frequently than I did. (Did they know I still loved them? Did my absence hurt them? Were they, too, judging me?) I began to feel disabled on all fronts — by my symptoms of illness, by my fear of those symptoms, and by my shame about my fear.

The sickness happens less often now, I am glad to say, though it still comes, accompanied by symptoms that feel worse than they sound: fatigue, headaches, nausea, heavy eyes, weak limbs. I am as yet to find a cause. In the meantime, when I do experience bouts of illness like this, I try not to let myself feel the way I felt during that worst phase. Isolated is one word that comes to mind to describe the way I felt. Lonely is another.

And here is where reading helps. Reading Howard’s words I feel a sense of kinship. The kinship makes me reflect, as I so often do, that writing is an act of sharing, and that sometimes — sometimes — reading can feel like a defence against loneliness.

It wasn’t until I read Toni Bernhard’s How to Live Well with Chronic Pain and Illness that it finally became clear to me that illness — whether it’s serious or mild, whether it’s intermittent or constant, whether it’s accompanied by fear or not — is, inherently, lonely. Experienced long-term, it is all the more so. Bernhard, who lives with a fatigue-related chronic illness that keeps her largely bedridden, is illuminating on the theme. She writes:

In these moments when I accept that some of the people I know may never understand what life with chronic illness is like for me, I’m able to let go of the painful longing and fruitless desire for them to behave as I want them to. It’s like putting down a heavy load because I’m finally giving up a fight I cannot win. This gives rise to equanimity –- that calm sense of peace and well-being with my life as it is, whether others understand it or not.

Read those sentences again: Some of the people I know may never understand. Those words go to the heart of loneliness. So do these: painful longing. Fruitless desire. Illness should not entail any of these kinds of feelings, but it does. It is a very lonely experience. (If you are experiencing illness-related loneliness, I highly recommend Bernhard’s book. Her words are both wise and comforting. They may even impart a sense of kinship.)

The main character in Marilynne Robinson’s book, from which I quoted at the top of this post, is lonely in another way. Lila’s loneliness is the result of poverty and an extreme lack of love in her upbringing, and her experience of it is utterly embodied. I’ve never heard loneliness described this way before, but I find the interpretation as enlightening as Bernhard’s. Loneliness, Robinson is saying, is a physical — a visceral — thing. It is as much a part of living as hunger and fatigue; it is with us from our first breath to our last. Like illness, it is a part of the cycle of being alive in this world.

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Perhaps the difficulty we have with loneliness, then, is not so much with its actual presence, nor with its cause — whatever that may be — as it is with the way we experience it and interpret it. I find this thought strangely consoling.

Is it possible to feel consolation and loneliness simultaneously? Probably — but it’s much harder.

Note:
There are a number of bloggers who write about their experience of living with serious or long-term illness. Here is where the blogging community comes into its own! Two bloggers whose frank, clear-sighted words on illness I particularly admire are Elana Amsterdam of Elana’s Pantry, who lives with Multiple Sclerosis and writes about managing her illness through a grain-free diet and a low-stress lifestyle, and Ali Feller from Ali on the Run, a passionate runner who blogs about living (and running) with Crohn’s Disease.

Acknowledgments

Other people’s words about … gratitude

Andrew Wylie and Sarah Chalfant continued to treat me as a writer until eventually I became one again.

from the ‘Acknowledgments’ section
in ‘Aftermath
by Rachel Cusk

There is a ritual I always follow when I first pick up a new book to read. Before I begin to read it, I flick to the end to see how many pages it is. I like to know the length of the book I’m about to read, so that as I’m reading it, I know exactly how far I am through. It’s a way of measuring the pace of the story, perhaps: a way, too, of pacing myself and measuring my mood as I read. Sometimes, also, I admit, it’s a way of determining whether I’ll keep reading the book to its end. (If I’m bored and I’m not even a third of the way through, I stop. Life is so short and the library has so many books, it’s not worth spending time struggling through one I’m not enjoying!)

Once I’ve done that, I like to read the ‘About the Author’ section. I look at the author photo and check out their biography. Are they an academic? Is this their first book? How old are they? What do they like to reveal about themselves? Do they stick solely to their writing history, or do they mention their family, their loved ones, their hobbies? Do they write full-time, or do they have another job that pays for the privilege of writing? Maybe reading about the author is a way of trying to find some kind of connection. Reading is better, in my experience, when you feel connected in some ways — to the characters, certainly, but also, at least for me, to the author.

Next, I look at the list of the author’s previous publications, near the front of the book. I look at the copyright page, to see the date of publication. And then, finally, I read the acknowledgments. I love to see who the author thanks in their acknowledgments, and in what order, and whether their acknowledgments are formal or perfunctory (or both), or informal and long-winded and meandering. Sometimes there is a hint of how the author felt as they wrote the book — whether the writing of it was a joyful process or whether they were filled with troubles and doubt as they wrote.

There is an art to writing good acknowledgments, I think. If the author says too much — gushing about how wonderful the writing process was, or moaning about how difficult it became — they embarrass themselves. If the author says too little, the words are meaningless. Sometimes — unfairly, no doubt — I am so swayed by my reaction to the acknowledgments that I have already decided whether I love or hate the book before I’ve even read the book itself.

Rachel Cusk’s acknowledgments for Aftermath are of average length; the writing of them is neither perfunctory nor over the top. There is no hint of whining in them, and yet the sentence I’ve quoted above hints — subtly, I think, and poignantly — at serious writerly doubt. Once I’d read that sentence, I was determined to read the book all the way through, no matter how difficult I found it. Cusk, in those few words, had won me over.

They continued to treat me as a writer until eventually I became one again. That might be one of the most grateful sentences I’ve ever read from a writer. Gratitude, graciousness, humility — these are qualities I admire in others and aspire to myself. A writer who can write a sentence like that is, simply, the kind of writer whose books I want to read.

Note:
Some readers may remember that I published an earlier version of this post by mistake, before I had finished writing it — a version I subsequently (and very hastily) deleted when I realised my mistake! This is the finished version, finally …

Snatched phrases (on hope)

‘It’s maybe why her mother took to walking, Tess thinks  as she clambers through thickets of ash, brown kurrajong, weeping fig.
When you’re walking the view shifts and changes.
Walking’s a form of hope.’

from ‘The World Without Us
by Mireille Juchau

When you're walking ...
When you’re walking …
... the view shifts and changes.
… the view shifts and changes.
Walking's a form of hope.
Walking’s a form of hope.

When you can’t eat anything

Other people’s words about … IBS*

We’ve all been there. There are some days when it seems like everything you eat triggers an IBS attack. This is not your imagination; when your IBS is raging, your gastrocolic reflex can be so sensitive that simply drinking water can trigger dysfunctional colon contractions and IBS symptoms.

When this happens, you need to give your body a rest and stick to the safest foods and drinks possible in order to break the cycle of IBS.

from Help for IBS
a website by Heather van Vorous

* IBS stands for Irritable Bowel Syndrome. Honestly? The acronym definitely sounds better than the full name!

A long time ago, I promised you that I would never publish a recipe on this blog. Today I’m breaking that promise.

I’ve talked often about how much I love to bake and eat cake. These days, I enjoy every part of the process — stirring, whisking and beating the mixture; smelling it cooking in the oven; eating it afterwards. Sharing it with someone. Setting aside slices for my parents when I next see them. Eating a sliver after dinner each night. I’ve come to believe that these things are, contrary to what one might think, healthy things to do.

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The older I get, the more I believe in these rituals, at least for me. For most of my late teens and twenties, and even during my early thirties, I was stuck in a pattern of abstinent eating, though my abstinence varied in its severity and compulsion, and definitely waned as I moved beyond late adolescence. At various times, I have been low-fat, vegetarian, pescatarian, gluten-free, wheat-free, bread-free, red-meat-free, dairy-free.

In the early days, the reasons for my restrictions were purely about trying to keep myself at an artificially low weight, though I would never have admitted this then, either to others or to myself. Later, the reasons for restricting my diet were less about my weight and more about my health. When I was diagnosed with IBS some years ago — which was an explanation, at least, for some of the weird ways my digestive system behaves — I obediently tried the Low Fodmap diet, as my GP suggested. (It didn’t work. I felt worse.) When I had glandular fever with persistent fatigue some years later, I tried a grain-free diet, on the advice of various paleo enthusiasts on the internet. (Uugh. This was a disaster. Never again.)

I discovered Heather van Vorous’s website and book some years ago, and found it more helpful than anything I’ve ever come across. She is not a doctor or a dietitian or a scientist: she is someone who has suffered from severe IBS all her life. Her suggestions read a lot like the dietary advice we were all given in the 1980s and early 1990s, and so run counter to the current prevailing dietary guidelines for people with health issues. In essence (and I’m massively over-simplifying here), she advocates regular and frequent consumption of foods containing carbohydrates and soluble fibre — particularly simple, starchy foods like white rice, pasta and bread. Meanwhile, she suggests reducing or altering your pattern of consumption of foods high in fat, like avocados and coconut, along with foods high in insoluble fibre, like lettuce and prunes. She also recommends reducing or altogether omitting consumption of red meat, dairy products and alcohol. I don’t follow her guidelines all the time, particularly the omission of those last three things, but when I am experiencing a bad bout of IBS, I find her guidelines both effective and comforting.

In the end, we are all individuals: our bodies react individually to whatever we put in them, and to the environment around them. There is no one perfect diet for good health and longevity. Health is a complex beast, referring to our physical and mental wellbeing, genetically inherited tendencies, life events and personal belief systems. Doctors and dietitians — and internet health gurus, particularly — would do well to remember that.

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What does all of this have to do with cake?

First, over the years, I have come to the conclusion that restriction and abstinence, in whatever form they appear, will never be healthy practices for me personally. They may make my body temporarily healthier, but my mind and my mental wellbeing suffer. And that’s no longer acceptable to me. It hasn’t been for years.

Second, when I’m sick, or experiencing a bad case of IBS, sometimes cake is the answer. That may sound counterintuitive, but, truly, there is a cake for every occasion. The recipe below is what I call my ‘comfort cake’. Even when my stomach is wobbly and uncertain — when cauliflower and bananas are no-go zones; when, as Heather van Vorous puts it, even a glass of water can trigger symptoms — I can eat this cake. Perhaps it’s the spices in it, most of which are carminative and some of which also have anti-emetic effects. Perhaps it’s the starch. Perhaps it’s purely psychological. Whatever the reason, this cake settles my stomach; it calms my system down; it’s safe. At the same time, it tastes good and it feels like a treat. I’d go so far as to say it’s my own particular everyday cake.

This may be the only recipe I ever post on my blog. I’m posting it here because it represents something that has become a core belief for me during the time I’ve been writing this blog — which is to say, the importance of finding, and sticking to, your own kind of wellness, no matter what anyone else says, even (especially?) the experts. I’m posting it, too, for those of my readers who have a wobbly stomach like me but haven’t found anything that eases it. (You never know — this might.)

Most of all, I’m posting this recipe because I hate that saying ‘have your cake and eat it’. Why would you have a cake and not eat it?

Chocolate comfort cake

Note:
This recipe is based on an original recipe by Heather van Vorous, although I have altered it, over the years, almost beyond recognition. If you make substitutions to it, please know that it may not turn out as you expected or as I have suggested. In particular, this cake does not work well if you make it with solely gluten-free flours, due to its lack of eggs and its low fat content.

Ingredients:

1 x 410 g can pears in natural fruit juice
2 cups spelt flour
2 small teaspoons bicarb soda/baking soda
1 tablespoon of almond flour or coconut flour
1 teaspoon cinnamon
1 teaspoon nutmeg
1 teaspoon ground cloves
1 teaspoon ground cardamom
1 cup sugar
1/3 cup cocoa, sifted
1/4 cup oil

Instructions:

  1. Blitz the pears in their juice in a blender or a nutribullet until they form a smooth puree. Set aside.
  2. In a large bowl, whisk together the dry ingredients until they are well combined and lump-free. Either almond flour or coconut flour works well in this recipe, depending on which flavour you prefer. The coconut flour will make for a slightly lighter but also a slightly drier cake.
  3. Add the pear puree and oil and stir well to form a smooth batter. Don’t overmix, as spelt flour has some gluten in it and over-stirring here will develop the gluten, making the cake tougher.
  4. Spoon into a greased and lined loaf tin and bake at 170 degrees Celsius for one hour or so, or until a skewer inserted into the centre of the loaf comes out clean or with just a few crumbs clinging to it.
  5. Leave to cool in the tin for at least 20 minutes or until completely cool, as this cake, due to its lack of eggs and fat, is crumbly when still warm.
  6. Enjoy a slice or two with a cup of tea. If it is a sunny day and you have a balcony or a garden, go and sit out there and bathe yourself in sunshine while you eat!
  7. When your stomach is feeling stronger, this cake is good spread with a little coconut butter, butter or tahini. It is particularly nice shared with a friend.

First person

Other people’s words about … writing

Back in my room, I put down my bags, undressed, wrapped myself in blankets, put on Christmas music, and watched the snow fall outside my window, a picture-perfect postcard winter scene, wide lawns of white, thin black arms of trees holding up the white sky. I thought of writing. But what would I have said? I’d long since stopped writing, real writing, my own writing. No words ever came anymore. I’d lost the sense of first-person, the sense of being in the world that writing requires. I guess I had nothing to say for myself. I turned my face into the pillow and slept.

from ‘Wasted’
by Marya Hornbacher

It is a strange thing, but the words above — which form part of Hornbacher’s memoir about anorexia — speak to me as much about writing as they do about starving.

(Let me pause here to say, in passing, that Hornbacher writes about anorexia better than anyone else I have ever read. She writes with a vividness and intensity that is rare and moving and unforgettable. At the time she is describing in the passage above, she was at her lowest weight, close to death. She could not work, or eat, or read, or sleep. Of course she could not write.)

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I don’t know if you could call what Hornbacher is describing here ‘writer’s block’, although certainly she is describing an inability to write. I don’t even know if writer’s block exists. I do know that, like many writers, I have experienced times when I have been unable to write anything I deemed meaningful or worthwhile. For me, like Hornbacher, that feeling is powerfully tied up with a sense of despair, of loss. The despair comes first, and then the inability to write — not the other way around.

We like to tell ourselves that there is a link between depression and genius, between suffering and artistic ability. (Mozart, anyone? Van Gogh? Plath?) But most writers who have been through a period of depression will tell you that they write despite their depression, not because of it; and that they write their best material after a period of depression, not during it. Even those writers who choose to write specifically about their depression — like William Styron in ‘Darkness Visible‘, and Andrew Solomon in his particularly fine book ‘The Noonday Demon‘ — do so after the fact.

Is despair a different thing from depression? In the clinical sense, I guess, it is. Whatever its cause or pathology, it can certainly affect a writer’s ability to write. It can certainly keep her quiet. I’d lost the sense of first-person, Hornbacher says, of her own encounter with illness and despair: the sense of being in the world that writing requires. And that is how it feels.

The corollary of this, for me at least, is that when I write — when I can, when I do — it comes from a good place. Because here’s the thing: to have a sense of being in the world is to have a sense of belonging, of groundedness, of being alive. It is to have a sense of joy.

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I will leave it to Matt Haig, another writer who has chosen depression as the theme of one of his books, to close this post:

I want life. I want to read it and write it and feel it and live it. I want, for as much of the time as possible in this blink-of-an-eye existence we have, to feel all that can be felt.

from ‘Reasons to Stay Alive
by Matt Haig

Those are words that can keep you alive, if you let them, though they will not keep you quiet. I want. I want. I want.

Quietness, anyway, in my opinion, is overrated.

The list maker

Other people’s words about … wildflowers

It was the top of the morning, the very cream, and I skimmed it off and crouched in the cornfield, gulping it down … The field ended in a double ditch, and from it grew a mass of flowers in a profusion of colours and forms, such as is seen trimming the edges of medieval manuscripts. Black medick, I counted, buttercup, horsetail, ribwort plantain, hedge woundwort, must mallow and curled dock, the clustered seeds a rusty brown. Wild rose, dandelion, the red and white dead nettle, blackberry, smooth hawksbeard and purple-crowned knapweed. Interspersed with these were smaller, more delicate flowers: cut-leaved cranesbill, birdsfoot trefoil, slender speedwell, St John’s wort, heath bedstraw, tufted vetch and, weaving in and out of the rest, field bindweed, its flowers striped cups of sherbet-pink and white. The stem of the knapweed was covered in black fly, and a spider trap shaped like a dodecahedron had annexed a few pale purple flowers of vetch inside swathes of tight-woven web.

from ‘To the River
by Olivia Laing

I have quoted from Olivia Laing before, I know. Still, one day a week or so ago as I went for a bushwalk, I couldn’t help thinking again of To the River. In particular, my thoughts kept returning to the passage I’ve quoted above. We’ve had an extraordinarily wet, windy spring here in South Australia this year — a spring that’s left me craving our usual harsh, dry, crackling heat. But the ‘up’ side to the lower temperatures and higher rainfall has been the abundance of wildflowers.

That day, as I strolled along the path, it felt to me as though I was walking on a carpet of flowers. Whistlers burbled in the trees above me — I spied both golden whistlers and rufous whistlers — and wattlebirds clucked, and magpies warbled, and I am sure I heard the call of a curlew or a godwit, though I really don’t know whether that’s possible in the part of the world through which I was walking.

Meanwhile, the rug of flowers went on spreading out before me.

 

As I walked, I found myself doing exactly what Laing does in the passage above: counting the flowers. I saw each flower; I named it; I knew it. I made my list as Laing made hers, and though we live in different hemispheres, and our lists are very different, I suspect that the joy I felt in making my list was somewhat akin to hers.

 

If I was an artist or a calligrapher — if I was a mediaeval scribe — I would decorate the edges of this post with the flowers I saw that day, in reference to the illuminated manuscripts Laing mentions above. But I am none of those things, so my photos will have to suffice. (As usual, hover your cursor over the photos to see the name of each flower — or my attempt, at least, to identify and name each one. Part of the pleasure in list-making is the knowledge that some of the names on the list might be wrong. I learn as I go.)

Perhaps you might like to think of these photos as a kind of pictorial version of the list I made that day, or as evidence of the carpeted path I trod, or as a simple expression of my joy.

They’re all of those things to me.

A shock of pleasure

Other people’s words about … the sea

The narrow trail I had been following came to an end as it rose to meet the old grey asphalt road that runs up to the missile guidance station. Stepping from path to road means stepping up to see the whole expanse of the ocean, spreading uninterrupted to Japan. The same shock of pleasure comes every time I cross this boundary to discover the ocean again, an ocean shining like beaten silver on the brightest days, green on the overcast ones, brown with the muddy runoff of the streams and rivers washing far out to sea during winter floods, an opalescent mottling of blues on days of scattered clouds, only invisible on the foggiest of days, when the salt smell alone announces the change. This day the sea was a solid blue running toward an indistinct horizon where white mist blurred the transition to cloudless sky.

from ‘Wanderlust
by Rebecca Solnit

Rebecca Solnit’s words remind me of my own jaunts to and from the sea. So, no more words from me today — just a gallery of pictures I’ve taken over my own years of oceanside ramblings. You’ll recognise many of these pictures from earlier posts, no doubt, but collected here they convey, I hope, the many moods of the sea.

(Hover over the pictures to see their connection to the words above.)